The way you hold a cello, the way light lands in a Caravaggio, the way the castrati hit notes like no one else could-a lifetime of conversations about art and music and history unfolds for Nora Garcia as she and a crowd of friends and fans send off her recently deceased ex-husband, Juan. Like any good symphony, there are themes and repetitions and contrapuntal notes. We pingpong back and forth between Nora's life with Juan (a renowned pianist and composer, and just as accomplished a raconteur) and the present day (the presentness of the past), where she sits among his familiar things, next to his coffin, breathing in the particular mix of mildew and lilies that overwhelm this day and her thoughts. In Glantz's hands, music and art access our most intimate selves, illustrating and creating our identities, and offering us ways to express love and loss and bewilderment when words cannot suffice. As Nora says, "Life is an absurd wound: I think I deserve to be given condolences."

Jose Federico Burgos is a failed painter turned forger trapped in surreal, an architectural masterpiece hidden behind high walls, an impish vagabond, and some very resourceful, very intimidating twins-Forgery pays homage to greats like Juan Rulfo and Luis Barragan, traversing late 20th Century Guadalajara with the exuberance and eccentricity of an 18th Century picaresque.

Whom and how we love is an important decision in our lives. Choices we make in love will be choices that affect us for a lifetime. Our love should reflect the personal commitment we have for the other, knowing that this love is a reflection of God's love for us. The puzzle of life is to find the path that can fill our hearts with love, not only for another person, but for God.

Lily and Jared find that choosing to love each other is easy but searching for the path to God's love is a challenge. They need to determine the right decisions to maneuver through their human frailties to embrace God's love. Each will need to use what they experienced in the past to make the proper choice for a joyful and hope-filled future.

This meticulous biography traces Tolkien's life from his boyhood in South Africa to his formative school years in England, his college years at Oxford, and his career as an influential scholar and revolutionary writer. His immensely popular books are discussed in great detail, from their inception as ideas through their publication and remarkable legacy. This biography will appeal to students who are fans of Tolkien's books, as well as those who are new to the world of Middle Earth. Included are an extensive bibliography of poems, fiction, and scholarly work written by Tolkien, and a further reading section listing important biographies, letter collections, and critical studies of Tolkien's works. A timeline provides the reader with a comprehensive list of the events of his life and career.

Tolkien's outer life was relatively calm, yet his scholarship and stories are remembered as one of the 20th century's most astonishing achievements. First as a student at Oxford University, then as a professor, Tolkien was fascinated with languages and philology and used the worlds he studied to shape the one he was creating. After years of nominal success, "The Hobbit" and the "Lord of the RingS" erupted into popularity, bringing fantasy fiction to the forefront of popular culture in America, and ultimately the world.

John Jakes, often called the people's author and godfather of the historical novel, has made American history come to life in his series The Kent Family Chronicles and The North and South Trilogy. Through these novels, Jakes conveys the sweep of American history, both its glory and its grim scenes, from the American Revolution to the opening moments of the 20th century. Never glossing over the nation's flaws (slavery, materialism, a double-edged Manifest Destiny), Jakes nevertheless affirms American values. This is the first full-length critical study of his work. It examines in detail Jakes' 13 major novels to date and assesses his methods as America's history teacher.

In Part I, following a chapter on Jakes' life, Jones examines the early novels and Jakes' use of the genres of historical fiction, the western, and the historical family sage. Part II, The Kent Family Chronicles, devotes an individual chapter to each of the novels in this series, "The Bastard," "The Rebels," "The Seekers," "The Furies," "The Titans," "The Warriors,"

"The Lawless," and "The Americans." Part III, New Beginnings, features chapters on "North and South," "Love and War," and "Heaven and Hell," and chapters on "California Gold" and "Homeland." The examination of each novel in this study includes sections on plot development, character development, and thematic issues. Jones also offers an alternative critical perspective from which to read each novel--such as feminist literary criticism, New Historicism, Marxist criticism, and Deconstructionism--that gives the reader an alternative viewpoint from which to consider the novel. A complete bibliography of all of John Jakes' work, works about John Jakes, and a listing of reviews of all the novels examined in the book concludes the study.

Nude and Naked Women in the Arts: Mexico and Beyond is a study of female nudity as represented by men and women in Mexico and other parts of the world through analysis of both the high arts and folk arts. Eli Bartra explores the diverse forms of artistic expression and their link to the social construction of female gender. This approach is crucial to understanding how forms of discrimination are created and recreated - sometimes in very apparent ways and other times more subtly - and how they contribute to the perpetuation of gender hierarchies. Eli Bartra examines the assertion of gender differences in artistic creation and the sexist (and at times misogynistic) imagery of nude women as represented by men.

