First published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

An in-depth visual guide presenting the captivating creative journeys behind the world's leading videogames. Making Videogames is an unprecedented snapshot of modern interactive entertainment, with insight from true pioneers about the most important games in the world. Illustrated with some of the most arresting in-game images ever seen in print, the book explores the unique alchemy of technical and artistic endeavour that constitutes the magic of videogames, striking a captivating balance between insight and accessibility. Across eleven chapters, each focusing on a specific game from AAA blockbusters such as Control and Half-Life: Alyx to cult breakthrough games including No Man's Sky and Return of the Obra Dinn, the book will document the incredible craft of videogame worldbuilding and visual storytelling via the world's most popular, but seldom fully understood, entertainment medium. The book's text orbits breathtaking, specially created imagery 'photographed' in-engine by the author, demonstrating the magic and method behind each studio's work. A book not only for die-hard videogame fanatics, but also for designer-creatives and the visually curious, Making Videogames is a thrilling showcase of the boundless creativity of this amazing industry.

Designed to overcome flaws during the planning and design stages of educational or training courses, this guide explains the importance of physical factors in the instructional environment, the roles of the instructor and learner, and the gathering of information on the learning environment.

First published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

Recent evidence shows that the context in which instruction takes place is often given insufficient thought during the design of education or training courses. This study is divided into four parts. Part 1 looks at the concept of environmental analysis, Part 2 discusses the main factors of the learning environment, Part 3 examines the factors of the support environment and Part 4 analyzes the design environment. Issues discussed in detail include an assessment of how important the physical environment is to the success or failure of a course, the roles of the instructor and learner, what support media are available and how they can be used to help the instruction process, and how to gather and analyze information on the learning environment.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Published in 2005, "World Yearbook of Education 1989: Health Education is a valuable addition to the Major Works Series.

Motorhead are arguably the greatest rock and roll band in history, but it took many years to win that accolade. This is the story of the band that refused to die. They started off as the Vengeful Bastard and they had a tough beginning. The band had to deal with wayward producers, hostile record companies, more than a couple of false starts and even the ignominy of being proclaimed the Worst Band in the World by the NME! Famed for their legendary loudness and their singular anthem, 'Ace Of Spades', Motorhead have not only proved inspirational but also, accidentally, created two sub-genres of heavy music: speed and thrash metal. Not bad for a band who announced themselves with: 'We are Motorhead, and we play rock and roll.' at their numerous live gigs. This book covers every studio album, band rarities and significant solo work from Lemmy. It is designed as a useful companion to the recorded output of a unique band. From the highly regarded trio of albums that ended the 1970s, through the line-up hardships and turmoil of the 1980s to the occasionally awkward musical experiments of the early 1990s, this book closes with the triumphant two-decade-long career revival of the band.

Such are the observations that filter through the galleries during Tom Palmore's exhibitions in which animals steal the show.

Born in Ada and living in Oklahoma, Palmore emerged from the 1970s Photorealist movement as a maverick. His career includes more than a decade on the East Coast, where he refined his skills at the Pennsylvania Academy of Fine Arts and exhibited in New York's prominent contemporary galleries. Palmore used his technical virtuosity to explore his passion for the animal kingdom. Then as today, his monumental paintings received critical acclaim, and his incongruous juxtapositions of realistic primates in silk-and-velvet interiors earned him the nickname Gorilla Man.

Palmore's fidelity to an animal's visage is intended to make it proud. However, the contexts in which he places them are pure Palmore, infused with his penchant for wit and the unexpected. His portrait of Oscar, the famed rodeo bull, is set against Palmore-designed wallpaper of cowboys catapulted into the air. A rooster surveys its Grant Wood countryside, and an imposing lion is oblivious to the diminutive monarch butterfly that shares its epithet. In all cases, Palmore's paintings loom large not only in scale but also in raised consciousness of the "earthlings with whom we share this planet," as he says.

The first European artist-naturalists to tour North America in the eighteenth and nineteenth centuries were awed not only by the continent's varying landforms but also by the animals they encountered: vast herds of buffalo, majestic horned stags, a bewildering variety of birds. The earliest sketches depicting these fauna began the remarkable tradition of wildlife in American art, a tradition that evolved along with the United States as a nation and still thrives today.

