Unique in all of literature, the Confessions combines frank and profound psychological insight into Augustine's formative years along with sophisticated and beguiling reflections on some of the most important issues in philosophy and theology. The Confessions discloses Augustine's views about the nature of infancy and the acquisition of language, his own sinful adolescence, his early struggle with the problem of evil, his conversion to Christianity, his puzzlement about the capacities of human memory and the nature of time, and his views about creation and biblical interpretation. The essays contained in this volume, by some of the most distinguished recent and contemporary thinkers in the field, insightfully explore these Augustinian themes not only with an eye to historical accuracy but also to gauge the philosophical acumen of Augustine's reflections.

The power of words has rarely been given a more compelling demonstration than in the Gettysburg Address. Lincoln was asked to memorialize the gruesome battle. Instead he gave the whole nation "a new birth of freedom" in the space of a mere 272 words. His entire life and previous training and his deep political experience went into this, his revolutionary masterpiece.
By examining both the address and Lincoln in their historical moment and cultural frame, Wills breathes new life into words we thought we knew, and reveals much about a president so mythologized but often misunderstood. Wills shows how Lincoln came to change the world and to effect an intellectual revolution, how his words had to and did complete the work of the guns, and how Lincoln wove a spell that has not yet been broken.

A bestselling historian examines the life of a Founding Father.
Renowned historian and social commentator Garry Wills takes a fresh look at the life of James Madison, from his rise to prominence in the colonies through his role in the creation of the Articles of Confederation and the first Constitutional Congress.
Madison oversaw the first foreign war under the constitution, and was forced to adjust some expectations he had formed while drafting that document. Not temperamentally suited to be a wartime President, Madison nonetheless confronted issues such as public morale, internal security, relations with Congress, and the independence of the military. Wills traces Madison's later life during which, like many recent Presidents, he enjoyed greater popularity than while in office.

An examination of the nature of leadership that uses a wide range of portraits from history representing revolutionary, political, religious, business, artistic, sport and military leaders including Franklin D. Roosevelt, Napoleon and Martin Luther King Jr.

In his Pulitzer prize-winning 1993 book Lincoln at Gettysburg, Garry Wills showed how the Gettysburg Address revolutionized the conception of modern America. In Witches and Jesuits, Wills again focuses on a single document to open up a window on an entire society. He begins with a simple question: If Macbeth is such a great tragedy, why do performances of it so often fail? After all, the stage history of Macbeth is so riddled with disasters that it has created a legendary curse on the drama. Superstitious actors try to evade the curse by referring to Macbeth only as "the Scottish play," but production after production continues to soar in its opening scenes, only to sputter towards anticlimax in the later acts. By critical consensus there seems to have been only one entirely successful modern performance of the play, Laurence Olivier's in 1955, and even Olivier twisted his ankle on opening night. But Olivier's ankle notwithstanding, Wills maintains that the fault lies not in Shakespeare's play, but in our selves. Drawing on his intimate knowledge of the vivid intrigue and drama of Jacobean England, Wills restores Macbeth's suspenseful tension by returning it to the context of its own time, recreating the burning theological and political crises of Shakespeare's era. He reveals how deeply Macbeth's original 1606 audiences would have been affected by the notorious Gunpowder Plot of 1605, when a small cell of Jesuits came within a hairbreadth of successfully blowing up not only the King, but the Prince his heir, and all members of the court and Parliament. Wills likens their shock to that endured by Americans following Pearl Harbor or the Kennedy assassination. Furthermore, Wills documents, the Jesuits were widely believed to be acting in the service of the Devil, and so pervasive was the fear of witches that just two years before Macbeth's first performance, King James I added to the witchcraft laws a decree of death for those who procured "the skin, bone, or any other part of any dead person - to be employed or used in any manner of witchcraft, sorcery, charm, or enchantment." We see that the treason and necromancy in Macbeth were more than the imaginings of a gifted playwright-they were dramatizations of very real and potent threats to the realm. In this new light, Macbeth is transformed. Wills presents a drama that is more than a well-scripted story of a murderer getting his just penalty, it is the struggle for the soul of a nation. The death of a King becomes a truly apocalyptic event, and Malcolm, the slain King's son, attains the status of a man defying cosmic evil. The guilt of Lady Macbeth takes on the Faustian aspect of one who has singed her hands in hell. The witches on the heath, shrugged off as mere symbols of Macbeth's inner guilt and ambition by twentieth century interpreters, emerge as independent agents of the occult with their own (or their Master's) terrifying agendas. Restoring the theological politics and supernatural elements that modern directors have shied away from, Wills points the way towards a Macbeth that will finally escape the theatrical curse on "the Scottish play." Rich in insight and a joy to read, Witches and Jesuits is a tour de force of scholarship and imagination by one of our foremost writers, essential reading for anyone who loves the language.

