William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

Introduction by David Bromwich

American Breakdown is the brilliant political diary of one of America's leading essayists, David Bromwich, whose work has drawn wide appreciation for its incisive portraits and accurate prognosis. From his analysis of the Cheney-Bush co-presidency, in which foreign policy was reduced to permanent war, and Barack Obama's practice of reconciliation without truth, Bromwich chronicles the emergence of Donald Trump-the demagogue of a culture of corruption from which all traces of political interest and candour have dropped away. An unsparing account of the degradation of American democracy, the book leads off with a new introduction on the prospects for change during the new Democratic Congress.

David Bromwich's portrait of statesman Edmund Burke (1730-1797) is the first biography to attend to the complexity of Burke's thought as it emerges in both the major writings and private correspondence. The public and private writings cannot be easily dissociated, nor should they be. For Burke-a thinker, writer, and politician-the principles of politics were merely those of morality enlarged. Bromwich reads Burke's career as an imperfect attempt to organize an honorable life in the dense medium he knew politics to be. This intellectual biography examines the first three decades of Burke's professional life. His protest against the cruelties of English society and his criticism of all unchecked power laid the groundwork for his later attacks on abuses of government in India, Ireland, and France. Bromwich allows us to see the youthful skeptic, wary of a social contract based on "nature"; the theorist of love and fear in relation to "the sublime and beautiful"; the advocate of civil liberty, even in the face of civil disorder; the architect of economic reform; and the agitator for peace with America. However multiple and various Burke's campaigns, a single-mindedness of commitment always drove him. Burke is commonly seen as the father of modern conservatism. Bromwich reveals the matter to be far more subtle and interesting. Burke was a defender of the rights of disfranchised minorities and an opponent of militarism. His politics diverge from those of any modern party, but all parties would be wiser for acquaintance with his writing and thoughts.

Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications. A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time. Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

'A most wonderful, lurid, poisonous little tale' Oscar Wilde The Turn of the Screw, James's great masterpiece of haunting atmosphere and unbearable tension, tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something, or someone, malevolent is stalking the children in her care. Is the threat to her young charges really a malign and ghostly presence, or a manifestation of something else entirely? Edited and with an Introduction and Notes by David Bromwich Series Editor: Philip Horne

When it first appeared in 1979, Philosophy and the Mirror of Nature hit the philosophical world like a bombshell. In it, Richard Rorty argued that, beginning in the seventeenth century, philosophers developed an unhealthy obsession with the notion of representation: comparing the mind to a mirror that reflects reality. Rorty's book is a powerful critique of this imagery and the tradition of thought that it spawned. Today, the book remains a must-read and stands as a classic of twentieth-century philosophy. Its influence on the academy, both within philosophy and across a wide array of disciplines, continues unabated. This edition includes new essays by philosopher Michael Williams and literary scholar David Bromwich, as well as Rorty's previously unpublished essay "The Philosopher as Expert."

Sooner or later, our words take on meanings other than we intended. How Words Make Things Happen suggests that the conventional idea of persuasive rhetoric (which assumes a speaker's control of calculated effects) and the modern idea of literary autonomy (which assumes that 'poetry makes nothing happen') together have produced a misleading account of the relations between words and human action. Words do make things happen. But they cannot be counted on to produce the result they intend. This volume studies examples from a range of speakers and writers and offers close readings of their words. Chapter 1 considers the theory of speech-acts propounded by J.L. Austin. 'Speakers Who Convince Themselves' is the subject of chapter 2, which interprets two soliloquies by Shakespeare's characters and two by Milton's Satan. The oratory of Burke and Lincoln come in for extended treatment in chapter 3, while chapter 4 looks at the rival tendencies of moral suasion and aestheticism in the poetry of Yeats and Auden. The final chapter, a cause of controversy when first published in the London Review of Books, supports a policy of unrestricted free speech against contemporary proposals of censorship. Since we cannot know what our own words are going to do, we have no standing to justify the banishment of one set of words in favour of another.

Today, as we confront an unprecedented environmental crisis of our own making, it is more urgent than ever to consider the notion of nature and our place within it. This book brings together essays that individually and as a whole present a detailed and rigorous multidisciplinary exploration of the concept of nature and its wider ethical and political implications. A distinguished list of scholars take up a broad range of questions regarding the relations between the human subject and its natural environment: when and how the concept of nature gave way to the concept of natural resources; the genealogy of the concept of nature through political economy, theology, and modern science; the idea of the Anthropocene; the prospects for green growth; and the deep alienation of human beings in the modern period from both nature and each other. By engaging with a wide range of scholarship, they ultimately converge on a common outlook that is both capacious and original. The essays together present a revaluation of the natural world that seeks to reshape political and ethical ideals and practice with a view to addressing some of the fundamental concerns of our time. Nature and Value features widely known scholars in a broad swath of disciplines, ranging from philosophy, politics, and political economy to geology, law, literature, and psychology. They include Jonathan Schell, David Bromwich, James Tully, Jedediah Purdy, Robert Pollin, Jan Zalasiewicz, Carol Rovane, Sanjay Reddy, Joanna Picciotto, Anthony Laden, Nikolas Kompridis, Bina Gogineni, Kyle Nichols, and the editor, Akeel Bilgrami.