This book, first published in 1985, is the first full-length study of the Soviet Armed Forces as a social institution. Using military manpower as a substantive focus, it identifies those characteristics that the Soviet military shared with counterparts in non-communist systems and those that were unique to the society and political culture in which it was embedded. The discussion encompasses defence policy-making as a whole and focuses on conscription policy, the characteristics of the professional military, the role of the political officer, the mechanics of political socialization within the Red Army, and the experience of ethnic minorities in the armed forces. This analysis provides a window through which we can observe the broader military system at work; how that system affects, and in turn is affected by, the economic, social and political life of the Soviet Union. It contributes to our understanding of civil-military relations in communist systems and to our knowledge of Soviet political and social trends.

In seven interconnected short stories, the Guatemalan countryside is ever-present: a place of timeless peace, and the site of sudden violence. Don Henrik, a good man struck time and again by misfortune, confronts the crude realities of farming life, family obligation, and the intrusions of merciless entrepreneurs, hitmen, drug dealers, and fallen angels, all wanting their piece of the pie. Told with precision and a stark beauty, Trout, Belly Up is a beguiling, disturbing ensemble of moments set in the heart of a rural landscape in a country where brutality is never far from the surface.

This book, first published in 1985, is the first full-length study of the Soviet Armed Forces as a social institution. Using military manpower as a substantive focus, it identifies those characteristics that the Soviet military shared with counterparts in non-communist systems and those that were unique to the society and political culture in which it was embedded. The discussion encompasses defence policy-making as a whole and focuses on conscription policy, the characteristics of the professional military, the role of the political officer, the mechanics of political socialization within the Red Army, and the experience of ethnic minorities in the armed forces. This analysis provides a window through which we can observe the broader military system at work; how that system affects, and in turn is affected by, the economic, social and political life of the Soviet Union. It contributes to our understanding of civil-military relations in communist systems and to our knowledge of Soviet political and social trends.

Protecting the environment should be a priority of every theatrical production, but it can be challenging to mount an environmentally-friendly show with limited time, resources, and information. A Practical Guide to Greener Theatre: Introduce Sustainability In to Your Productions not only gives you the information you need to make greener decisions, but provides you with practical, workable solutions. You will learn how to assess and improve every production area - from costuming and painting, lighting and technical direction, to administrative offices and the rehearsal process. Checklists, examples of successful strategies, and step-by-step instructions will show you how to identify areas where manageable, sustainable changes can make your productions greener, and advice from working professionals, with experience greening their own productions, will leave you confident that your processes are environmentally sound. Even non-technical people who find themselves responsible for supervising productions will find green solutions that can be instituted with a staff of volunteers or students. Remember: every step toward sustainability is a step forward. Discover small fixes that will make your theatre productions greener. Examine ways to introduce greener practices in the design, execution, and strike process. Explore how introducing sustainability into your theatre productions can save your company time and money. Learn how sustainability and safety intersect to help protect your workers and volunteers.

Literature is often assumed to be monolingual: publishing rights are sold on the basis of linguistic territories and translated books are assumed to move from one "original" language to another. Yet a wide range of contemporary literary works mix and meld two or more languages, incorporating translation into their composition. How are these multilingual works translated, and what are the cultural and political implications of doing so? In Literature in Motion, Ellen Jones offers a new framework for understanding literary multilingualism, emphasizing how authors and translators can use its defamiliarizing and disruptive potential to resist conventions of form and dominant narratives about language and gender. Examining the connection between translation and multilingualism in contemporary literature, she considers its significance for the theory, practice, and publishing of literature in translation. Jones argues that translation does not conflict with multilingual writing's subversive potential. Instead, we can understand multilingualism and translation as closely intertwined creative strategies through which other forms of textual and conceptual hybridity, fluidity, and disruption are explored. Jones addresses both well-known and understudied writers from across the American hemisphere who explore the spaces between languages as well as genders, genres, and textual versions, reading their work alongside their translations. She focuses on U.S. Latinx authors Susana Chavez-Silverman, Junot Diaz, and Giannina Braschi, who write in different forms of "Spanglish," as well as the Brazilian writer Wilson Bueno, who combines Portuguese and Spanish, or "Portunhol," with the indigenous language Guarani, and whose writing is rendered into "Frenglish" by Canadian translator Erin Moure.