George Chapman's translations of Homer are the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language."

This volume presents the original (1611) text of Chapman's translation of the Iliad, making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction and a glossary. Garry Wills contributes a preface, in which he explains how Chapman tapped into the poetic consonance between the semi-divine heroism of the Iliad's warriors and the cosmological symbols of Renaissance humanism.

America's leading religious scholar and public intellectual introduces lay readers to the Qur'an with a measured, powerful reading of the ancient text Garry Wills has spent a lifetime thinking and writing about Christianity. In What the Qur'an Meant, Wills invites readers to join him as he embarks on a timely and necessary reconsideration of the Qur'an, leading us through perplexing passages with insight and erudition. What does the Qur'an actually say about veiling women? Does it justify religious war? There was a time when ordinary Americans did not have to know much about Islam. That is no longer the case. We blundered into the longest war in our history without knowing basic facts about the Islamic civilization with which we were dealing. We are constantly fed false information about Islam--claims that it is essentially a religion of violence, that its sacred book is a handbook for terrorists. There is no way to assess these claims unless we have at least some knowledge of the Qur'an. In this book Wills, as a non-Muslim with an open mind, reads the Qur'an with sympathy but with rigor, trying to discover why other non-Muslims--such as Pope Francis--find it an inspiring book, worthy to guide people down through the centuries. There are many traditions that add to and distort and blunt the actual words of the text. What Wills does resembles the work of art restorers who clean away accumulated layers of dust to find the original meaning. He compares the Qur'an with other sacred books, the Old Testament and the New Testament, to show many parallels between them. There are also parallel difficulties of interpretation, which call for patient exploration--and which offer some thrills of discovery. What the Qur'an Meant is the opening of a conversation on one of the world's most practiced religions.

George Chapman's translations of Homer are among the most famous in the English language. Keats immortalized the work of the Renaissance dramatist and poet in the sonnet "On First Looking into Chapman's Homer." Swinburne praised the translations for their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." The great critic George Saintsbury (1845-1933) wrote: "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the "Odyssey" (1614-15), making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction, textual notes, a glossary, and a commentary. Garry Wills's preface to the "Odyssey" explores how Chapman's less strained meter lets him achieve more delicate poetic effects as compared to the "Iliad." Wills also examines Chapman's "fine touch" in translating "the warm and human sense of comedy" in the "Odyssey."

Oft of one wide expanse had I been told
That deep-browed Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold.
--John Keats

The New York Times-bestselling historian takes on a pressing question in modern religion: Will Pope Francis embrace change? Look out for a new book from Garry Wills, What The Qur'an Meant, coming fall 2017. Pope Francis, the first Jesuit pope and the first from the Americas, offers a challenge to his church. Can he bring about significant change? Should he? Garry Wills, the Pulitzer Prize-winning historian, argues provocatively that, in fact, the history of the church throughout is a history of change. In this brilliant and incisive study, Wills describes the deep and serious changes that have taken place in the church or are in the process of occurring. These include the change from Latin, the growth and withering of the ecclesiastical monarchy, the abandonment of biblical literalism, the assertion and nonassertion of infallibility, and the erosion of church patriarchy. In such developments we see the living church adapting itself to new historical circumstances. As Wills contends, it is only by examining the history of the church that we can understand Pope Francis's and the church's challenges today. -A lively exercise in church history--history intended to orient us in the here and now. It is addressed not only to Catholics but to the entire church as 'the People of God, ' . . . and to anyone else--practicing another religion or emphatically not--who is curious to learn how one of our foremost historians and public intellectuals understands his faith.- --The Chicago Tribune