For more than two decades, the National Museum of Wildlife Art in Jackson, Wyoming, has honored and sustained this tradition by assembling the most comprehensive collection of paintings and sculptures portraying North American wildlife in the world. "Wildlife in American Art" presents for the first time a generous sampling of the museum's holdings, charts the history of this enduring theme in American art, and explores the evolving relationship between Americans and the natural resources of this continent.

More than a museum catalogue, this volume offers descriptions of individual artists in the collection as well as in-depth, informative essays about what the natural environment has meant to Americans over time--untamed wilderness, sublime creation, endless resource, threatened habitat. Author and art historian Adam Duncan Harris also describes how these meanings have played out in painting and sculpture over the past two centuries. More than 125 full-color illustrations highlight the entire range of the museum's collection, from the western wilds of George Catlin to the desert drama of Georgia O'Keeffe. Also included are elegant birdstones carved by ancient Americans, exquisite avian artwork by John James Audubon, epic western scenes by Albert Bierstadt, idealistic depictions of unspoiled wilderness by Carl Rungius, and modern takes on the subject by Andy Warhol, Paul Manship, and Robert Kuhn.

By bringing together and comparing works of unmatched beauty and majesty, this volume gives to a salient theme in American art the attention it has long deserved.

Late Harvest juxtaposes contemporary art made with taxidermy with historically significant wildlife paintin gs, resulting in intriguing parallels and startling aesthetic aesthetic contrasts. The publication seeks to simultaneously confirm — through historically - significant wildlife paintings — and subvert — through contemporary art and photography — viewers’ preconcepti ons of the place of animals in culture. The richly illustrated catalogue will feature artists as: Richard Ansdell, David Brooks, George Browne, Berlinde De Bruyckere, Petah Coyne, Raymond Ching, Kate Clark, Wim Delvoye, Mark Dion, Elmgreen & Dragset, Carle e Fernandez, Richard Friese, François Furet, Nicholas Galanin, George Bouverie Goddard, Damien Hirst, William Hollywood, Idiots (Afke Golsteijn and Floris Bakker), Alfred Kowalski, Robert Kuhn , Wilhelm Kuhnert, Bruno Liljefors, Polly Morgan, John Newsom, T im Noble and Sue Webster, Walter Robinson, George Rotig, Carl Rungius, Yinka Shonibare MBE, David Shrigley, Snæbjörnsdóttir/Wilson, Amy Stein, Archibald Thorburn, Mary Tsiongas, Joseph Wolf, Brigitte Zieger, Andrew Zuckerman The exhibition Late Harvest is organized by the Nevada Museum of Art in consultation with the National Museum of Wildlife Art. It is curated by JoAnne Northrup, Director of Contemporary Art Initiatives, together with consulting curator Adam Duncan Harris, Ph.D., Petersen Curator of Art & Research, National Museum of Wildlife Art.

Always enigmatic and outside of the mainstream, most people associate Hawkwind with 'whoosh' noises, ‘Silver Machine’, Lemmy and 'Space Rock' music. From the beginning, Hawkwind have been trailblazers, even when they have explored blind alleys and cul-de-sacs, and have never been afraid to innovate and mutate into strikingly different musical arenas. The band have a unique history in the world of rock music and have inspired not just other bands but also an entire sub-genre of music: Stoner Rock. Hawkwind's stated aim was to be a substitute for mind-expanding drugs. Instead, they used music, poetry, lights, projections, theatre and dance in an assault on the senses. Albums such as X In Search Of Space and Warrior At The Edge Of Time as well as classic live album Space Ritual set a template for their astonishing take on rock music. This book is a track-by-track analysis of every studio album and major live release to date. Beginning with the highly-regarded early albums of the 1970s, it continues through the hard rock hardships of the 1980s and the sometimes awkward musical dalliances of the 1990s, finishing on the unexpectedly triumphant return of the band in the 2010s and 2020s. It is now updated to include the band’s 2021 album Somnia and 2023 The Future Never Waits.

Published in the year 2005, World Yearbook of Education is a valuable contribution to the field of Major Works.

Published in the year 2005, World Yearbook of Education 1991 is a valuable contribution to Major Works.