In the first half of the twentieth century, modernist works appeared not only in obscure little magazines and books published by tiny exclusive presses but also in literary reprint magazines of the 1920s, tawdry pulp magazines of the 1930s, and lurid paperbacks of the 1940s. In his nuanced exploration of the publishing and marketing of modernist works, David M. Earle questions how and why modernist literature came to be viewed as the exclusive purview of a cultural elite given its availability in such popular forums. As he examines sensational and popular manifestations of modernism, as well as their reception by critics and readers, Earle provides a methodology for reconciling formerly separate or contradictory materialist, cultural, visual, and modernist approaches to avant-garde literature. Central to Earle's innovative approach is his consideration of the physical aspects of the books and magazines - covers, dust wrappers, illustrations, cost - which become texts in their own right. Richly illustrated and accessibly written, Earle's study shows that modernism emerged in a publishing ecosystem that was both richer and more complex than has been previously documented.

In the first half of the twentieth century, modernist works appeared not only in obscure little magazines and books published by tiny exclusive presses but also in literary reprint magazines of the 1920s, tawdry pulp magazines of the 1930s, and lurid paperbacks of the 1940s. In his nuanced exploration of the publishing and marketing of modernist works, David M. Earle questions how and why modernist literature came to be viewed as the exclusive purview of a cultural elite given its availability in such popular forums. As he examines sensational and popular manifestations of modernism, as well as their reception by critics and readers, Earle provides a methodology for reconciling formerly separate or contradictory materialist, cultural, visual, and modernist approaches to avant-garde literature. Central to Earle's innovative approach is his consideration of the physical aspects of the books and magazines - covers, dust wrappers, illustrations, cost - which become texts in their own right. Richly illustrated and accessibly written, Earle's study shows that modernism emerged in a publishing ecosystem that was both richer and more complex than has been previously documented.

A new edition of the much-loved perennial meditation diary whose messages radiate spiritual wisdom, encouragement and serenity throughout the year * Provides messages of spiritual insight and guidance for every day of the year from Eileen Caddy, co-founder of the Findhorn Community * Offers specific suggestions for your daily spiritual growth and development * Includes a new introduction by Jonathan Caddy, one of Eileen's sons, who adds a fresh perspective to the profound influence this guidance can have One of the much-loved books of Eileen Caddy (1917-2006), co-founder of the Findhorn Community in Scotland, Opening Doors Within is a perennial meditation diary offering down-to-earth inspirational messages of spiritual guidance for every day of the year. For over 35 years, people have used these practical teachings that offer advice on achieving stillness, faith, and fulfillment. Specific suggestions for your daily spiritual growth and development enhance the impact of the supportive words. Eileen's brief messages, from what she called "the still, small voice within," offer inspirational, uplifting, and powerful words of love and support. Her daily guidance was the bedrock of the early Findhorn Community, and the concept of "inner listening" is still very much part of individual and community practice there today. The encouraging and practical messages speak to those embarking upon the journey to find their divine inner self and spiritual truth. Anyone who meditates--whether inexperienced or seasoned--will find the wisdom shared both insightful and heartening. A new foreword by Jonathan Caddy, Eileen's son who lives in the Findhorn Community, adds a fresh perspective to the profound influence this guidance can have. No matter how you use the wisdom shared in this small book, take these teachings into yourself and carry them within you, until they have done their silent, gentle, and loving work of opening the doors within.

You may ask yourself...what has DOG got to do with GOD. Well...this book and the events that happened one night in March, 2002 made it clear that they were indeed...inseparable. Is it a coincidence that they are spelled with the same three letters...and the same when reflected. However this is only the beginning of the astonishing disclosures that came from a VOICE from the Universe and revealed many shocking enlightenments of its mysteries.

Under very strange and unusual circumstances...a VOICE came...in my own language. The voice came through an Intity called Gracie...my DOG...my Amazing Gracie. I was told to write whatever words or thoughts that came to my mind. I wrote for hours...about things I had merely thought about...and certainly things I had never even imagined or even thought about...

Mysteries of the Universe, of the Earth. and of Mankind...things spiritual, things scientifi c, and things in combination of the the two... were explained. Things that had happened, were happening, and things that were to happen in the future.

There are typically two responses to the complex environmental problems of our time: 1) doom and gloom and 2) optimism. There is a lot of doom and gloom in the environmental literature. This literature warns that the future portends danger for humans and their life support systems. But when one tries to be optimistic about the present or the future, one is criticized as being unrealistic. The optimist is thereby considered naive. Similarly, when groups of scientists are showing signs of success in presentations, seminars, and the literature, they are often accused of delusional optimism or even a 'conspiracy of optimism.' In the face of such criticism, the optimists are challenged to be realistic, the belief being that if one is realistic then one will see that the present and the future really are, in fact, full of doom and gloom. Therefore, we have an apparent choice between realistic doom and gloom and unrealistic optimism. I call this choice "the hopeless dilemma." This case study on wild Pacific salmon uses quantitative and qualitative methods in a complementary way to investigate the underlying frames of this apparent dichotomy. Radical reframing is then explored as a means to transcend the hopeless dilemma and find realistic hope.

Roger Owen, an African American family man in the year 2011, awakens the morning after his fortieth birthday to discover himself inhabiting the body of Sydney Hamilton, a Caucasian sixty-six year old Welsh Harvard Professor of History, whom he remembers nothing of, in what is now the year 2125. Roger's entire life up to that fateful evening in October 2011 is soon revealed as being only a memory of a past life. His odyssey of this strange new existence in the twenty-second century takes him from an insane asylum, to the care of an attractive, beguiling, empathetic psychologist named Dr. Jessica Wynn, to the acceptance of both lost lives and the pursuit of finding his ancestors from his past life. Through it all he must also deal with unraveling the mystery of a secret he unknowingly holds as Professor Hamilton regarding the truth of a catastrophic viral pandemic that occurred in 2115 that now threatens his life by a man who seeks to kill him.

