Christopher Luscombe's 2015 Royal Shakespeare Company production of the national bard's comedy which sees soldiers Claudio (Tunji Kasim) and Benedick (Edward Bennett) battling to win the hearts of those they love. The object of Benedick's desire, Beatrice (Michelle Terry), acts as his sharp-tongued sparring partner, while Claudio's path to true love is obstructed by the meddling of the embittered Don John (Sam Alexander).

This court practice guide enables you to avoid the most common pitfalls encountered across the spectrum of family proceedings, thereby speeding up litigation and avoiding unnecessary work and wasted costs orders. It covers every aspect of the court process across family proceedings, from divorce and financial remedies to private law and public law children, injunctions and committals and appeals. The guidance is set out with clear references to source materials and is supplemented by forms and other practical information. The work is a key staple widely referred to within the Family Court, Principal Registry of the Family Division, other district registries and county courts. The 7th edition includes the following: - Divorce reform - Changes to Committal proceedings - Domestic Abuse Act 2021 (inc PD 12J and Rule 3A) - Presumption of diminished evidence and vulnerability of witnesses (PD 3AA) - Jurisdiction issues - Parental alienation

This book explores how public opinion is used to design, monitor and evaluate government programmes in Australia, Canada, New Zealand, and the United Kingdom. Using information collected from the media and from international practitioners in the public opinion field, as well as interviews in each of the 4 countries, the author describes how views of public opinion and governance differ significantly between elites and the general public. Bennett argues that elites generally risk more by allowing the creation of new data, fearing that its analysis may become public and create communications and political problems of various kinds. The book finds evidence that recent conservative governments in several countries are changing their perspective on the use of public opinion, and that conventional public opinion studies are facing challenges from the availability of other kinds of information and new technologies. This book is a hugely valuable contribution to a hitherto little explored field and will appeal to academics and practitioners alike.

This book explores how public opinion is used to design, monitor and evaluate government programmes in Australia, Canada, New Zealand, and the United Kingdom. Using information collected from the media and from international practitioners in the public opinion field, as well as interviews in each of the 4 countries, the author describes how views of public opinion and governance differ significantly between elites and the general public. Bennett argues that elites generally risk more by allowing the creation of new data, fearing that its analysis may become public and create communications and political problems of various kinds. The book finds evidence that recent conservative governments in several countries are changing their perspective on the use of public opinion, and that conventional public opinion studies are facing challenges from the availability of other kinds of information and new technologies. This book is a hugely valuable contribution to a hitherto little explored field and will appeal to academics and practitioners alike.

The Third Intermediate Period in Egypt (1076-664 BCE) has been characterised previously by political and social changes based upon the introduction of Libyan social and cultural influences. In this book, James Bennett analyses the concepts of 'transition' and 'continuity' within the cultural and societal environment of Egypt during the Third Intermediate Period and provides an up-to-date synthesis of current research on the settlement archaeology of the period. This is done through the assessment of settlement patterns and their development, the built environment of the settlements, and their associated material culture. Through this analysis, Bennett identifies several interconnected themes within the culture and society of the Twenty-First to Twenty-Fifth Dynasties. They are closely related to the political and economic powers of different regions, the nucleation of settlements and people, self-sufficiency at a collective and individual level, defence, both physical and spiritual, regionality in terms of settlement development and material culture, and elite emulation through everyday objects.

Christopher Luscombe's 2015 Royal Shakespeare Company production of the national bard's comedy which sees soldiers Claudio (Tunji Kasim) and Benedick (Edward Bennett) battling to win the hearts of those they love. The object of Benedick's desire, Beatrice (Michelle Terry), acts as his sharp-tongued sparring partner, while Claudio's path to true love is obstructed by the meddling of the embittered Don John (Sam Alexander).