Here are the stories written on the Book of Blood. They are a map of that dark highway that leads out of life towards unknown destinations. Few will have to take it. Most will go peacefully along lamplit streets, ushered out of living with prayers and caresses. But for a few, the horrors will come, skipping, to fetch them off to the highway of the damned ...

From the brilliant World Fantasy Award winner Clive Barker come fourteen spine-chilling stories of darkness unleashed, gathered together in one volume for the first time. These are visionary tales of terror which will curdle the very marrow in your bones …

Here are the stories written on the Book of Blood. They are a map of that dark highway that leads out of life towards unknown destinations. Few will have to take it. Most will go peacefully along lamplit streets, ushered out of living with prayers and caresses. But for a few, the horrors will come, skipping, to fetch them off to the highway of the damned ...

Gathered together for the first time in one volume, here are fifteen mind-shattering stories from the awesome imagination of World Fantasy Award winning author Clive Barker. They will take you to the brink - and beyond …

For more than two decades, Clive Barker has twisted the worlds of horrific and surrealistic fiction into a terrifying, transcendent genre all his own. With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.

A mind-blowing anthology of 18 stories bringing you the infinite Earths of the multiverse. Featuring Alix E. Harrow, Clive Barker, Ken Liu, Charlie Jane Anders, Annallee Newitz, Alastair Reynolds and more. Imagine infinite Earths, an endless universe containing every possible world. What if the mistakes we make be taken back? What if the war wasn't won, or that life wasn't saved, or that heart wasn't broken? Explore the infinite potential of the multiverse with the finest minds writing in science fiction today, and see what could have been... Featuring stories from: Alix E. Harrow Clive Barker Alastair Reynolds Ken Liu Charlie Jane Anders Annalee Newitz Ian McDonald Lavie Tidhar Jeffrey Thomas Chana Porter Paul Di Filippo Jayaprakash Satyamurthy Eugen Bacon Yukimi Ogawa Alvaro Zinos Amaro D. R. G. Sugawara Rumi Kaneko.

The Scarlet Gospels takes readers back to the early days of two of Clive Barker's most iconic characters in a battle of good and evil as old as time. The gates to Hell are open and something beckons . . . The last of Earth's magicians are living in fear. A Cenobite Hell Priest known as Pinhead is killing them off, gorging on their knowledge to enhance his own magical powers as part of a quest to take over Hell. Meanwhile, Private Investigator Harry D' Amour is fulfilling the final wishes of the dead, who communicate with his business associate, the blind medium Norma Paine. But while investigating one such case, Harry inadvertently opens up a portal between Hell and Earth. When Harry's nemesis Pinhead emerges through the portal, a vicious battle ensues. After failing to enlist Harry to pen his Scarlet Gospels - the epistles chronicling the Hell Priest's grand coup - Pinhead instead captures Norma. Harry realizes he must go through Hell - literally - to save her.

Clive Barker is widely acknowledged as the master of nerve-shattering horror. The Hellbound Heart is one of his best, one of the most dead-frightening stories you are likely to ever read, a story of the human heart and all the great terrors and ecstasies within. It was also the book behind the cult horror film, Hellraiser. In a quiet house on a quiet street Frank and Julia are having an affair. Not your ordinary affair. For Frank it began with his own insatiable sexual appetite, a mysterious lacquered box- and then an unhinged voyage through a netherworld of imaginable pleasures and unimaginable horror... Now Frank- or what is left of Frank -waits in an empty room. All he wants is to live as he was before. All julia can do is bring him her unfulfilled passions...and a little flesh and blood...