Written in a step by step tutorial style, learning comes as a result of creating a complete dance music track, along with the explanations that follow each stage. You have a computer and a love for dance and electronic music. Maybe you've been to some clubs, and the energy of electronic dance music has you completely under its spell. You see a DJ spinning, and everyone is dancing. It's infectious. You want to make music that affects people that way. Today the open source community has offered you LMMS. Read this book, and you'll be shown a process to creating great dance music. This book is going to connect the dots if you have already started making dance music, and provide a very solid foundation if you are just getting started - no matter what your skill level is.

Roger Owen, an African American family man in the year 2011, awakens the morning after his fortieth birthday to discover himself inhabiting the body of Sydney Hamilton, a Caucasian sixty-six year old Welsh Harvard Professor of History, whom he remembers nothing of, in what is now the year 2125. Roger's entire life up to that fateful evening in October 2011 is soon revealed as being only a memory of a past life. His odyssey of this strange new existence in the twenty-second century takes him from an insane asylum, to the care of an attractive, beguiling, empathetic psychologist named Dr. Jessica Wynn, to the acceptance of both lost lives and the pursuit of finding his ancestors from his past life. Through it all he must also deal with unraveling the mystery of a secret he unknowingly holds as Professor Hamilton regarding the truth of a catastrophic world event that occurred in 2115 that now threatens his life by a man who seeks to kill him.

The Deep South harbors many secrets: secrets that rarely find their way into the mainstream world that exists beyond the fiercely protected southern 'way'. This is the story of a little boy who grew into the man who would take his place as the Christ of the Last Days. It is a series of anecdotes that commence with the narrative of his childhood which took place in the very boson of the South herself.Georgia, and ends with a startling conclusion of his life long vision "to know the biblical Truth, the whole biblical truth and nothing but the biblical truth." March, 1929. David came into the world as the precocious, only child, of two staunchly southern parent; Virginia and Early Steward. In his earliest years, the threesome that was David's family would be the center of his universe: his hearth and home, his safety net and source of comfort. Virginia and Early, their secrets, their struggles and their often turbulent relationship, would greatly influence and mold their son. David's family started out as average middle-class, and then rose to the epitome of southern affluence. Early, a small-town power-broker, skirting precariously close to scandal through the years: served as County Commissioner and Special Deputy Sheriff in Berrien County, Georgia. Virginia.the epitome of southern charm and culture, sought to impart this to her son as a future southern gentleman. Most of it took and lived until. From their lofty perch at the top of the heap, they would eventually fall from southern grace in financial ruin, divorce and the decline of the family on all sides. Each curve in the road would leave its mark on the boy, who would become the man who would perceive the act upon a vision of whathe and the world around him could become.

Ezekiel Moss, scholar, adventurer, farmer, family man, carves out a place for himself and his family in the rugged and fearsome Rocky Mountain fur trade. A free trapper, he establishes himself with the warrior tribes of the unexplored Louisiana Territory. He is known as Lion Killer, a man of honor. His size, strength, and intelligence, combined with an indomitable will, and impeccable character, allow him to travel freely between the tribes. His fearsome appearance and ferocious fighting abilities mask the tenderness inside of him. He finds love with a lonely Shoshone widow, together they create the foundation for a dynasty. From New Orleans to Tennessee, and into the vast uncharted Louisiana Purchase; Lion Killer shapes the future for his family.

This book is the culmination of many years of research on Japanese aesthetics by David and Michiko Young, authors of The Art of the Japanese Garden and The Art of Japanese Architecture (Tuttle Publishing). The book contains more than 200 color photographs on a variety of topics pertaining to Japanese art and culture. There are two major aesthetic traditions in Japan --a Restrained Tradition and an Exuberant Tradition. In phenomena as diverse as art, architecture, gardens, clothing, the objects people use and interior decor, the influence of both traditions can be seen. Instead of competing with each other, these two traditions are opposite ends of a continuum on which people move back and forth between restraint and exuberance in the course of their daily lives, depending upon the circumstances. This movement is not arbitrary but governed by principles that go to the core of Japanese culture. The goal of this book is to provide a better understanding of these basic principles. An important theme throughout the book is that Japan is a highly structured society in which people value but seldom have the opportunity to express spontaneity in art and everyday life. True spontaneity is achieved only when an art form is totally mastered so that it flows freely without thought. This kind of spontaneity is seen in children's art, much of the art of Zen Buddhism or absorption in a hobby, sport or music. Most of the time, individuals seek escape from the restrictions of everyday life in fantasy, as evidenced by the popularity of manga and the great diversity of after-hours entertainment in Japan. Sometimes, however, they turn to the values incorporated in the concept of SHIBUSA, an important aesthetic concept in Japan. SHIBUSA attempts to find a compromise between spontaneity and a high level of taste. SHIBUI aesthetics, which favor values such as austerity, asymmetry and subdued colors, is toward the restrained end of the Restraint-Exuberance Continuum. At the same time, however, it represents what we have called "spontaneity of effect," creating an atmosphere that appears to be relaxed and spontaneous, even if it is not truly spontaneous. We believe that the concept of SHIBUSA is a major contribution of Japan to the rest of the world.