Multidisciplinary scholars showcase their search for decolonial strategies from within their disciplinary focus, covering ideas such as the different layers at which colonialism operates, strategies for a decolonisation that does not recolonise, and the importance of preserving and publishing in indigenous languages.

Decolonisation explores questions of justice, injustice and inhumanity that have geographically and intellectually shaped the course of history through overlapping colonial, decolonial and postcolonial eras. This multidisciplinary collection uses the lenses of history, philosophy, literature and education to examine aspects of colonialism and decolonisation, and their revolutionary and evolutionary manifestations which, contributors argue, occurred simultaneously in the historical and epistemological record. The problems that come into focus have a kaleidoscopic effect on how we come to understand fraught issues, from the ‘invention’ of blacks, to the formulation of the ideology of trusteeship and the obligations to ‘lower civilisations’.

Decolonisation brings together an internationally renowned group of scholars to showcase their search for decolonial strategies within their disciplinary focus, covering ideas such as the different layers at which colonialism operates, strategies for a decolonisation that does not recolonise, and the importance of preserving and publishing in indigenous languages.

This is a much-needed book for students and scholars in the field of decolonisation, history, philosophy and pedagogy. The introductory chapter offers a clear and concise primer to this complex subject, covering colonialism, imperialism, decoloniality, and the various actors involved.

​This handbook provides an exploration of the field of International Political Theory (IPT), which in its broadest terms, examines the ways in which ideas about justice, sovereignty, and legitimacy shape international politics. It is a comprehensive resource for those interested in understanding the philosophical, political, and legal issues that arise from interactions between states, peoples, and global actors. The two volumes of the handbook cover a wide range of topics, from the foundations of international political thought to the latest debates in the field. They are designed to give readers a comprehensive overview of the key concepts and arguments within international political theory and provide an introduction to the main debates in the field. Volume 1 takes us from the ancient world to the formation of the modern state system as we lay the groundwork for a critical understanding of changes in, and challenges to, core ideas such as sovereignty, international law and territorial integrity. The contributions to this volume explore the European domination of the discipline providing insights into how it came to conceive the world in its own image. They also focus on non-Western perspectives and reactions to European hegemony.

Language, Culture and Decolonisation discusses the importance of language in decoloniality from a global perspective, and the decolonisation process from the disciplinary vantage points of history, politics, philosophy, and literary studies. The title makes original contributions to our understanding of how, in Fanon’s words, colonialism gets under the skin of the colonised by taking control of a people’s history, language and culture, and denigrating all three. The edited volume examines classic and contemporary arguments that make the case for the importance of indigenous languages, including creole, in the cultural formation and expression of one’s identity, and in the formation of cultural ways of reading, against arguments that make the case for the appropriation and subversion of the language of the coloniser. French and English, for example, became the lingua franca of an elite pan-African intelligentsia. The book also shows how the coloniser, in promoting indigenous cultures and languages, may defuse and control potential political resistance, as we see in the case of the South African government and the Zulu nation.

In this exciting new work, David Boucher and Gary Browning explore Bob Dylan's radical and changing engagement with the "political." The contributions deal with various aspects and periods of Dylan's career, including the early protest ballads, the artistic high-point of his mid-sixties electric period in which his songs question the very notion of ordered collective politics, and present alternative disturbing images of a counter-reality. Finally the book explores the more personal and religious songs on issues of identity, alienation and ethical striving. Whereas in the early protest songs the diagnosis and prognosis did not always give rise to answers, the later religious analyses of the world gone wrong appeared to generate a very clear and simple remedy in Jesus.

The methodology of the study of the history of political thought is an area of study which has occupied my interests for nearly a decade. I was introduced to the subject in University College, Swansea. My teachers there provided me with an excellent grounding in political studies. I am particularly indebted to Bruce Haddock, Peter Nicholson and W. H. Greenleaf. Professor Greenleaf was kind enough to supply me with a copy of his bibliography and copies of two of his unpublished papers. I continued to pursue my interest in methodology at the London School of Economics and Political Science. I am indebted to Ken Minogue and Robert Orr who taught me there. My greatest debt is to Dr. Joseph Femia ofthe University of Liverpool who devoted a great deal of time to considering the arguments presented here. His criticisms and suggestions for improvement proved to be invaluable. I would also like to thank Alan Ryan for his general comments and encouraging advice. It would be remiss of me if I neglected to express my gratitude to Dewi Beynon who was my first teacher of politics. The research for this project was carried out in the following places; The British Library of Political Science, London; The Sidney Jones Library, University of Liverpool; The National Library of Scotland, Edinburgh; The Main Library, University of Edinburgh; The Arts and Social Science Library, University College, Cardiff; and the Bodleian Library, Oxford.

Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan’s and Cohen’s fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists’ relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca’s concept of the poetry of inspiration and the emotional depths of ‘duende.’ Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the ‘duende,’ or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.

This volume brings together leading theorists to discuss the latest thinking on social justice - a central concern of contemporary politics and political philosophy. Contributors such as Carole Pateman, Raymond Plant and Chris Brown explore:
* the origins of the concept
* the contributions of thinkers such as Hume, Kant and Mill
* issues such as international justice, economic justice, justice and the environment and special rights.
By bringing together the latest applications of theories of justice with a discussion of origins, Perspectives on Social Justice provides a helpful overview for students and specialists alike.

This volume brings together leading theorists to discuss the latest thinking on social justice - a central concern of contemporary politics and political philosophy. Contributors such as Carole Pateman, Raymond Plant and Chris Brown explore:
* the origins of the concept
* the contributions of thinkers such as Hume, Kant and Mill
* issues such as international justice, economic justice, justice and the environment and special rights.
By bringing together the latest applications of theories of justice with a discussion of origins, Perspectives on Social Justice provides a helpful overview for students and specialists alike.

The concept of a social contract has been central to political thought since the 17th century. Contract theory has been used to justify political authority, to account for the origin of the state and to provide foundations for moral values and a just society. In this collection, leading scholars from Britain and America survey the history of contractarian thought and the major debates in political theory which surround the notion of social contract. They examine the critical reception of the ideas of thinkers such as Hobbes, Locke, Rousseau, Hegel and Marx, and include the more contemporary ideas of Rawls and Gauthier. The collection also incorporates discussions of international relations theory and feminist responses to contractarianism. Challenging the notion that there is a single tradition that can be traced back beyond Hobbes to classical Greece, three distinct traditions are identified, alongside a series of anti-contractarian arguments which have played a role in shaping the debate to the present day. Together, these essays aim to provide a comprehensive introduction to theories and critiques of the social contract, within a broad political theoretical framework.

The concept of a social contract has been central to political thought since the seventeenth century. Contract theory has been used to justify political authority, to account for the origins of the state, and to provide foundations for moral values and the creation of a just society.In The Social Contract from Hobbes to Rawls, leading scholars from Britain and America survey the history of contractarian thought and the major debates in political theory which surround the notion of social contract.
The book examines the critical reception to the ideas of thinkers including Hobbes, Locke, Rousseau, Hegel and Marx, and includes the more contemporary ideas of John Rawls and David Gauthier. It also incorporates discussions of international relations theory and feminist responses to contractarianism. Together, the essays provide a comprehensive introduction to theories and critiques of social contract, within a broad political theoretical framework.

eBook available with sample pages: 0203392922

Although Tennessee has a rich history of political scandals, dating back to the founding of the state, the last fifty years have been a confusing, confound, and sometimes hilarious mess of ne'erdowelling. Welcome to Capitol Hill is a guide to the state's modern history of corruption. From Gov. Ray Blanton's pardon scandals to the FBI investigation that started with now-Lt. Gov. Randy McNally wearing a wire in the late 1980s to the sexual misconduct that plagues Tennessee politics, it's all here. These two veteran political reporters rely on interviews with primary and secondary sources, archival documents, and never-before-seen federal investigative files to provide readers with a handy resource to the wrong-doings of our elected officials.

This volume presents a many-faceted view of the Oxford philosopher R. G. Collingwood. At its centre is his Autobiography, published in 1939, which has the status of a cult classic for its compelling 'story of his thought'. Collingwood's work has enjoyed renewed attention in recent years, with new editions of his great philosophical works. This volume republishes the Autobiography alongside a previously unpublished account by Collingwood of a journey to the East Indies in 1938-1939. These writings are accompanied by eleven specially written essays. Several of these examine aspects of Collingwood's life-not just the Autobiography, but what he doesn't discuss in that work, from his childhood to his professorship at Oxford. And the essays also examine aspects of his work on philosophy, politics, history, and archaeology, in the context of his life.

The methodology of the study of the history of political thought is an area of study which has occupied my interests for nearly a decade. I was introduced to the subject in University College, Swansea. My teachers there provided me with an excellent grounding in political studies. I am particularly indebted to Bruce Haddock, Peter Nicholson and W. H. Greenleaf. Professor Greenleaf was kind enough to supply me with a copy of his bibliography and copies of two of his unpublished papers. I continued to pursue my interest in methodology at the London School of Economics and Political Science. I am indebted to Ken Minogue and Robert Orr who taught me there. My greatest debt is to Dr. Joseph Femia ofthe University of Liverpool who devoted a great deal of time to considering the arguments presented here. His criticisms and suggestions for improvement proved to be invaluable. I would also like to thank Alan Ryan for his general comments and encouraging advice. It would be remiss of me if I neglected to express my gratitude to Dewi Beynon who was my first teacher of politics. The research for this project was carried out in the following places; The British Library of Political Science, London; The Sidney Jones Library, University of Liverpool; The National Library of Scotland, Edinburgh; The Main Library, University of Edinburgh; The Arts and Social Science Library, University College, Cardiff; and the Bodleian Library, Oxford.

