States of Crisis and Post-Capitalist Scenarios engages with the crisis of our capitalist world, with a view to explaining its origins, unravelling its symptoms, and demystifying the anodyne corrective solutions so far proposed. At the same time, it endorses the necessity for utopian interventions aimed at drastically rethinking our social order. Organised around the themes of economy and politics; critical theory; and culture in order to offer an impressive range of thematic perspectives and critical angles, the book delves into the most pressing of today's quandaries by combining stringent critical analysis with creative foresight. A rigorous examination of the current crisis of late-capitalist society, States of Crisis and Post-Capitalist Scenarios develops paradigms that promise to rekindle the desire to move beyond capitalism towards a different social order. As such, it will appeal to scholars and students across the humanities and social sciences with particular interests in social and political theory, contemporary philosophy and the crises faced by the current capitalist order.

Between Urban Topographies and Political Spaces: Threshold Experiences uses the term "threshold" as a means to understand the relationship between Self and Other, as well as relationships between different cultures. The concept of "threshold" defines the relationship between inside and outside not in oppositional terms, but as complementaries. This book discusses the cultural and social "border areas" of modernity, which are to be understood not as "zones" in a territorial sense, but as "spaces in between" in which different languages and cultures operate. The essays in Between Urban Topographies and Political Spaces identify the dimension in urban topographies and political spaces where we are able to locate paradigmatic experiences of thresholds. Because these spaces are characterized by contradictions, conflicts, and aporias, we propose to rethink those hermeneutic categories that imply a sharp opposition between inside and outside. This means that the theoretical definition of threshold put forward in these essays-whether applied to history, philosophy, law, art, or cultural studies-embodies new juridical and political stances.

States of Crisis and Post-Capitalist Scenarios engages with the crisis of our capitalist world, with a view to explaining its origins, unravelling its symptoms, and demystifying the anodyne corrective solutions so far proposed. At the same time, it endorses the necessity for utopian interventions aimed at drastically rethinking our social order. Organised around the themes of economy and politics, critical theory, and culture in order to offer an impressive range of thematic perspectives and critical angles, the book delves into the most pressing of today's quandaries by combining stringent critical analysis with creative foresight. A rigorous examination of the current crisis of late-capitalist society, States of Crisis and Post-Capitalist Scenarios develops paradigms that promise to rekindle the desire to move beyond capitalism towards a different social order. As such, it will appeal to scholars and students across the humanities and social sciences with particular interests in social and political theory, contemporary philosophy and the crises faced by the current capitalist order.

'Traumatic Encounters' addresses the question of the relationship between psychoanalysis and film in a thoroughly original way, bringing together Lacanian theory and Italian cinema as a means to unravel the deepest kernel of repressed knowledge around which film narratives are constructed. The primary theoretical reference of the book is the Real, the most under-represented of the three Lacanian categories (Symbolic, Imaginary and Real), which designates the traumatic dimension of reality that cannot be integrated in the order of language and communication. Exploring the relationship between film and its unconscious underside, the author argues that only by locating the elusive "traces of the cinematic Real" can a given film narrative be reconstructed in its entirety. Like the Lacanian subject, film here appears as fundamentally split between a traumatic dimension beyond signification (the Real), and awareness of its fragile symbolic status.
Always stylistically innovative, thematically defiant and driven by a strong political agenda, Italian cinema lends itself particularly well to a critical investigation aimed at radicalising the impact of psychoanalysis on film. In doing exactly that, the book deliberately avoids the standard cultural and historical approaches to film. Instead, it moves freely amongst some of the most widely celebrated - as well as lesser-known - Italian films of the post-war period, discussing the ways in which they tackle such themes as desire, fantasy, sexuality, violence and the law, to mention but a few. The main focus is on the work of those directors who most effectively engage with the divisive nature of the moving image: Antonioni, Pasolini and Rossellini. In addition, the book provides ample and insightful references to films by Visconti, Bertolucci, Bellocchio, Moretti, Petri, Fellini, Ferreri, and many more.

Taking seriously Jacques Lacan's claim that 'the unconscious is politics', this volume proposes a new understanding of political power, interrogating the assumption that contemporary capitalism functions by tapping into forms of unconscious enjoyment, rather than providing transcendental conditions for the articulation of political meanings and desires. Whether we're aware of it or not, political communication today targets the audience's libidinal response through political and institutional language: in policies, speeches, tweets, social media appearances, gestures and images. Yet does this mean that current power structures no longer need symbolic or ideological frameworks? The authors in this volume think not. Far from demonstrating a shift to a post-ideological age, they argue instead that such methods inaugurate an altogether novel approach to political power. Written by leading scholars from around the world, including Roberto Esposito and Slavoj Zizek, each chapter reflects on contemporary power and inspires consideration of new political potentialities, which our focus on politics in transcendental rather than immanent terms has thus far obscured. In so doing, Capitalism and the New Political Unconscious provides an original and forceful exploration of the centrality of both psychoanalytic theory and the philosophy of immanence to an alternative understanding of the political.

