This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass commercial culture in the US. DeMille's success rested on how well his films presumed a broad consensus in the American public-expressed through consumer hedonism, faith, and an "exceptional" national history-which merged seamlessly with the efficient production methods developed by the largest integrated studios. DeMille's sudden mid-career shift away from spectator perversity to corporate propagandist permanently tarnished the director's historical standing among scholars, yet should not overshadow the profound links between his success and the rise and fall of mid-century mass culture.

The decade of the 1910s saw the United States rise above strictly European cultural influences as the mixing of race, ethnicity, class, and gender yielded colorful fusions within American society. Historian David Blanke delves into the cornucopia of activities, trends, and events that shaped and enriched the day-to-day lives of Americans in this decade. Twelve scrupulously researched chapters bring to life all of the important aspects of popular culture in 1910s America: from "Birth of a Nation" to the Black Sox scandal, the Teddy Bear to Tarzan, breakfast cereal to the first brassiere. This lead title in Greenwood's forthcoming American Popular Culture Through History series shows the many facets of American society merging to form the beginnings of the United States' eclectic 20th century culture.

This debut volume launches a series designed to be advanced yet accessible, informative yet fun. Students researching the history of American art, film, literature, music, and sports will be taken beyond the names and dates in their textbooks and learn about the interests, styles, and tastes of past Americans. Series volumes will also include a timeline of significant cultural events as well as a cost comparison list of commonly used items. This valuable reference resource will introduce students to things, activities, and people that enriched and defined the lives of Americans in the seminal years of 1910 to 1919. These collages of culture will enrich the research of high school or college students and help them see how Americans' lives, aspirations, dreams, even the idea of what it is to be American, have evolved in the past--and will continue to change in the future.

This book examines the meaning of religion within the scientific, evidence-based history of our known past since the big bang. While our current major religions are only centuries or millennia old, our volume discusses the origins and development of human religious practice and belief over our species' existence of 300,000 years. The volume also connects the scientific approach to natural and social history with ancient truths of our religious ancestors using new lines of inquiry, new technologies, new modes of expression, and new concepts. It brings together insights of natural scientists, social scientists, philosophers, writers, and theologians to discuss narratives of the universe. The essays discuss that to apprehend religion scientifically, or to interpret and explain science theologically, the subject must be examined through a variety of disciplinary lenses simultaneously and raise several theoretical, philosophical, and moral problems. With a singular investigation into the meaning of religion in the context of the 13.8 billion-year history of our universe, this book will be indispensable for scholars and students of religious studies, big history, sociology and social anthropology, philosophy, and science and technology studies.

This book examines the meaning of religion within the scientific, evidence-based history of our known past since the big bang. While our current major religions are only centuries or millennia old, our volume discusses the origins and development of human religious practice and belief over our species' existence of 300,000 years. The volume also connects the scientific approach to natural and social history with ancient truths of our religious ancestors using new lines of inquiry, new technologies, new modes of expression, and new concepts. It brings together insights of natural scientists, social scientists, philosophers, writers, and theologians to discuss narratives of the universe. The essays discuss that to apprehend religion scientifically, or to interpret and explain science theologically, the subject must be examined through a variety of disciplinary lenses simultaneously and raise several theoretical, philosophical, and moral problems. With a singular investigation into the meaning of religion in the context of the 13.8 billion-year history of our universe, this book will be indispensable for scholars and students of religious studies, big history, sociology and social anthropology, philosophy, and science and technology studies.

This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass commercial culture in the US. DeMille's success rested on how well his films presumed a broad consensus in the American public-expressed through consumer hedonism, faith, and an "exceptional" national history-which merged seamlessly with the efficient production methods developed by the largest integrated studios. DeMille's sudden mid-career shift away from spectator perversity to corporate propagandist permanently tarnished the director's historical standing among scholars, yet should not overshadow the profound links between his success and the rise and fall of mid-century mass culture.

The decade of the 1910s saw the United States rise above strictly European cultural influences as the mixing of race, ethnicity, class, and gender yielded colorful fusions within American society. Historian David Blanke delves into the cornucopia of activities, trends, and events that shaped and enriched the day-to-day lives of Americans in this decade. Twelve scrupulously researched chapters bring to life all of the important aspects of popular culture in 1910s America: from Birth of a Nation to the "Black Sox" scandal, the Teddy Bear to Tarzan, breakfast cereal to the first brassiere. This lead title in Greenwood's forthcoming "American Popular Culture Through History" series shows the many facets of American society merging to form the beginnings of the United States' eclectic 20th century culture. This debut volume launches a series designed to be advanced yet accessible, informative yet fun. Students researching the history of American art, film, literature, music, and sports will be taken beyond the names and dates in their textbooks and learn about the interests, styles, and tastes of past Americans. Series volumes will also include a timeline of significant cultural events as well as a cost comparison list of commonly used items. This valuable reference resource will introduce students to things, activities, and people that enriched and defined the lives of Americans in the seminal years of 1910 to 1919. These collages of culture will enrich the research of high school or college students and help them see how Americans' lives, aspirations, dreams, even the idea of what it is to be American, have evolved in the past--and will continue to change in the future.

In the twentieth century, Americans thought of the United States as a land of opportunity and equality. To what extent and for whom this was true was, of course, a matter of debate, however especially during the Cold War, many Americans clung to the patriotic conviction that America was the land of the free. At the same time, another national ideal emerged that was far less contentious, that arguably came to subsume the ideals of freedom, opportunity, and equality, and that eventually embodied an unspoken consensus about what constitutes the good society in a postmodern setting. This was the ideal of choice, broadly understood as the proposition that the good society provides individuals with the power to shape the contours of their lives in ways that suit their personal interests, idiosyncrasies, and tastes. By the closing decades of the century, Americans were widely agreed that theirs was-or at least should be-the land of choice. In A Destiny of Choice?, David Blanke and David Steigerwald bring together important scholarship on the tension between two leading interpretations of modern American consumer culture. That modern consumerism reflects the social, cultural, economic, and political changes that accompanied the country's transition from a local, producer economy dominated by limited choices and restricted credit to a national consumer marketplace based on the individual selection of mass-produced, mass-advertised, and mass-distributed goods. This debate is central to the economic difficulties seen in the United States today.

In the twentieth century, Americans thought of the United States as a land of opportunity and equality. To what extent and for whom this was true was, of course, a matter of debate, however especially during the Cold War, many Americans clung to the patriotic conviction that America was the land of the free. At the same time, another national ideal emerged that was far less contentious, that arguably came to subsume the ideals of freedom, opportunity, and equality, and that eventually embodied an unspoken consensus about what constitutes the good society in a postmodern setting. This was the ideal of choice, broadly understood as the proposition that the good society provides individuals with the power to shape the contours of their lives in ways that suit their personal interests, idiosyncrasies, and tastes. By the closing decades of the century, Americans were widely agreed that theirs was-or at least should be-the land of choice. In A Destiny of Choice?, David Blanke and David Steigerwald bring together important scholarship on the tension between two leading interpretations of modern American consumer culture. That modern consumerism reflects the social, cultural, economic, and political changes that accompanied the country's transition from a local, producer economy dominated by limited choices and restricted credit to a national consumer marketplace based on the individual selection of mass-produced, mass-advertised, and mass-distributed goods. This debate is central to the economic difficulties seen in the United States today.