This imaginative and innovative study by Daniel M. Amos, a longtime scholar of Cantonese culture, examines Chinese martial arts and martial artists in Hong Kong over the span of four decades, from 1976 to 2019. One of his earlier studies, based on ethnographic research completed between 1976 and 1981, compared Chinese martial artists in the British Crown Colony of Hong Kong with martial artists in neighboring Guangzhou, China, then emerging from the Cultural Revolution after the death of Mao Zedong. Over the past forty years Hong Kong has experienced the last two decades of British colonial rule and the first twenty years of governance by mainland China. Compared to the mid-1970s, Hong Kong is now much wealthier, while sports and leisure activities have become more closely tied to a world system where play and recreation have become increasingly internationalized. No longer are most Hong Kong Chinese martial artists who belong to private martial arts brotherhoods socially marginal people as they were in 1976. However, Chinese martial arts in Hong Kong has itself become marginalized in the sense that it is greatly reduced in popularity, with competition for the leisure time of children and youth coming from electronic media and games, a variety of sports, including mixed martial arts, boxing and other Asian martial arts.

Teachers' selection of the literature they use in instruction frequently depends on how they interpret, in other words whether or not they accurately take in the authors' perspectives. This point presents a particular challenge in the selection of international literature. International literature reflects a country's and a region's unique cultural values and practices and is usually not written for people outside the country of origin. Therefore, it is possible that readers in other countries may not understand/be aware of those values and misinterpret the stories. Since Asian and the Western countries, including the U.S., hold maximum sociocultural differences and the perceived cultural distance has remained significantly wide, reading and interpreting literature from Asia can present tremendous challenges to Americans. The book addresses the challenges teachers face when interpreting and teaching with international children's literature from Asia. The book engages readers with comprehensive coverage on theories, concepts, pitfalls, and applications when endeavoring to use international children's literature from Asia in classrooms. The book should be used to teach how interpretations/worldviews vary by cultures, and how power influences such interpretations/worldviews. Strategies and frameworks will be provided relating to how teachers can be more culturally conscious of their own biases and develop culturally authentic interpretations.

This new volume, Children's Literature from Asia in Today's Classrooms: Towards Culturally Authentic Interpretations, aims to provide readers with interpretation guides and practical ideas when they endeavor to make use of Asian international children's literature in the classroom. It attempts to help readers interpret stories from Asia more authentically, and focuses both on international children's literature and also on international literature read by young adults. In an increasingly interconnected world, understanding Asian international children's literature and effectively using it are worthy goals for PK-16 classrooms and teacher education programs. The book is divided into two parts. Part I discusses how to authentically read children's literature from four countries: India, Thailand, China, and Japan. These chapters provide guides for meaningful interpretations of cultural aspects of children's stories from these countries. Part II consists of annotated bibliographies of international children's literature from selected Asian societies: China, Taiwan, Indonesia, Japan, Philippines, South Korea, and Thailand. The editors believe that readers will find each author's cultural insights fascinating and useful as they attempt to read with cultural authenticity.

This new volume, Children's Literature from Asia in Today's Classrooms: Towards Culturally Authentic Interpretations, aims to provide readers with interpretation guides and practical ideas when they endeavor to make use of Asian international children's literature in the classroom. It attempts to help readers interpret stories from Asia more authentically, and focuses both on international children's literature and also on international literature read by young adults. In an increasingly interconnected world, understanding Asian international children's literature and effectively using it are worthy goals for PK-16 classrooms and teacher education programs. The book is divided into two parts. Part I discusses how to authentically read children's literature from four countries: India, Thailand, China, and Japan. These chapters provide guides for meaningful interpretations of cultural aspects of children's stories from these countries. Part II consists of annotated bibliographies of international children's literature from selected Asian societies: China, Taiwan, Indonesia, Japan, Philippines, South Korea, and Thailand. The editors believe that readers will find each author's cultural insights fascinating and useful as they attempt to read with cultural authenticity.

Teachers' selection of the literature they use in instruction frequently depends on how they interpret, in other words whether or not they accurately take in the authors' perspectives. This point presents a particular challenge in the selection of international literature. International literature reflects a country's and a region's unique cultural values and practices and is usually not written for people outside the country of origin. Therefore, it is possible that readers in other countries may not understand/be aware of those values and misinterpret the stories. Since Asian and the Western countries, including the U.S., hold maximum sociocultural differences and the perceived cultural distance has remained significantly wide, reading and interpreting literature from Asia can present tremendous challenges to Americans. The book addresses the challenges teachers face when interpreting and teaching with international children's literature from Asia. The book engages readers with comprehensive coverage on theories, concepts, pitfalls, and applications when endeavoring to use international children's literature from Asia in classrooms. The book should be used to teach how interpretations/worldviews vary by cultures, and how power influences such interpretations/worldviews. Strategies and frameworks will be provided relating to how teachers can be more culturally conscious of their own biases and develop culturally authentic interpretations.