This volume reassesses the nature of the current global economic crisis and its implication for the 21st century, through the unique lens of Marx's theory of the value-form as the unconscious matrix of modern society. Going beyond orthodox Marxist and postmodernist accounts, the author offers fresh new readings of Marx, Benjamin, Foucault, and Zizek. Here he argues that capitalism has not only entered its greatest crisis since WWII, but has in fact reached its historical limit and is in terminal decline. In this light, the book seeks to answer how a rerun of Keynesian regulations could possibly resolve the crisis. It also inquires as to whether a Green New Deal might succeed when the gap between work to be had and work to be done widens, and what alternatives neo-Marxian approaches offer considering the failure of Marxism in the 20th century. This far-reaching, critical examination of the crisis not only builds on critical theory, but also offers new readings of key theorists that will appeal to anyone interested in political theory, critical theory, and political economy.

Critical Theory and Film brings together critical theory and film to enhance the critical potential of both. The book focuses on the Frankfurt School, most notably the works of Adorno and Horkheimer, as well as associated thinkers. It seeks to demonstrate that cinema can help critical theory repoliticize culture and society and affirm the theoretical and political impact of cinematic knowledge. After discussing how the Frankfurt School saw cinema as an instrument of capitalism use to promote the cultural and political regimentation of the masses, Vighi then proceeds to demonstrate that critical theory can in fact suggest a different verdict on the progressive potential of cinema. Each chapter focuses on a key critical theory concept that is explained and redefined through film analysis to unravel the hidden presuppositions and most radical consequences of critical theory. A unique contribution to the literature, this volume in the Critical Theory and Contemporary Society series offer an innovative reading of film as a critical tool, drawing on the latest developments in Lacanian theory.

Critical Theory and Film brings together critical theory and film to enhance the critical potential of both. The book focuses on the Frankfurt School, most notably the works of Adorno and Horkheimer, as well as associated thinkers.It seeks to demonstrate that cinema can help critical theory repoliticize culture and society and affirm the theoretical and political impact of cinematic knowledge. After discussing how the Frankfurt School saw cinema as an instrument of capitalism use to promote the cultural and political regimentation of the masses, Vighi then proceeds to demonstrate that critical theory can in fact suggest a different verdict on the progressive potential of cinema. Each chapter focuses on a key critical theory concept that is explained and redefined through film analysis to unravel the hidden presuppositions and most radical consequences of critical theory. A unique contribution to the literature, this volume in the Critical Theory and Contemporary Society series offer an innovative reading of film as a critical tool, drawing on the latest developments in Lacanian theory.

"On Zižek's Dialectics" explores the theoretical and practical potential of the psychoanalytic method deployed by Slavoj Zižek by investigating its epistemological implications within our contemporary capitalist universe. The book begins by evaluating Zizek's account of the capitalist ideology of enjoyment through the analysis of Lacan's critique of Marx's surplus-value. If the originality of Zižek's wager lies in the claim that enjoyment secretly sustains our ideological space, can we think of surplus-"jouissance" in a way that not only unmasks the ruse of capitalism but also adumbrates the construction of an alternative social space?
The answer to this question is developed in the second part of the book. Arguing that the transformative potential of Zizek's epistemology needs to be fully unravelled if it is to avoid the risk of congealing into mere academic exercise, Fabio Vighi attempts to politicise Zižek's groundbreaking critical method by calling upon the necessity to translate its emphasis on the "indigestible" surplus of knowledge into the drive to think the new. Under the current conditions, this creative moment can no longer be delayed.

On Zizek's Dialectics explores the theoretical and practical potential of the psychoanalytic method deployed by Slavoj Zizek by investigating its epistemological implications within our contemporary capitalist universe. The book begins by evaluating Zizek's account of the capitalist ideology of enjoyment through the analysis of Lacan's critique of Marx's surplus-value. If the originality of Zizek's wager lies in the claim that enjoyment secretly sustains our ideological space, can we think of surplus-jouissance in a way that not only unmasks the ruse of capitalism but also adumbrates the construction of an alternative social space? The answer to this question is developed in the second part of the book. Arguing that the transformative potential of Zizek's epistemology needs to be fully unravelled if it is to avoid the risk of congealing into mere academic exercise, Fabio Vighi attempts to politicise Zizek's groundbreaking critical method by calling upon the necessity to translate its emphasis on the indigestible surplus of knowledge into the drive to think the new. Under the current conditions, this creative moment can no longer be delayed.