Occupy Wall Street did not come from nowhere. It was part of a long history of riot, revolt, uprising, and sometimes even revolution that has shaped New York City. From the earliest European colonization to the present, New Yorkers have been revolting. Hard hitting, revealing, and insightful, Revolting New York tells the story of New York's evolution through revolution, a story of near-continuous popular (and sometimes not-so-popular) uprising. Richly illustrated with more than ninety historical and contemporary images, historical maps, and maps drawn especially for the book, Revolting New York provides the first comprehensive account of the historical geography of revolt in New York, from the earliest uprisings of the Munsee against the Dutch occupation of Manhattan in the seventeenth century to the Black Lives Matter movement and the unrest of the Trump era. Through this rich narrative, editors Neil Smith and Don Mitchell reveal a continuous, if varied and punctuated, history of rebellion in New York that is as vital as the more standard histories of formal politics, planning, economic growth, and restructuring that largely define our consciousness of New York's story.

A MacArthur Award-winning scholar explores the explosive intersection of farming, immigration, and big business At the outset of World War II, California agriculture seemed to be on the cusp of change. Many Californians, reacting to the ravages of the Great Depression, called for a radical reorientation of the highly exploitative labour relations that had allowed the state to become such a productive farming frontier. But with the importation of the first braceros-""guest workers"" from Mexico hired on an ""emergency"" basis after the United States entered the war-an even more intense struggle ensued over how agriculture would be conducted in the state. Esteemed geographer Don Mitchell argues that by delineating the need for cheap, flexible farm labour as a problem and solving it via the importation of relatively disempowered migrant workers, an alliance of growers and government actors committed the United States to an agricultural system that is, in important respects, still with us. They Saved the Crops is a theoretically rich and stylistically innovative account of grower rapaciousness, worker militancy, rampant corruption, and bureaucratic bias. Mitchell shows that growers, workers, and officials confronted a series of problems that shaped-and were shaped by-the landscape itself. For growers, the problem was finding the right kind of labour at the right price at the right time. Workers struggled for survival and attempted to win power in the face of economic exploitation and unremitting violence. Bureaucrats tried to harness political power to meet the demands of, as one put it, ""the people whom we serve."" Drawing on a deep well of empirical materials from archives up and down the state, Mitchell's account promises to be the definitive book about California agriculture in the turbulent decades of the mid-twentieth century.

This edited volume illuminates critical research issues through the particular lens of homelessness, bringing together some of the leading scholars in the field, from an array of disciplines and perspectives, to explore this condition of marginalization and the ethical dilemmas that arise within it. The authors provide insights into the realities and challenges of social research that will guide students, activists, practitioners, policymakers, and service providers, as well as both novice and seasoned researchers in fields of inquiry ranging from anthropology and sociology to geography and cultural studies. Although many texts have explored the subject of homelessness, few have attempted to encapsulate and examine the complex process of researching the issue as a phenomenon unto itself. Professional Lives, Personal Struggles examines the many challenges of conducting ethical research on homelessness, as well as the potential for positive change and transformation, through the deeply personal accounts of scholars and advocates with extensive experience working in the field.

Two blaxploitation horror movies. In 'Blacula' (1972), two centuries after having a curse placed on him by Count Dracula in Transylvania, African Prince Mamuwalde (William Marshall) is transported to Los Angeles where he goes on a killer rampage. While he discovers a woman (Vonetta McGee) he believes to be the reincarnation of his late wife, Mamuwalde already has a vampire-hunting doctor (Thalmus Rasulala) on his trail. In 'Scream Blacula Scream' (1973), after his undoing in 'Blacula', Mamuwalde (Marshall) returns from the dead in modern-day Los Angeles. He soon comes up against a voodoo priestess (Pam Grier).

This book advances research on mobile robot localization in unknown environments by focusing on machine-learning-based natural scene recognition. The respective chapters highlight the latest developments in vision-based machine perception and machine learning research for localization applications, and cover such topics as: image-segmentation-based visual perceptual grouping for the efficient identification of objects composing unknown environments; classification-based rapid object recognition for the semantic analysis of natural scenes in unknown environments; the present understanding of the Prefrontal Cortex working memory mechanism and its biological processes for human-like localization; and the application of this present understanding to improve mobile robot localization. The book also features a perspective on bridging the gap between feature representations and decision-making using reinforcement learning, laying the groundwork for future advances in mobile robot navigation research.

This book advances research on mobile robot localization in unknown environments by focusing on machine-learning-based natural scene recognition. The respective chapters highlight the latest developments in vision-based machine perception and machine learning research for localization applications, and cover such topics as: image-segmentation-based visual perceptual grouping for the efficient identification of objects composing unknown environments; classification-based rapid object recognition for the semantic analysis of natural scenes in unknown environments; the present understanding of the Prefrontal Cortex working memory mechanism and its biological processes for human-like localization; and the application of this present understanding to improve mobile robot localization. The book also features a perspective on bridging the gap between feature representations and decision-making using reinforcement learning, laying the groundwork for future advances in mobile robot navigation research.