The nineteenth century American frontier comes alive for students and interested readers in this unique exploration of westward expansion. This study examines the daily lives of ordinary men and women who flooded into the Trans-Mississippi West in search of land, fortune, a fresh start, and a new identity. Their daily life was rarely easy. If they were to survive, they had to adapt to the land and modify every aspect of their lives, from housing to transportation, from education to defense, from food gathering and preparation to the establishment of rudimentary laws and social structures. They also had to adapt to the Native Americans already on the land--whether through acculturation, warfare, or coexistence.

Jones provides insight into the experiences that affected the daily lives of the diverse people who inhabited the American frontier: the Native Americans, trappers, explorers, ranchers, homesteaders, soldiers and townspeople. This fascinating book gives a sense of the extraordinary ordinariness of surviving, prospering, failing, and dying in a new land; and explores how these westering Americans inevitably displaced those already bound to the land by tradition, culture, and religion. A wealth of illustrations complement the text of this easy-to use reference.

This book is about social change in the Soviet Union. It explores the way in which the social, economic and political transformations encompassed by modernization affect values and behaviours. Its analytical focus is the family and the system of norms and values governing sex roles and familial relations. The study is part of a larger effort to unravel the complex linkages between modernization, value change, demographic change and public policy. It has two related objectives. First, it explores the relationship between value change and fertility, using statistical material from the Soviet census, birth registry, and social surveys, to test specific hypotheses relating to the modernization/value change relationship. Second, it examines the impact of public policies, both intended and unintended, on family values and fertility trends. A model of Soviet fertility dynamics, based on the empirical findings of the study, is also presented.

This book is about social change in the Soviet Union. It explores the way in which the social, economic, and political transformations encompassed by modernization affect values and behaviors. Its analytical focus is the family and the system of norms and values governing sex roles and familial relations. The study is part of a larger effort to unravel the complex linkages between modernization, value change, demographic change, and public policy. It has two related objectives. First, it explores the relationship between value change and fertility, using statistical material from the Soviet census, birth registry, and social surveys, to test specific hypotheses relating to the modernization/value change relationship. Second, it examines the impact of public policies, both intended and unintended, on family values and fertility trends. A model of Soviet fertility dynamics, based on the empirical findings of the study, is also presented.

Protecting the environment should be a priority of every theatrical production, but it can be challenging to mount an environmentally-friendly show with limited time, resources, and information. A Practical Guide to Greener Theatre: Introduce Sustainability Into Your Productions not only gives you the information you need to make greener decisions, but provides you with practical, workable solutions. You will learn how to assess and improve every production area - from costuming and painting, lighting and technical direction, to administrative offices and the rehearsal process. Checklists, examples of successful strategies, and step-by-step instructions will show you how to identify areas where manageable, sustainable changes can make your productions greener, and advice from working professionals, with experience greening their own productions, will leave you confident that your processes are environmentally sound. Even non-technical people who find themselves responsible for supervising productions will find green solutions that can be instituted with a staff of volunteers or students. Remember: every step toward sustainability is a step forward. Discover small fixes that will make your theatre productions greener. Examine ways to introduce greener practices in the design, execution, and strike process. Explore how introducing sustainability into your theatre productions can save your company time and money. Learn how sustainability and safety intersect to help protect your workers and volunteers.

Literature is often assumed to be monolingual: publishing rights are sold on the basis of linguistic territories and translated books are assumed to move from one "original" language to another. Yet a wide range of contemporary literary works mix and meld two or more languages, incorporating translation into their composition. How are these multilingual works translated, and what are the cultural and political implications of doing so? In Literature in Motion, Ellen Jones offers a new framework for understanding literary multilingualism, emphasizing how authors and translators can use its defamiliarizing and disruptive potential to resist conventions of form and dominant narratives about language and gender. Examining the connection between translation and multilingualism in contemporary literature, she considers its significance for the theory, practice, and publishing of literature in translation. Jones argues that translation does not conflict with multilingual writing's subversive potential. Instead, we can understand multilingualism and translation as closely intertwined creative strategies through which other forms of textual and conceptual hybridity, fluidity, and disruption are explored. Jones addresses both well-known and understudied writers from across the American hemisphere who explore the spaces between languages as well as genders, genres, and textual versions, reading their work alongside their translations. She focuses on U.S. Latinx authors Susana Chavez-Silverman, Junot Diaz, and Giannina Braschi, who write in different forms of "Spanglish," as well as the Brazilian writer Wilson Bueno, who combines Portuguese and Spanish, or "Portunhol," with the indigenous language Guarani, and whose writing is rendered into "Frenglish" by Canadian translator Erin Moure.