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood on critical, anthropological, and cultural themes only hinted at in his previously available work. At the centre of the book are six chapters of a study of folktale and magic, composed by Collingwood in the mid-1930s and intended for development into a book. Here Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. This is preceded, in Part I, by a range of contextualizing material on such topics as the relations between music and poetry, the nature of language, the value of Jane Austen's novels, the philosophy of art, and the relations between aesthetic theory and artistic practice. Part III of the volume consists of two essays, one on the relationship between art and mechanized civilization, and the second, written in 1931, on the collapse of human values and civilization leading up to the catastrophe of armed conflict. These offer a devastating analysis of the consequences that attend the desertion of liberal principles, indeed of all politics as such, in the ultimate self-annihilation of military conquest. The volume opens with three substantial introductory essays by the editors, authorities in the fields of critical and literary history, social and cultural anthropology, and the philosophy of history and the history of ideas; they provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment brings hitherto unrecognized areas of Collingwood's achievement to light, and demonstrates the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.

This is the first comprehensive study of the political philosophy of the British philosopher R. G. Collingwood, best known for his contributions to aesthetics and the philosophy of history. However his political thought, and in particular his book The New Leviathan, have been neglected, even dismissed in some quarters. Professor Boucher argues for the importance of this political theory and provides a perspicuous account of its development and originality. He contends that The New Leviathan is an attempt to reconcile philosophy and history, theory and practice. Collingwood’s distinctive contribution to modern political and social thought is seen as his sustained project of distinguishing utility from right, and right from duty; the passion for history coincides with the ethical thought because Collingwood wishes to identify dutiful, or moral, action with a historical civilization. Drawing on a wealth of manuscript material, this book will prove invaluable to political philosophers and intellectual historians.

Bob Dylan is one of the most significant figures in popular culture. In this book, the authors provide a multi-faceted analysis of his political art. They address Dylan's career as a whole, dealing with such themes as alienation, protest, non-conformity, the American Dream, modernity and postmodernism and pivotal moments of Dylan's career such as the 'Judas' accusation at the 1966 Manchester Free Trade Hall concert and Dylan's comments on the need to aid American farmers at Live Aid, 1985. Dylan's songs are analysed for their political meaning and for the songs in contemporary American political and popular culture. As notable specialists in the fields of political theory, literary criticism and popular culture the authors examine Dylan's work from a variety of perspectives-aesthetic theory, Kant, Adorno, Lyotard, Lorca and Collingwood. Collectively, they question how Dylan's work relates to the theory and practice of politics. In this second revised and expanded edition, the chapters have been revised and rewritten, with a new introduction exploring the enigma of Bob Dylan throughout the whole of his career and with a completely new Bob Dylan Timeline integrating Dylan's life, songs and actions into the historical events that shaped his views. Two new chapters have been added, one focusing on the late Dylan, Masked and Anonymous and Love and Theft and another on Dylan at Live Aid and his stance on Farm Aid. This book is a must for anyone seriously interested in the legendary Bob Dylan.

The British idealists made significant and lasting contributions to the social and political thought of the nineteenth century. They contributed to the evolution debate in insisting that the social organism could not be understood in naturalistic terms, but instead had to be conceived as an evolving spiritual unity. In this respect the British idealists developed a distinctive view of the state constitutive of the individual and they are commonly acknowledged as the forerunners of modern communitarian theory. Furthermore the idealists contributed to the major debates of their day, including evolution, democracy, the role of the state, education and international relations. In his introduction, David Boucher develops the themes illustrated in the writings of the British idealists. This volume also contains biographies of the British idealists which incorporate their principal works.

Scottish philosophers were at the forefront of introducing Hegel into Britain in the work of Ferrier, Carlyle, Hutchison, Stirling and Caird, but they were also distinctive in locating themselves in relation to the Scottish philosophical tradition they sought to extend. The Scottish Idealists, among them Caird, Ritchie, Seth, Pringle Pattison, Mitchell, Watson and Jones, dominated the philosophical professoriate in Britain, Australia and Canada from the late 19th century to WW1. This collection of readings, the first of its kind, has been chosen with a view to displaying the variety, richness and strength of the tradition. It begins with an essay from the famous "Essays in Philosophical Criticism" (1883), a book that set-out the future direction of enquiry for this group. Idealism was immensely spiritual in character and recognized no hard and fast distinctions between philosophy, religion, poetry and science. It was a formidable force in social reform.

