Eleanor Herring's unique study of street furniture in post-war Britain considers how objects which are now familiar parts of our urban environment were designed to populate public spaces. Herring explores the design of lampposts, post boxes, parking meters, and signage in the context of a government backed by various bodies keen to propagate 'good' modern design, in a Britain whose towns and cities had been laid waste by bombing and the privations of war. She also considers the innate conservatism of local communities and councils, wary of a standardised street design imposed from above. She traces how the design of street furniture became the site of a fierce struggle which exposed deep-seated anxieties about class, taste and power. Herring's original research draws on archival material and on interviews with leading figures in urban design, including graphic designer Margaret Calvert and industrial designer Kenneth Grange.

When Eleanor Swent began teaching English as a Second Language at an Oakland, California, Adult Education Center in 1967, she soon learned that many of the Asian immigrants in her classes had remarkable tales to tell of their struggles in their homelands and their efforts to make new lives in America. This oral history, based on interviews Swent conducted with her students over thirty years, documents the Asian immigrant experience as never before. Here are the stories of desperate individuals who swam to escape from China to Macao and Hong Kong; of Chinese daughters considered worthless by their families; of political refugees from Vietnam; of ethnic Chinese who fled by boat from Vietnam; of refugees from the genocide in Cambodia. As these remarkable new Americans learn different words and customs, they also enlarge our national vision, enriching our culture while assuring us that human dignity can rise above terrible circumstances.