A dazzling fantasy adventure for all ages, the third part of a quintet, richly illustrated by the author. The Abarat:a magical otherworld composed on an archipelago of twenty-five islands - one for each hour of the day, plus an island out of time. Candy Quackenbush, escaping her dull, dull life from the most boring place in our world, Chickentown, USA, finds that in the Abarat she has another existence entirely, one which links her to marvels and mysteries; and even to murder... In this, the third volume in Clive Barker's extraordinary fantasy for both adults and children, Candy's adventures in the amazing world of the Abarat are getting more strange by the Hour. Christopher Carrion, the Lord of Midnight, has sent his henchmen to capture her. Why? she wonders. What would Carrion want with a girl from Minnesota? And why is Candy beginning to feel that the world of the Abarat is familiar to her? Why can she speak words of magic she doesn't even remember learning? There is a mystery here. And Carrion, along with his fiendish grandmother, Mater Motley, suspects that whatever Candy is, she could spoil his plans to take control of the Abarat. Now Candy's companions must race against time to save her from the clutches of Carrion, and she must solve the mystery of her past before the forces of Night and Day clash and Absolute Midnight descends upon the islands. A final war is about to begin. And Candy is going to need to make some choices that will change her life forever...

A BOOK OF REVELATIONS. AN EPIC JOURNEY.

The imajica – five dominions, four reconciled. The fifth is Earth, cut off, living ignorant on the edge of a sea of possibilities, mystery and magic. Only a few know of the Imajica, and of the coming day when the Earth will be reunited with the other Dominions. And they are both terrified and in awe of the prospect.

The moment of reconciliation is now approaching. For Gentle, Judith and Pie’oh’pah it is a time of reckoning and revelation. They are driven to travel the path towards the City of the Unbeheld. It is their destiny, whatever horrors or wonders that may hold.

“He is a mapmaker of the mind, charting the farthest reaches of the imagination.”
THE WASHINGTON TIMES

'”Imajica' is a ride with remarkable views”
TIMES LITERARY SUPPLEMENT

“Even greater in size and scope than 'Weaveworld'…erotic, apocalyptic, often horrifying, 'Imajica,' is beautifully written, a marvellous feat of imagination.”
CITY LIMITS

“A powerful and fascinating writer with a brilliant imagination…Clive Barker is an outstanding storyteller”
J G BALLARD

The basis for the horror film "Hellraiser," this novella is a nerve-shattering tale about the human heart and all the great terrors and ecstasies within its endless domain.

Chance had ruled Marty Strauss' life for as long as he could remember. Now at last luck was turning his way. Parolled from prison, he becomes bodyguard to Joseph Whitehead, one of the richest men in Europe. But Whitehead has also played with chance - an ancient game which gave him vast power and wealth, in exchange for his immortal soul. Now the forces he played against are back to claim what's theirs. Terryifying forces, with the power to raise the dead; and Marty is trapped between his human masters and Hell itself, with just one last, desperate game left to play...

In the small Californian town of Palomo Grove several children are born, the offspring of the Jaff, a man-spirit obsessed with darkness and depravity, and of Fletcher, a force for light, who has fought the Jaff across America.

Their prize is the Art, the greatest power known to mankind, a doorway to the dream-life of the species. To possess it, the two men intended to fight through their children. Until their children fall in love. Then all hell breaks loose.

This time, they will fight to the death, gathering their armies from the souls of Palomo Grove. Nightmares will walk the streets. Dreams will be made real. At last, the Grove will see the Great and Secret Show.

The long-awaited return of the great master of horror. Mister B. Gone is Barker's shockingly bone-chilling discovery of a never-before-published demonic 'memoir' penned in the year 1438, when it was printed - one copy only - and then buried until now by an assistant who worked for the inventor of the printing press, Johannes Gutenberg. This bone-chilling novel, in which a medieval devil speaks directly to his reader-his tone murderous one moment, seductive the next-is a never-before-published memoir allegedly penned in the year 1438. The demon has embedded himself in the very words of this tale of terror, turning the book itself into a dangerous object, laced with menace only too ready to break free and exert its power. A brilliant and truly unsettling tour de force of the supernatural, Mister B. Gone escorts the reader on an intimate and revelatory journey to uncover the shocking truth of the battle between Good and Evil.