Ethical constraints on relations among individuals within and between societies have always reflected or invoked a higher authority than the caprices of human will. For over two thousand years Natural Law and Natural Rights were the constellations of ideas and presuppositions that fulfilled this role in the west, and exhibited far greater similarities than most commentators want to admit. Such ideas were the lens through which Europeans evaluated the rest of the world. In his major new book David Boucher rejects the view that Natural Rights constituted a secularization of Natural Law ideas by showing that most of the significant thinkers in the field, in their various ways, believed that reason leads you to the discovery of your obligations, while God provides the ground for discharging them. Furthermore, The Limits of Ethics in International Relations maintains that Natural Rights and Human Rights are far less closely related than is often asserted because Natural Rights never cast adrift the religious foundationalism, whereas Human Rights, for the most part, have jettisoned the Christian metaphysics upon which both Natural Law and Natural Rights depended. Human Rights theories, on the whole, present us with foundationless universal constraints on the actions of individuals, both domestically and internationally. Finally, one of the principal contentions of the book is that these purportedly universal rights and duties almost invariably turn out to be conditional, and upon close scrutiny end up being 'special' rights and privileges as the examples of multicultural encounters, slavery and racism, and women's rights demonstrate.

Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan’s and Cohen’s fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists’ relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca’s concept of the poetry of inspiration and the emotional depths of ‘duende.’ Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the ‘duende,’ or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.

The British idealists made significant and lasting contributions to the social and political thought of the nineteenth century. They contributed to the evolution debate in insisting that the social organism could not be understood in naturalistic terms, but instead had to be conceived as an evolving spiritual unity. In this respect the British idealists developed a distinctive view of the state constitutive of the individual and they are commonly acknowledged as the forerunners of modern communitarian theory. Furthermore the idealists contributed to the major debates of their day, including evolution, democracy, the role of the state, education and international relations. In his introduction, David Boucher develops the themes illustrated in the writings of the British idealists. This volume also contains biographies of the British idealists which incorporate their principal works.

Ethical constraints on relations among individuals within and between societies have always reflected or invoked a higher authority than the caprices of human will. For over two thousand years Natural Law and Natural Rights were the constellations of ideas and presuppositions that fulfilled this role in the west, and exhibited far greater similarities than most commentators want to admit. Such ideas were the lens through which Europeans evaluated the rest of the world. In his major new book David Boucher rejects the view that Natural Rights constituted a secularization of Natural Law ideas by showing that most of the significant thinkers in the field, in their various ways, believed that reason leads you to the discovery of your obligations, while God provides the ground for discharging them. Furthermore, The Limits of Ethics in International Relations maintains that Natural Rights and Human Rights are far less closely related than is often asserted because Natural Rights never cast adrift the religious foundationalism, whereas Human Rights, for the most part, have jettisoned the Christian metaphysics upon which both Natural Law and Natural Rights depended. Human Rights theories, on the whole, present us with foundationless universal constraints on the actions of individuals, both domestically and internationally. Finally, one of the principal contentions of the book is that these purportedly universal rights and duties almost invariably turn out to be conditional, and upon close scrutiny end up being 'special' rights and privileges as the examples of multicultural encounters, slavery and racism, and women's rights demonstrate.

David Boucher and Gary Browning provide a multi-faceted analysis of the political art of Bob Dylan. The contributions cover Dylan's career as a whole, dealing with such themes as alienation, protest, non-conformity and the American Dream. Dylan's work is examined from a variety of perspectives including the aesthetic theory of Kant, Adorno, Lyotard and Collingwood. The assembled authors are notable specialists in political theory, literary criticism and popular culture. They do not tackle Dylan from a single standpoint but collectively question how Dylan's work relates to the theory and practice of politics.

This book brings together for the first time R. G. Collingwood's political and related writings, in which he places political action in the context of action as a whole and addresses the substantive social and political issues - in particular Nazism and Fascism - which he perceived as a threat to European civilization. This is the first time that substantial philosophical arguments from the unpublished manuscripts have been reproduced since Malcolm Knox edited the posthumously published Idea of History.

The New Leviathan is the last book written by the great Oxford philosopher and historian R. G. Collingwood (1889-1943), the culmination of his many years of work on moral and political philosophy. Originally published in 1942, it is here presented in a new edition, accompanied by extensive additional material from Collingwood's manuscripts and an introduction by the editor, David Boucher, setting the work in its context and showing its continuing importance and relevance.