A penetrating study of the images, symbols, pageants, and creative performances ambitious Elizabethans used to secure political power Shakespeare's plays abound with kings and leaders who crave a public stage and seize every opportunity to make their lives a performance: Antony, Cleopatra, Richard III, Othello, and many others. Such self-dramatizing characters appear in the work of other playwrights of the era as well, Marlowe's Edward II and Tamburlaine among them. But Elizabethan playwrights were not alone in realizing that a sense of theater was essential to the exercise of power. Real rulers knew it, too, and none better than Queen Elizabeth. In this fascinating study of political stagecraft in the Elizabethan era, Garry Wills explores a period of vast cultural and political change during which the power of make-believe to make power real was not just a theory but an essential truth. Wills examines English culture as Catholic Christianity's rituals were being overturned and a Protestant queen took the throne. New iconographies of power were necessary for the new Renaissance liturgy to displace the medieval church-state. The author illuminates the extensive imaginative constructions that went into Elizabeth's reign and the explosion of great Tudor and Stuart drama that provided the imaginative power to support her long and successful rule.

One of the most important sites in the Christian world lies hidden under the piazza of the cathedral (Duomo) in Milan. Rarely visited, it is part of the foundations of a 4th-century cathedral where, at dawn on Easter of 387, a group of people seeking baptism, including Augustine, gathered after an all-night vigil. After Ambrose performed the sacrament, the catechumens were greeted by their fellows in the faith, including Augustine's mother Monnica and the two men who had taught Augustine his theology and philosophy, Mallius Theodore and Simplician. Though the occasion had deep significance for the participants, this little cluster of devotion was unaware that they were creating the future of the Western church. Ambrose, already a powerful leader, would go on to forge new liturgies, new forms of church music, and new chains of churches; Augustine would return to his native Africa to become bishop of Hippo and one of the most influential writers of Christianity of his time and ours.
In Font of Life, Garry Wills uses this baptistry to chronicle a pivotal chapter in the history of the Church. In doing so, he highlights the often uncomfortable relationship between Ambrose, the cultured and influential official in imperial Milan, and Augustine, the ambitious man from the provinces with searching questions about his faith. In addition, the baptistry allows Wills to neatly explore two issues of paramount importance to the early Church: the sacrament of baptism and the incorporation of Neoplatonic philosophy into the Western faith. Wills provides a richly detailed account of this watershed moment in Western intellectual history while promising to make widely known an unjustly neglected early Christianity landmark.

A groundbreaking examination of how the atomic bomb profoundly altered the nature of American democracy. Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017. In Bomb Power, bestselling author Garry Wills presents a blistering critique of excessive executive power and official secrecy, drawing a direct line from the Manhattan Project to the usurpations of George W. Bush. He reveals how the atomic bomb transformed our nation down to its deepest constitutional roots-by dramatically increasing the power of the modern presidency and redefining the government as a national security state-leaving us in a state of continuous war alert for nearly seven decades. Bold and incisive, Bomb Power casts the history of the postwar period in a new light and sounds an alarm about the continued threat to our Constitution.

Bawdy and biting epigrams, freshly translated, ready for enjoyment. One of literature's greatest satirists, Martial earned his livelihood by excoriating the follies and vices of his time, and set a pattern that satirists have admired and imitated across the ages. Born in Spain, Marcus Valerius Martialis (c. 40-102 CE), known in English as Martial, went to Rome as a young man to win fame and fortune. At the height of his career he published a book of scathing social commentary every year--1,500 poems in all, of which Wills translates about a third. This exquisite translation from acclaimed author Garry Wills does not sacrifice the cleverly constructed effects of Martial's short and shapely thrusts. Martial's Epigrams make addictive reading and a perfect--if naughty--gift.

Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017. Gary Wills has won significant acclaim for his bestselling works of religion and history. Here, for the first time, he combines both disciplines in a sweeping examination of Christianity in America throughout the last 400 years. Wills argues that the struggle now, as throughout our nation's history, is between the head and the heart, reason and emotion, enlightenment and Evangelism. A landmark volume for anyone interested in either politics or religion, Head and Heart concludes that, while religion is a fertile and enduring force in American politics, the tension between the two is necessary, inevitable, and unending.

