The key to a bold and original approach to the mission, arrest, trial and death of Jesus is the title; Son of Man. He is portrayed as a man agonized by the feeling of divinity within him, and with all a man's capacity for suffering and pain. "Father, let me be just a man," he cries; and, to his disciples. "He (Son of Man) cannot be other than a man, or else God has cheated-- and so my Father in Heaven will abandon me to myself." The play also strongly reflects the historical and political situation in which the events occur-- and examines in a new light the character and motives of Judas Iscariot.3 women, 27 men

This deceptively simple tale relates the activities of seven English children played by adults on a summer afternoon during World War II. In a woods, a field and a barn, they play, fight, fantasize and swagger. Their aggressions, fears, hostilities and rivalries are a microcosm of adult interaction. Easy going Willie tags along as burly Peter bullies Raymond and is challenged by fair minded Paul. Plain Audrey is overshadowed by Angela's prettiness and wreaks her anger on the boys. All of them gang up on the terrified "Donald Duck" who, abused by his mother and ridiculed by his peers, plays a dangerous game of pyromania with tragic results.

This clever, disturbing, and controversial play revolves around Mr. and Mrs. Bates, a dull, middle aged couple whose only daughter, Pattie, has been reduced to a vegetable following a car accident. Suddenly, a polite, helpful and clean cut but satanic young man walks into their lives with startling results.2 women, 2 men

Dennis Potter here introduces three of his acclaimed works, Blue Remembered Hills (1979), Joe's Ark (1974) and Cream in My Coffee (1980), and discusses the artistic potential and the limitations of a constantly evolving medium. Blue Remembered Hills: 'The novelty is that the leading characters, a group of seven-year-old children, are played by adult actors. It is a brilliant device, employed not as a gimmick but to suggest that youthful behaviour is carried over into the grown-up world . . . Blue Remembered Hills won the BAFTA Award for Best Play in 1979 and is a landmark in television drama.' The Times

This is the unabridged original text of Dennis Potter's acclaimed six-part television serial. The narrative counterpoints life in a hospital ward of a writer crippled by a horrific skin disease with the plot of his atmospheric thriller to the point where fantasy and reality seem to exchange places. The result is the most painful and disturbing screen drama of the 1980s.

British television's pre-eminent playwright - latterly a novelist and film-maker - talks with passionate erudition, disarming candour and acerbic wit about the early influences that shaped him and led to his pioneering use of non-naturalism, to his self-reflexive subversion of film and TV cliches, his controversial approach to sex, politics, religion and the double-edged puritanism of the English condition. The book presents a remarkable portrait of a man for whom writing is, first and foremost, a vocation.