Acoustics as a branch of physics involves heavy mathematics, and the practice of architectural acoustics involves knowledge of a broad range of subjects. For these reasons, many people believe that good acoustics are almost impossible to obtain and exist only in concert halls. With a solid understanding of the basics, however, rooms with good acoustics are not as hard to design and build as people might think. This work describes acoustics and the factors that must be considered for constructing a room or building with good acoustics. Among the topics covered are intonation, tuning and temperaments of classical music, environmental noise, noise and vibration control, the measurement of sound, sound systems, acoustic models, and acoustical design for various settings and purposes, including acoustics for chamber music, synagogues, churches, and classrooms. The work looks at places like Clemens Theatre, Congress Hall, Binns Rehearsal Room, and Philharmonic Hall, to name just a few, as models of small and large buildings with excellent acoustics. Many diagrams and other illustrations enhance the text.

A new approach to studying the violin in order to become a well-rounded and creative musician Written for violin and viola students-and their teachers-this book is a hands-on, write-all-over-it, spill-coffee-on-it workbook for integrating musicianship and technique through improvisation. It will benefit beginners through advanced players, even professionals. The creative approach to musical elements and technique in this book can help improve facility and expression for written music; empower participation with musicians playing in improvisation-based approaches such as blues, country, or rock; and even provide a springboard to dive into the deep waters of jazz.