British television's pre-eminent playwright - latterly a novelist
and film-maker - talks with passionate erudition, disarming candour
and acerbic wit about the early influences that shaped him and led
to his pioneering use of non-naturalism, to his self-reflexive
subversion of film and TV cliches, his controversial approach to
sex, politics, religion and the double-edged puritanism of the
English condition. The book presents a remarkable portrait of a man
for whom writing is, first and foremost, a vocation.
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