Reissue of the highly acclaimed thriller by the world's most outstanding dark fantasist. WEAVEWORLD is an epic adventure of the imagination. It begins with a carpet in which a world of rapture and enchantment is hiding; a world which comes to life, alerting the dark forces and beginning a desperate battle to preserve the last vestiges of magic which Humankind still has access to. WEAVEWORLD is a book of visions and horrors, a story of quest, titanic struggles, of love and of hope. It is a triumph of imagination and storytelling, an adventure, a nightmare, a promise... 'Barker's fecundity of invention is beyond praise. In a world of hard-bitten horror and originality, Clive Barker dislocates your mind.' THE MAIL ON SUNDAY.

A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker. The nightmare had begun.... Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there. But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives. And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed in the last obscene moment of their torture. Boone's only refuge now was Midian - that awful, legendary place in which gathered the half-dead, the Nightbreed...

You hold in your hands not a book at all, but a terrifying embodiment of purest evil. Can you feel the electric tingle in your fingers as you are absorbed by the demon Jakabok's tale of his unintentional ascent from the depths of the Inferno? Do you sense the cold dread worming its way into your bloodstream, your sinews, the marrow of your bones as you read more deeply into his earthly education and unspeakable acts? The filth you now grasp has been waiting patiently for you for nearly six hundred years. And now, before you are completely in its thrall, you would do well to follow the foul creature's admonition and destroy this abomination of ink and paper before you turn a single leaf and are lost forever.

You have been warned.

Histories of British theatre between 1918 and 1939 have tended to marginalize the commercial and mainstream in favour of the literary or the politically motivated. This volume brings together a collection of essays that reflect both a far more complex theatre world than this strategy has allowed for, and scholarship on mainstream and alternative theatres in the 1920s and 1930s. Combining the popular with the commercial, the book includes accounts of the craze for thriller and detective plays and musical comedy and revue, alongside analyses of historical pageantry and the development of politicized productions of Shakespeare. With assessments of the representation of gender and sexuality in the theatre, this volume not only unveils hitherto neglected theatre practices but also places them in the context of a society undergoing rapid social and cultural change. It will appeal to advanced undergraduates and postgraduates and scholars interested in twentieth-century British theatre.

Film's most popular action hero needs a place to heal after his surgery has gone terribly wrong. His fiercely loyal agent finds him just such a place in a luxurious forgotten mansion high in the Hollywood Hills. But the original owner of the mansion was a beautiful woman devoted to pleasure at any cost, and the terrible legacy of her deeds has not yet died. There are ghosts and monsters haunting Coldheart Canyon, where nothing is forbidden . . .

Clive Barker's "Coldheart Canyon" showcases the boldly innovative "New York Times" bestselling master at the very top of his formidable and frightening skills. Clive Barker is the internationally bestselling author of more than twenty books for adults and children. He is also a widely acclaimed artist, film producer, screenwriter, and director. He lives in Beverly Hills, California.

This volume reveals a theater culture more complex and contradictory than previous histories have allowed for. Combining the popular with the commercial, the book includes accounts of the craze for thriller and detective plays and musical comedy and revue, alongside analyses of historical pageantry and the development of politicized productions of Shakespeare. It initiates a long overdue reassessment of mid-twentieth century British theater cultures. The book will appeal to advanced undergraduates and postgraduates as well as scholars interested in twentieth-century British theater.

A master storyteller and unrivaled visionary, Clive Barker has mixed the real and unreal with the horrible and wonderful in more than twenty years of fantastic fiction. The Inhuman Condition is a masterwork of surrealistic terror, recounting tragedy with pragmatism, inspiring panic more than dread and evoking equal parts revulsion and delight.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Topics covered in New Theatre Quarterly number 49 include: Emma Lyon, the 'Attitude', and Goethean Performance Theory; Good Nights Out: Finding and Activating the Audience with 7:84 (Scotland); Behind the Arras, through the Wall: Hamlet in Krakow, 1989; Harrison, Herakles, and Wailing Women; and Myths and Enabling Fictions of Origin in the Editing of Shakespeare.

Mr Hood's holiday house has stood for a thousand years, welcoming countless children into its embrace. It is a place of miracles, a blissful round of treats and seasons, where every childish whim may be satisfied. But there is a price to be paid. Harvey Swick finds out about the dark side.