Begging, thought to be an inherently un-Swedish phenomenon, became a national fixture in the 2010s as homeless Romanian and Bulgarian Roma EU citizens arrived in Sweden seeking economic opportunity. People without shelter were forced to use public spaces as their private space, disturbing aesthetic and normative orders, creating anxiety among Swedish subjects and resulting in hate crimes and everyday racism. Parallel with Europe’s refugee crisis in the 2010s, the “begging question� peaked. The presence of the media’s so-called EU migrants caused a crisis in Swedish society along political, juridical, moral, and social lines due to the contradiction embodied in the Swedish authorities’ denial of social support to them while simultaneously seeking to maintain the nation’s image as promoting welfare, equality, and antiracism. In The Begging Question Erik Hansson argues that the material configurations of capitalism and class society are not only racialized but also unconsciously invested with collective anxieties and desires. By focusing on Swedish society’s response to the begging question, Hansson provides insight into the dialectics of racism. He shrewdly deploys Marxian economics and Lacanian psychoanalysis to explain how it became possible to do what once was thought impossible: criminalize begging and make fascism politically mainstream, in Sweden. What Hansson reveals is not just an insight into one of the most captivating countries on earth but also a timely glimpse into what it means to be human.

All 28 episodes from season one of the classic US cop show, following the cases of wheelchair-bound chief of detectives Robert T. Ironside (Raymond Burr). Paralysed by a sniper's bullet, the San Francisco Police Department's top detective is now head of his own special unit, ably assisted by sergeant Ed Brown (Don Galloway), policewoman Barbara Anderson (Eve Whitfield), and African-American ex-con Don Mitchell (Mark Sanger). Episodes comprise: 'Message from Beyond', 'The Leaf in the Forest', 'Dead Man's Tale', 'Eat, Drink and Be Buried', 'The Taker', 'An Inside Job', 'Tagged for Murder', 'Let My Brother Go', 'Light at the End of the Journey', 'The Monster of Comus Towers', 'The Man Who Believed', 'A Very Cool Hot Car', 'The Past Is Prologue', 'Girl in the Night', 'The Fourteenth Runner', 'Force of Arms', 'Memory of an Ice Cream Stick', 'To Kill a Cop', 'The Lonely Hostage', 'The Challenge', 'All in a Day's Work', 'Something for Nothing', 'Barbara Who', 'Perfect Crime', 'Officer Bobby', 'Trip to Hashbury', 'Due Process of the Law' and 'Return of the Hero'.

The problem of homelessness in America underpins the definition of an American city: what it is, who it is for, what it does, and why it matters. And the problem of the American city is epitomized in public space. Mean Streets offers, in a single, sustained argument, a theory of the social and economic logic behind the historical development, evolution, and especially the persistence of homelessness in the contemporary American city. By updating and revisiting thirty years of research and thinking on this subject, Don Mitchell explores the conditions that produce and sustain homelessness and how its persistence relates to the way capital works in the urban built environment. He also addresses the historical and social origins that created the boundary between public and private. Consequently, he unpacks the structure, meaning, and governance of urban public space and its uses. Mitchell traces his argument through two sections: a broadly historical overview of how homelessness has been managed in public spaces, followed by an exploration of recent Supreme Court jurisprudence that expands our national discussion. Beyond the mere regulation of the homeless and the poor, homelessness has metastasized more recently, Mitchell argues, to become a general issue that affects all urbanites.

Don Mitchell's new collection of short stories, set among tribal people on Bougainville Island in the late 1960s, demystifies ethnography by turning it on its head. The narrators are Nagovisi - South Pacific rainforest cultivators - and through their eyes the reader comes to know the young American anthropologist, himself struggling with his identity as a Vietnam-era American, who's come to to study their culture in a time of change. Beautifully written, evocative, and utterly original, A Red Woman was Crying takes the reader into the rich and complex internal lives of Nagovisi -- young and old, male and female, gentle and fierce -- as they grapple with predatory miners, indifferent colonial masters, missionaries, their own changing culture, their sometimes violent past, and the "other" who has come to live with them.

All 26 episodes from the fourth season of the classic US cop show, following the cases of wheelchair-bound chief of detectives Robert T. Ironside (Raymond Burr). Paralysed by a sniper's bullet, the San Francisco Police Department's top detective is now head of his own special unit, ably assisted by sergeant Ed Brown (Don Galloway), policewoman Eve Whitfield (Barbara Anderson), and African-American ex-con Mark Sanger (Don Mitchell). The episodes are: 'A Killing Will Occur', 'No Game for Amateurs', 'The Happy Dreams of Hollow Men', 'The People Against Judge McIntire', 'Noel's Gonna Fly', 'The Lonely Way to Go', 'Check, Mate and Murder: Part 1', 'Check, Mate and Murder: Part 2', 'Too Many Victims', 'The Man On the Inside', 'Backfire', 'The Laying On of Hands', 'This Could Blow Your Mind', 'Blackout', 'The Quincunx', 'From Hrûska, With Love', 'The Target', 'A Killing at the Track', 'Escape', 'Love, Peace, Brotherhood and Murder', 'The Riddle in Room Six', 'The Summer Soldier', 'Accident', 'Lesson in Terror', 'Grandmother's House' and 'Walls Are Waiting'.