Essayist, lecturer, and radical pamphleteer, William Hazlitt (1778-1830) was the greatest of English critics and a master of the art of prose. This book is a superb appreciation of the man and his works, at once a revaluation of the aesthetics of Romanticism and a sustained intellectual portrait. Nominated for the National Book Critics Circle Award in criticism when it was first published in 1983, it is now reissued with a new preface and bibliography by the author. "Few literary figures in recent decades have seen their reputations rise as securely as Hazlitt's. Now it will soar. David Bromwich's book is the most persuasive and ambitious exploration of Hazlitt's genius hitherto attempted."-Michael Foot, New Republic "Hazlitt: the Mind of a Critic is an intellectual biography in the best sense of the word, and intellectual biography is the type of writing that shows Hazlitt in his truest light."-Kenneth R. Johnston, Indiana University "Bromwich's volume was first published in 1983, and its achievement has never been questioned. All Romanticists recognize that this is one of the great critical works in our field to appear in the post-war era. It aspires to (and achieves) a classical simplicity and elegance."-Duncan Wu, University of Glasgow

Liberal education has been under siege in recent years. Far-right ideologues in journalism and government have pressed for a uniform curriculum that focuses on the achievements of Western culture. Partisans of the academic left, who hold our culture responsible for the evils of society, have attempted to redress imbalances by fostering multiculturalism in education. In this eloquent and passionate book a distinguished scholar criticizes these positions and calls for a return to the tradition of independent thinking that he contends has been betrayed by both right and left. Under the guise of educational reform, says David Bromwich, these groups are in fact engaging in politics by other means. Bromwich argues that rivals in the debate over education have one thing in common: they believe in the all-importance of culture. Each assumes that culture confers identity, decides the terms of every moral choice, and gives a meaning to life. Both sides therefore see education as a means to indoctrinate students in specific cultural and political dogmas. By contrast, Bromwich contends that genuine education is concerned less with culture than with critical thinking and independence of mind. This view of education is not a middle way among the political demands of the moment, says Bromwich. Its earlier advocates include Mill and Wollstonecraft, and its roots can be traced to such secular moralists as Burke and Hume. Bromwich attacks the anti-democratic and intolerant premises of both right and left-premises that often appear in the conservative guise of "preserving the tradition" on the one hand, or the radical guise of "opening up the tradition" on the other. He discusses the new academic "fundamentalists" and the politically correct speech codes they have devised to enforce a doctrine of intellectual conformity; educational policy as articulated by conservative apologists George Will and William Bennett; the narrow logic of institutional radicalism; the association between personal reflection and social morality; and the discipline of literary study, where the symptoms of cultural conflict have appeared most visibly. Written with the wisdom and conviction of a dedicated teacher, this book is a persuasive plea to recover a true liberal tradition in academia and government-through independent thinking, self-knowledge, and tolerance of other points of view.

"Skeptical Music" collects the essays on poetry that have made David Bromwich one of the most widely admired critics now writing. Both readers familiar with modern poetry and newcomers to poets like Marianne Moore and Hart Crane will relish this collection for its elegance and power of discernment. Each essay stakes a definitive claim for the modernist style and its intent to capture an audience beyond the present moment.
The two general essays that frame "Skeptical Music" make Bromwich's aesthetic commitments clear. In "An Art without Importance," published here for the first time, Bromwich underscores the trust between author and reader that gives language its subtlety and depth, and makes the written word adequate to the reality that poetry captures. For Bromwich, understanding the work of a poet is like getting to know a person; it is a kind of reading that involves a mutual attraction of temperaments. The controversial final essay, "How Moral Is Taste?," explores the points at which aesthetic and moral considerations uneasily converge. In this timely essay, Bromwich argues that the wish for excitement that poetry draws upon is at once primitive and irreducible.
"Skeptical Music" most notably offers incomparable readings of individual poets. An essay on the complex relationship between Hart Crane and T. S. Eliot shows how the delicate shifts of tone and shading in their work register both affinity and resistance. A revealing look at W. H. Auden traces the process by which the voice of a generation changed from prophet to domestic ironist. Whether discussing heroism in the poetry of Wallace Stevens, considering self-reflection in the poems of Elizabeth Bishop, or exploring the battle between the self and its images in the work of John Ashbery, "Skeptical Music" will make readers think again about what poetry is, and even more important, why it still matters.

Although we know him as one of the greatest English poets, William Wordsworth might not have become a poet at all without the experience of personal and historical catastrophe in his youth. In "Disowned by Memory," David Bromwich connects the accidents of Wordsworth's life with the originality of his writing, showing how the poet's strong sympathy with the political idealism of the age and with the lives of the outcast and the dispossessed formed the deepest motive of his writings of the 1790s.
"This very Wordsworthian combination of apparently low subjects with extraordinary 'high argument' makes for very rewarding, though often challenging reading."--Kenneth R. Johnston, "Washington Times"
"Wordsworth emerges from this short and finely written book as even stranger than we had thought, and even more urgently our contemporary."--Grevel Lindop, "Times Literary Supplement"
"[Bromwich's] critical interpretations of the poetry itself offer readers unusual insights into Wordworth's life and work."--"Library Journal"
"An added benefit of this book is that it restores our faith that criticism can actually speak to our needs. Bromwich is a rigorous critic, but he is a general one whose insights are broadly applicable. It's an intellectual pleasure to rise to his complexities."--Vijay Seshadri, "New York Times Book Review"

Selected Poetry of William Wordsworth represents Wordsworth’s prolific output, from the poems first published in Lyrical Ballads in 1798 that changed the face of English poetry to the late “Yarrow Revisited.” Wordsworth’s poetry is celebrated for its deep feeling, its use of ordinary speech, the love of nature it expresses, and its representation of commonplace things and events. As Matthew Arnold notes, “[Wordsworth’s poetry] is great because of the extraordinary power with which [he] feels the joy offered to us in nature, the joy offered to us in the simple elementary affections and duties.”