In Henry Adams and the Making of America, Pulitzer Prize winner Garry Wills makes a compelling argument for a reassessment of Henry Adams as our nation's greatest historian and his History as the "nonfiction prose masterpiece of the nineteenth century in America." Adams drew on his own southern fixation, his extensive foreign travel, his political service in the Lincoln administration, and much more to invent the study of history as we know it. His nine-volume chronicle of America from 1800 to 1816 established new standards for employing archival sources, firsthand reportage, eyewitness accounts, and other techniques that have become the essence of modern history.
Ambitious in scope, nuanced in detail, Henry Adams and the Making of America throws brilliant light on the historian and the making of history.

A brilliant synthesis of the Apostle Paulas thought and influence, written by a aforemost Catholic intellectuala ("Chicago Tribune")
All through history, Christians have debated Paulas influence on the church. Though revered, Paul has also been a stone on which many stumble. Apocryphal writings by Peter and James charge Paul, in the second century, with being a tool of Satan. In later centuries Paul became a target of ridicule for writers such as Thomas Jefferson (athe first corruptor a), George Bernard Shaw (aa monstrous impositiona), and Nietzsche (athe Dysangelista). However, as Garry Wills argues eloquently in this masterly analysis, what Paul meant was not something contrary to what Jesus meant. Rather, the best way to know Jesus is to discover Paul. Unlike the Gospel writers, who carefully shaped their narratives many decades after Jesusa life, Paul wrote in the heat of the moment, managing controversy, and sometimes contradicting himself, but at the same time offering the best reflection of those early times.

"What Paul Meant" is a stellar interpretation of Paulas writing, examining his tremendous influence on the first explosion of Christian belief and chronicling the controversy surrounding Paul through the centuries. Willsas many readers and those interested in the Christian tradition will warmly welcome this penetrating discussion of perhaps the most fascinating church father.

In "Negro President" the Pulitzer Prize-winning historian Garry Wills explores a pivotal moment in American history through the lens of Thomas Jefferson and the now largely forgotten Timothy Pickering, and "prods readers to appreciate essential aspects of our distressed but well-intentioned representative democracy" (Chicago Tribune).
In 1800 Jefferson won the presidential election with Electoral College votes derived from the three-fifths representation of slaves -- slaves who could not vote but were still partially counted as citizens. Moving beyond the recent revisionist debate over Jefferson's own slaves and his relationship with Sally Hemings, Wills instead probes the heart of Jefferson's presidency and political life, revealing how the might of the slave states remained a concern behind his most important policies and decisions.
In an eye-opening, ingeniously argued expose, Wills restores Timothy Pickering and the Federalists' dramatic struggle to our understanding of Jefferson, the creation of the new nation, and the evolution of our representative democracy.
"Garry Wills is a thinker of first rate. He combines the vigor of the social critic with the depth of the historian, and to these he adds the even rarer gifts of the philosopher." -- New Republic
"A thorough political analysis of another founding father's involvement in slavery." -- San Francisco Chronicle
Garry Wills, a distinguished historian and critic, is the author of numerous books, including the Pulitzer Prize-winning Lincoln at Gettysburg, Saint Augustine, the best-selling Why I Am a Catholic, and Henry Adams and the Making of America.

For centuries, Augustine's writings have moved and fascinated readers. With the eye of a writer whose own intellectual analysis has won him a Pulitzer Prize, Garry Wills examines this famed fourth-century bishop and seminal thinker whose grounding in classical philosophy informed his influential interpretation of the Christian doctrines of mind and body, wisdom and God. Saint Augustine explores both the great ruminator on the human condition and the everyday man who set pen to parchment. It challenges many misconceptions - among them the myth of his early sexual excesses. Garry Wills's Saint Augustine illuminates both the man and the age with the eloquent economy that will introduce to a new generation of readers this once popular genre.

The essential Garry Wills, Lead Time offers a provocative view of a pivotal era in America from one of our most esteemed historians. In this collection of essays, written between 1968 and 1982, Wills explores American culture, politics, and mores, and demonstrates his astute and always interesting approach to his subjects, including Vietnam, Richard Nixon, Muhammad Ali, Pope John Paul II, and Ronald Reagan. Newly reissued with a new preface, this is a must-read from "a mind that likes to range beyond the usual boundaries of periodical journalism" (New York Times).