All 25 episodes from the third season of the classic US cop show, following the cases of wheelchair-bound chief of detectives Robert T. Ironside (Raymond Burr). Paralysed by a sniper's bullet, the San Francisco Police Department's top detective is now head of his own special unit, ably assisted by sergeant Ed Brown (Don Galloway), policewoman Eve Whitfield (Barbara Anderson), and African-American ex-con Mark Sanger (Don Mitchell). The episodes are: 'Alias Mr. Braithwaite', 'Goodbye to Yesterday', 'Poole's Paradise', 'Eye of the Hurricane', 'A Bullet for Mark', 'Love My Enemy', 'Seeing Is Believing', 'The Machismo Bag', 'Programmed for Danger', 'Five Miles High', 'L'Chayim', 'Beyond a Shadow', 'Stolen On Demand', 'Dora', 'Beware the Wiles of the Stranger', 'Eden Is the Place We Leave', 'The Wrong Time, The Wrong Place', 'Return to Fiji', 'Ransom', 'One Hour to Kill', 'Warrior's Return', 'Little Jerry Jessup', 'Good Will Tour', 'Little Dog, Gone' and 'Tom Dayton Is Loose Among Us'.

All 26 episodes from the second season of the classic US cop show, following the cases of wheelchair-bound chief of detectives Robert T. Ironside (Raymond Burr). Paralysed by a sniper's bullet, the San Francisco Police Department's top detective is now head of his own special unit, ably assisted by sergeant Ed Brown (Don Galloway), policewoman Eve Whitfield (Barbara Anderson), and African-American ex-con Mark Sanger (Don Mitchell). The episodes are: 'Shell Game', 'Split Second to an Epitaph: Part 1', 'Split Second to an Epitaph: Part 2', 'The Sacrifice', 'Robert Phillips Vs the Man', 'Desperate Encounter', 'I, the People', 'Price Tag: Death', 'An Obvious Case of Guilt', 'Reprise', 'The Macabre Mr. Micawber', 'Side Pocket', 'Sergeant Mike', 'In Search of an Artist', 'Up, Down and Even', 'Why the Tuesday Afternoon Bridge Club Met On Thursday', 'Rundown On a Bum Rap', 'The Prophecy', 'A World of Jackals', 'And Be My Love', 'Moonlight Means Money', 'A Drug On the Market', 'Puzzlelock', 'The Tormentor', 'A Matter of Love and Death' and 'Not With a Whimper, But a Bang'.

Begging, thought to be an inherently un-Swedish phenomenon, became a national fixture in the 2010s as homeless Romanian and Bulgarian Roma EU citizens arrived in Sweden seeking economic opportunity. People without shelter were forced to use public spaces as their private space, disturbing aesthetic and normative orders, creating anxiety among Swedish subjects and resulting in hate crimes and everyday racism. Parallel with Europe’s refugee crisis in the 2010s, the “begging question� peaked. The presence of the media’s so-called EU migrants caused a crisis in Swedish society along political, juridical, moral, and social lines due to the contradiction embodied in the Swedish authorities’ denial of social support to them while simultaneously seeking to maintain the nation’s image as promoting welfare, equality, and antiracism. In The Begging Question Erik Hansson argues that the material configurations of capitalism and class society are not only racialized but also unconsciously invested with collective anxieties and desires. By focusing on Swedish society’s response to the begging question, Hansson provides insight into the dialectics of racism. He shrewdly deploys Marxian economics and Lacanian psychoanalysis to explain how it became possible to do what once was thought impossible: criminalize begging and make fascism politically mainstream, in Sweden. What Hansson reveals is not just an insight into one of the most captivating countries on earth but also a timely glimpse into what it means to be human.

The problem of homelessness in America underpins the definition of an American city: what it is, who it is for, what it does, and why it matters. And the problem of the American city is epitomized in public space. Mean Streets offers, in a single, sustained argument, a theory of the social and economic logic behind the historical development, evolution, and especially the persistence of homelessness in the contemporary American city. By updating and revisiting thirty years of research and thinking on this subject, Don Mitchell explores the conditions that produce and sustain homelessness and how its persistence relates to the way capital works in the urban built environment. He also addresses the historical and social origins that created the boundary between public and private. Consequently, he unpacks the structure, meaning, and governance of urban public space and its uses. Mitchell traces his argument through two sections: a broadly historical overview of how homelessness has been managed in public spaces, followed by an exploration of recent Supreme Court jurisprudence that expands our national discussion. Beyond the mere regulation of the homeless and the poor, homelessness has metastasized more recently, Mitchell argues, to become a general issue that affects all urbanites.