Liturgies for Hope expresses eloquently the collective ache felt by many in modern society today - burnout, anxiety, daily stresses - and reminds us how important it is to turn our focus outwards, to each other and importantly, to our ever-loving God. Born during the Covid pandemic, authors Audrey Elledge and Elizabeth Moore asked each other: what can we, lovers of words, create to defy the darkness? Inspired by Christian liturgies-a type of prayer-poem- they created Liturgies for Hope, resolving to offer something more beautiful and trustworthy in response to the world around them. Deeply uplifting, this beautiful collection of 60 comforting prayers for modern life will help readers speak to the God who knows them, supports them, and see that whatever their circumstances there is always more hope to be had.

Sixty modern and inspiring liturgies that offer compassionate insight to nurture your soul, from the bestselling authors of Liturgies for Hope.

What if my current life is preparing me for something I can’t see?
Oh God, when I feel overlooked and forgotten,
when I ache to be important,
redirect my heart to You who remembers me.

When your spirit is restless and you can’t find the words, these modern-day liturgies help you articulate your brokenness to the God who calls you beloved.

The lyrical prayers in Liturgies for Wholeness name our longings—the ache for physical rest, the grief over something we never had, the desire for healing in a relationship—even as they call us to notice the blessing of washing our face and watching nightfall and sink deep into an awareness of God’s presence.

Divided into eight sections—including Mind, Senses, Body, Home, and Community—these liturgies can be read communally or individually to bring you into greater intimacy with God. Each prayer includes related Scripture references to offer you further opportunity for meditation and reflection.

With each liturgy in Liturgies for Wholeness, may you sense God’s deep desire for you and may you delight in the only One who can make you whole.

This publication has been produced to accompany an exhibition staged by Ingleby Gallery, Edinburgh, for the 2021 Edinburgh Art Festival. The exhibition is the first devoted to Frank Walter's 'spools' - the small circular paintings which, in their consistency of scale and form, provide a lens through which to witness the workings of Walter's inner eye. Walter's work was unknown during his lifetime, but in the decade since his death he has emerged as one of the most distinctive and intriguing Caribbean voices of the last fifty years. Painted with a rare directness and immediacy on whatever material came most readily to hand, his works describe a visionary artist rooted in the landscape of Antigua, the island of his birth. The publication, co-published by Ingleby, Edinburgh, and Anomie, London, features contributions by Barbara Paca, Professor Paget Henry, Kenneth M. Milton and Mary-Elisabeth Moore. Edited and produced by Ingleby, the publication has been designed by Joanna Deans / Identity and printed by Graphius, Ghent. Frank Walter (1926-2009) was born Francis Archibald Wentworth Walter on Horsford Hill, Antigua. He spent much of the 1950s travelling in Scotland, England and West Germany. While in Europe, Walter pursued various creative activities including drawing, painting and creative writing. Walter returned to the Caribbean in 1961, where he began a prolific output of painting, drawing, writing, sculptural work, photography and sound art. Walter's work was first exhibited alongside paintings by Alfred Wallis and Forrest Bess in the exhibition 'Songs of Innocence and Experience' at Ingleby Gallery in Spring 2013. A solo exhibition of his work was presented by The Douglas Hyde Gallery, Trinity College, Dublin, in summer 2013 and later that year, Ingleby Gallery presented a solo display of Walter's paintings at Art Basel Miami Beach. A major solo exhibition followed at Ingleby Gallery in spring 2015. In 2017, Frank Walter represented Antigua and Barbuda at the Venice Biennale in the show 'Frank Walter: The Last Universal Man 1926-2009'. A solo presentation of Walter's work also took place at Harewood House, Leeds, UK, in the summer of 2017. A major retrospective of the artist's work was displayed at both MMK Museum of Modern Art Frankfurt in 2020 and at David Zwirner, London, in the spring of 2021.

An Earthy Entanglement with Spirituality offers compelling perspectives on literature and art whose common ground lies in their diverse evocations of the human spirit. Contributors consider the over-arching inquiry broadly, applying distinct critical and theoretical approaches to diverse primary sources, including poetry of various genres and periods, Shakespearean drama and contemporary theater, nineteenth-century painting, Italian Renaissance sculpture, and the novel, short story, and dialogue. The volumes images and graphics add to the value and accessibility of its criticism, and its contents address particular needs of its intended audiences: novice explorers of the Arts and Humanities, knowledgeable generalists, aficionados of a particular author or period, advanced students and researchers seeking fresh insights or critical footholds, and readers with spiritual, ethical, or theological interests. Teachers and critics of literature will find useful and productive ideas, contexts, models, and resources. Well-wrought furniture for the mind and substantial fare for the spirit lie within.

EISNER AWARD WINNER | Best Academic/Scholarly Work About Comics | 2019 One of the most influential women in independent comics, Julie Doucet, receives a full-length critical overview from a noted chronicler of independent media and critical gender theorist. Grounded in a discussion of mid-1990s media and the discussion of women's rights that fostered it, this book addresses longstanding questions about Doucet's role as a feminist figure, master of the comics form, and object of masculine desire. Doucet's work is hilarious, charming, thoughtful, brilliant, and challenging, even three decades on. Anne Elizabeth Moore is an award-winning journalist, bestselling comics anthologist, and internationally lauded cultural critic. Her most recent book, Body Horror, is on the Nonfiction Shortlist for the 2017 Chicago Review of Books Nonfiction Award, was named a Best Book of 2017 by the Chicago Public Library, and was nominated for the 2018 Lammys. She teaches at the School of the Art Institute of Chicago and the College for Creative Studies. She was born in Winner, SD, and resides in Detroit with her cat. Praise for Body Horror: "[Body Horror is] scary as fuck and liberating. . . . Moore connects the dots that you did not even think were on the same page." -Viva la Feminista

Threadbare draws the connections between the international sex and garment trades and human trafficking in a beautifully illustrated comics series. Anne Elizabeth Moore, in reports illustrated by top-notch comics creators, pulls at the threads of gender, labor, and cultural production to paint a concerning picture of a human rights in a globalized world. Moore's reporting, illustrated by members of the Ladydrawers Comics Collective, takes the reader from the sweatshops of Cambodia to the traditional ateliers of Vienna, from the life of a globetrotting supermodel to the warehouses of large clothing retailers, from the secondhand clothing industry to the politics of the sex trade. With thoughtful illustrations of women's stories across the sex and garment supply chain, this book offers a practical guide to a growing problem few truly understand.

Featuring the work of Leela Corman, Julia Gfrörer, Simon Häussle, Delia Jean, Ellen Lindner, and Melissa Mendes.

Wider Bagan: Ancient and Living Buddhist Traditions is the first book to define the area outside the renowned Buddhist capital where vestiges of Bagan era cultural traditions can be found. From nearly six hundred attributes inventoried in Wider Bagan, thematic and geographical analysis of the Wider Bagan data reveals a related but different trajectory from that of the capital. The Sasan? of the court was honoured, and though its economy profited many places across Wider Bagan, local resilience was foremost. While the capital and Wider Bagan existed in relation to each other, their aims and narratives differed. Much has been written about Bagan, but little attention on the ground has been devoted to areas beyond the capital. These places have stories to tell—ones of the past and of the present—that are narrated in this book.

Anne Elizabeth Moore explores modern Cambodia and mixes personal narratives and experience with critiques of history and globalisation.