In this provocative work, which could not be timelier, Garry Wills, one of our country's most noted writers and historians, offers a powerful statement of his Catholic faith. Beginning with a reflection on his early experience of that faith as a child and later as a Jesuit seminarian, Wills reveals the importance of Catholicism in his own life. He goes on to challenge, in clear and forceful terms, the claim that criticism or reform of the papacy is an assault on the faith itself. For Wills, a Catholic can be both loyal and critical, a loving child who stays with his father even if the parent is wrong. Wills turns outward from his personal experiences to present a sweeping narrative covering two thousand years of church history, revealing that the papacy, far from being an unchanging institution, has been transformed dramatically over the millennia -- and can be reimagined in the future. At a time when the church faces one of its most difficult crises, Garry Wills offers an important and compelling entrée into the discussion of the church's past -- and its future. Intellectually brisk and spiritually moving, Why I Am a Catholic poses urgent questions for Catholic and non-Catholic readers alike.

From one of America's most distinguished historians comes this classic analysis of Richard Nixon. By considering some of the president's opinions, Wills comes to the controversial conclusion that Nixon was actually a liberal. Both entertaining and essential, Nixon Agonistes captures a troubled leader and a struggling nation mired in a foolish Asian war, forfeiting the loyalty of its youth, puzzled by its own power, and looking to its cautious president for confidence. In the end, Nixon Agonistes reaches far beyond its assessment of the thirty-seventh president to become an incisive and provocative analysis of the American political machine.

From one of America's foremost historians, The Kennedy Imprisonment is the definitive historical and psychological analysis of the Kennedy clan. The winner of a Pulitzer Prize, Garry Wills reveals a family that enjoyed public adulation but provided fluctuating leadership, that experienced both unparalleled fame and odd failures, and whose basic values ensnared its men in their own myths of success and masculinity. In the end, Wills reveals that the the Kennedys' crippling conception of power touched every part of their public and private lives, including their relationships with women and world leaders. Sometimes gossipy, sometimes philosophical, The Kennedy Imprisonment is a book that is as true, insightful, and relevant as ever.

The Pulitzer Prize-winning author of "Lincoln at Gettysburg "and "Papal Sin" captures the many dimensions of one of the twentieth century's most influential writers.
Part of a literary circle that included H.G. Wells, George Bernard Shaw, Hillaire Belloc, and Max Beerbohm, G.K. Chesterton (1874-1936) wrote essays of social criticism for contemporary journals, literary criticism (including notable books on Browning, Dickens, and Shaw), and works of theology and religious argument, but may have been best known for his Father Brown mysteries. Chesterton's interest in Catholic Christianity, first expressed in "Orthodoxy," led to his conversion from Anglicanism to Roman Catholicism in 1922. His classic "Saint Francis of Assisi" and the equally acclaimed "Saint Thomas Aquinas" confirmed his reputation as a writer with the rare ability to simultaneously entertain, inform, and enlighten readers. This revised edition of Garry Wills's finely crafted biography includes updates to the text and a new Introduction by the author.

The Pulitzer Prize-winning author of Lincoln at Gettysburg brings his eloquence, wit, and on-target perceptions of American life and politics to this fascinating, well-drawn protrait of a twentieth-century hero. In this work of great originality—the biography of an idea—Garry Wills shows how John Wayne came to embody Amercian values and influenced our cultoure to a degree unmatched by any other public figure of his time. In Wills's hands, Waynes story is tranformed into a compelling narrative about the intersection of popular entertainment and political realities in mid-twentieth-century America.

Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017. -Riveting . . . a double-barreled salvo that hits two bull's-eyes.- --The New York Times Book ReviewThis dazzling study of the three operas that Giuseppe Verdi adapted from Shakespeare's plays takes readers on a wonderfully engaging journey through opera, music, literature, history, and the nature of genius. Verdi's Shakespeare explores the writing and staging of Macbetto (Macbeth), Otello (Othello), and Falstaff, operas by Verdi, an Italian composer who could not read a word of English but who adored Shakespeare. Delving into the fast-paced worlds of these men and the hands-on life of the stage that at once challenged them and gave flight to their brilliance, Wills, in his inimitable way, illuminates the birth of artistic creation.