An obsessive and revealing self-portrait of a remarkable woman humiliated by the circumstances of her birth and by her physical appearance, La Bâtarde relates Violette Leduc’s long search for her own identity through a series of agonizing and passionate love affairs with both men and women. When first published, La Bâtarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir—like that of Henry Miller, Leduc’s brilliant writing style and attention to language transform this autobiography into a work of art.

A classic text that develops one prong of Dumézil’s tripartite hypothesis of Indo-European tribes: the sacred sovereign.   Georges Dumézil’s fascination with the myths and histories of India, Rome, Scandinavia, and the Celts yielded an idea that became his most influential scholarly legacy: the tripartite hypothesis, which divides Indo-European societal functions into three classes: the sacred sovereign, the warrior, and the producer. Mitra-Varuna, originally published in 1940, concentrates on the first function, that of sovereignty. Dumézil identifies two types of rulers, the first judicial and worldly, the second divine and supernatural. These figures, both priestly, are oppositional but complementary. The title nods to these roles, referring to the gods Mitra, a rational mediator, and Varuna, an awesome religious figure.    Stuart Elden’s critical edition, based on the 1988 English translation by Derek Coltman, identifies variations between the first and second French editions and completes—and in places corrects—Dumézil’s references. The editor’s detailed introduction situates Mitra-Varuna within Dumézil’s career, outlines how his treatment of its themes developed over time, and relates the book to the political controversy around his ideas. Two new appendices contain passages that did not appear in the second French edition.

This sweeping epic of post-war Albania was Kadare's first novel.
Twenty years after the end of the Second World War, an Italian general is dispatched to Albania to recover his country's dead. Once there he meets a German general who is engaged upon an identical mission and their conversations bring out into the open the extent of their horror and guilt, newly exacerbated by their present task. As they descend from the callous trivialities of their gruesome business, past and present, to suffering self-disgust, the author gives us glimpses of the lives of the people whose graves they are unearthing.