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Matter and Form explores the relationship that has long existed
between natural science and political philosophy. Plato's Socrates
articulates the Ideas or Forms as an account of the ultimate source
of causality in the cosmos. Aristotle's natural philosophy had a
significant impact on his political philosophy: he argues that
humans are by nature political animals, having their natural end in
the city whose regime is hierarchically structured based on
differences in moral and intellectual capacity. Medieval theorists
attempt to synthesize classical natural and political philosophy
with the revealed truths of scripture; they argue that divine
reason structures an ordered universe, the awareness of which
allows for psychic and political harmony among human beings.
Enlightenment thinkers challenge the natural philosophy of
classical and medieval philosophers, ushering in a more liberal
political order. For example, for Hobbes, there is no rest in
nature as there are no Aristotelian forms or natural places that
govern matter. Hobbes applies his mechanistic understanding of
material nature to his understanding of human nature: individuals
are by nature locked in an endless pursuit of power until death.
However, from this mechanistic understanding of humanity's natural
condition, Hobbes develops a social contract theory in which civil
and political society is constituted from consent. Later thinkers,
such as Locke and Rousseau, modify this Hobbesian premise in their
pursuit of the protection of rights and a free society.
Nevertheless, materialist conceptions of the cosmos have not always
given rise to liberal democratic philosophies. Historicist
influence on scientific inquiry in the nineteenth century is
connected to Darwin's theory of evolution; Darwin reasoned that
over time the process of natural selection produces ever newer and
more highly adapted species. Reflecting a form of social Darwinism,
Nietzsche envisions an aristocratic order that draws its
inspiration from art rather than the rationalism
In the spring of 2003 when Norman Mailer was 80 years old, he
invited an improbable companion into his life: Dwayne Raymond, 40
years his junior, originally from a small town in Oregon, and now a
waiter at a restaurant in Provincetown, Cape Cod, where Mailer
spent most of his final years. Over the next half-decade, Raymond
became Mailer's aide in all matters professional and private.
Raymond assisted him with four books he published during this time,
including his final novel "The Castle in the Forest". The two spent
many hours together each day talking, cooking, and researching new
projects. As Raymond's responsibilities grew, so too did his
friendship with Mailer, who taught him how to navigate his own
personal challenges. In this poignant memoir, Dwayne Raymond
presents an alternative portrayal of a writer who is frequently
described as controversial, combative, and verbose; the Norman
Mailer he depicts is a comparatively temperate, comprehensive man
whose quirky, human qualities far outweigh the disquieting legend.
Beautifully written and honestly portrayed, "Mornings with Mailer"
is a personal and revealing story of a great writer, his
Man-Friday, and their unlikely, but enduring, relationship.
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