Clark Ashton Smith was one of the most remarkable and distinctive American poets of the twentieth century. His tremendous output of poetry, totaling nearly 1000 original poems written over a span of more than fifty years, is of the highest craftsmanship and runs the gamut of subject matter from breathtaking "cosmic" verse about the stars and galaxies to plangent love poetry to pungent satire to delicate imitations of Japanese haiku. This edition prints, for the first time, Smith's entire poetic work, including hundreds of uncollected and unpublished poems. The poems have been arranged chronologically by date of writing, so far as can be ascertained. This first volume includes poetry from the first two to three decades of Smith's career, when he published such noteworthy volumes as The Star-Treader (1912), Ebony and Crystal (1922), and Sandalwood (1925). Smith's early work was written under the tutelage of the celebrated California poet George Sterling, but Smith quickly surpassed his mentor in the writing of cosmic and lyric verse. Smith's greatest poetic triumph, perhaps, was The Hashish-Eater, a poem of nearly 600 lines that strikingly evokes the myriad suns of unbounded space and the baleful monsters that may lurk therein. But Smith could also write such touching elegies as "Requiescat in Pace," a dirge for a woman whose death affected him deeply. All poems have been textually corrected by consultation with manuscripts and early appearances, and have been extensively annotated by editors S. T. Joshi and David E. Schultz.

In addition to being a prolific and innovative poet in his own right, Clark Ashton Smith was a noted translator of French and Spanish poetry. Teaching himself French in the mid-1920s, Smith undertook the ambitious program of translating the entirety of Charles Baudelaire's Les Fleurs du mal (The Flowers of Evil) into English. Over the next several years he succeeded in translating all but six of the 157 poems that comprised the definitive (1868) edition of Les Fleurs du mal. His mentor George Sterling testified to the remarkable spiritual affinity between Smith and Baudelaire, rendering him the perfect translator of this difficult poet. Smith also translated other noteworthy French poets-Paul Verlaine, Victor Hugo, Alfred de Musset, and Theophile Gautier, among others-as well as such obscure poets as Marie Dauguet and Tristan Klingsor. In the 1940s Smith taught himself Spanish, making splendid verse translations of such poets as Amado Nervo, Gustavo Adolfo Becquer, and and Jorge Isaacs. The great majority of the poems included in this volume are unpublished. The current edition presents, for the first time, Smith's complete translations in French and Spanish, also printing the French and Spanish texts on facing pages. All texts are annotated by S. T .Joshi and David E. Schultz.

When An Epicure in the Terrible first appeared in 1991, commemorating the centennial of H. P. Lovecraft's birth, it was hailed as a significant contribution to Lovecraft studies. Its thirteen original essays, along with a lengthy biocritical introduction by S. T. Joshi, contained penetrating work by leading authorities in the field. Among them were Kenneth W. Faig, Jr.'s pioneering study of Lovecraft's parents; Jason C. Eckhardt's analysis of Lovecraft's heritage as a New England Yankee; and Donald R. Burleson's treatment of the key theme of "touching the glass," epitomized by "The Outsider." Other essays in the book deal with such topics as the theme of isolation in Lovecraft's fiction (Stefan Dziemianowicz); Lovecraft's cosmic imagery (Steven J. Mariconda); Lovecraft's progression from a macabre writer to a cosmic writer (David E. Schultz); and Lovecraft's "artificial mythology" and its development (Robert M. Price). Essays by Peter Cannon, Robert H. Waugh, R. Boerem, Norman R. Gayford, and Barton L. St. Armand round out the volume. This paperback edition presents these perspicacious essays to a new readership, and shows the richness and complexity of H. P. Lovecraft's writing-writing that is destined to endure for centuries. Citations to Lovecraft's work have been updated to reflect newer and more accurate editions that have appeared since 1991, and some of the essays have been slightly revised in other particulars.

If we could only put aside our civil pose and say what we really thought, the world would be a lot like the one alluded to in The Unabridged Devil's Dictionary. There, a bore is ""a person who talks when you wish him to listen,"" and happiness is ""an agreeable sensation arising from contemplating the misery of another."" This is the most comprehensive, authoritative edition ever of Ambrose Bierce's satiric masterpiece. It renders obsolete all other versions that have appeared in the book's ninety-year history. A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil's Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth. This new edition is based on David E. Schultz and S. T. Joshi's exhaustive investigation into the book's writing and publishing history. All of Bierce's known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included. Ambrose Bierce's Devil's Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.