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Called "the most important critic of his time" by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A "natural and extraordinary talent for letter writing was one of the most captivating facets of his nature," writes Gershom Scholem in his foreword to this volume; and Benjamin's correspondence reveals the evolution of some of his most powerful ideas, while also offering an intimate picture of Benjamin himself and the times in which he lived. Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamin's work, "The Correspondence of Walter Benjamin" is a revelatory look at the man behind much of the twentieth century's most significant criticism.
Gershom Scholem is celebrated as the twentieth century's most
profound student of the Jewish mystical tradition; Walter Benjamin,
as a master thinker whose extraordinary essays mix the
revolutionary, the revelatory, and the esoteric. Scholem was a
precocious teenager when he met Benjamin, who became his close
friend and intellectual mentor. His account of that
relationshipNwhich was to remain crucial for both menNis both a
celebration of his friend's spellbinding genius and a lament for
the personal and intellectual self-destructiveness that culminated
in Benjamin's suicide in 1940.
Few people thought as deeply or incisively about Germany, Jewish identity, and the Holocaust as Hannah Arendt and Gershom Scholem. And, as this landmark volume reveals, much of that thinking was developed in dialogue, through more than two decades of correspondence. Arendt and Scholem met in 1932 in Berlin and quickly bonded over their mutual admiration for and friendship with Walter Benjamin. They began exchanging letters in 1939, and their lively correspondence continued until 1963, when Scholem's vehement disagreement with Arendt's Eichmann in Jerusalem led to a rupture that would last until Arendt's death a dozen years later. The years of their friendship, however, yielded a remarkably rich bounty of letters: together, they try to come to terms with being both German and Jewish, the place and legacy of Germany before and after the Holocaust, the question of what it means to be Jewish in a post-Holocaust world, and more. Walter Benjamin is a constant presence, as his life and tragic death are emblematic of the very questions that preoccupied the pair. Like any collection of letters, however, the book also has its share of lighter moments: accounts of travels, gossipy dinner parties, and the quotidian details that make up life even in the shadow of war and loss. In a world that continues to struggle with questions of nationalism, identity, and difference, Arendt and Scholem remain crucial thinkers. This volume offers us a way to see them, and the development of their thought, anew.
Der gebA1/4rtige Berliner Gershom Scholem (1897 - 1982), der 1923 nach Jerusalem emigrierte, wurde einer breiteren A-ffentlichkeit zunAchst hauptsAchlich als der Freund und NachlaAverwalter Walter Benjamins, als SchA1/4ler, Verehrer und Antipode Martin Bubers und als Kritiker Franz Rosenzweigs bekannt. Erst in den letzten Jahrzehnten wurde die ungewAhnliche Breite und Tiefe seines Denkens zunehmend als herausragender Beitrag zur europAischen Geistesgeschichte erkannt. Heute gilt Scholem als einer der fA1/4hrenden Intellektuellen Westeuropas und Amerikas und einer der wichtigsten Juden des 20. Jahrhunderts A1/4berhaupt. Im Zentrum von Scholems schier unA1/4berschaubaren VerAffentlichungen stand die Erforschung der als Kabbala bezeichneten jA1/4dischen Mystik und mittelalterlichen Esoterik. Erst durch seine kritische Erfassung und Untersuchung der Quellen wurde es mAglich, diese reichen, geheimnisvollen und versunkenen Traditionen jA1/4discher Geschichte zu entschlA1/4sseln. Aus der FA1/4lle seiner Publikationen ragt das Buch A1/4ber "Ursprung und AnfAnge der Kabbala" (1948 auf HebrAisch erschienen) heraus, das Scholem im persAnlichen GesprAch als sein Hauptwerk bezeichnete. Die Neuauflage dieses Klassikers wird durch ein Geleitwort von Ernst Ludwig Ehrlich erAffnet, dessen persAnlicher Verbindung zu Scholem und unermA1/4dlichem Einsatz es zu verdanken ist, daA Scholems Werk 1962 A1/4berhaupt in einer deutschen Ausgabe erscheinen konnte. In einem ausfA1/4hrlichen Nachwort wA1/4rdigt Joseph Dan, SchA1/4ler und Nachfolger Scholems auf dem Lehrstuhl fA1/4r jA1/4dische Mystik an der HebrAischen UniversitAt von Jerusalem, Scholems epochalen Beitrag zur kritischen Erforschung der jA1/4dischen Mystik.
One of the great masterpieces of Western religious thought, the Zohar represents an attempt to uncover hidden meanings behind the world of appearances. It is the central work in the literature of the Kabbalah, the Jewish mystical tradition.
Perhaps the greatest scholar of Jewish mysticism in the twentieth century, Gershom Scholem (1897-1982) once said of himself, "I have no biography, only a bibliography." Yet, in thousands of letters written over his lifetime, his biography does unfold, inscribing a life that epitomized the intellectual ferment and political drama of an era. This selection of the best and most representative letters--drawn from the 3000 page German edition--gives readers an intimate view of this remarkable man, from his troubled family life in Germany to his emergence as one of the leading lights of Israel during its founding and formative years. In the letters, we witness the travails and vicissitudes of the Scholem family, a drama in which Gershom is banished by his father for his anti-kaiser Zionist sentiments; his antiwar, socialist brother is hounded and murdered; and his mother and remaining brothers are forced to emigrate. We see Scholem's friendships with some of the most intriguing intellectuals of the twentieth century--such as Hannah Arendt, Walter Benjamin, and Theodor Adorno--blossom and, on occasion, wither. And we learn firsthand about his Zionist commitment and his scholarly career, from his move to Palestine in the 1920s to his work as Professor of Jewish Mysticism at the Hebrew University. Over the course of seven decades that comprised the most significant events of the twentieth century, these letters reveal how Scholem's scholarship is informed by the experiences he so eloquently described.
The legendary correspondence between the critic Walter Benjamin and the historian Gershom Scholem bears indispensable witness to the inner lives of two remarkable and enigmatic personalities. Benjamin, acknowledged today as one of the leading literary and social critics of his day, was known during his lifetime by only a small circle of his friends and intellectual confreres. Scholem recognized the genius of his friend and mentor during their student days in Berlin, and the two began to correspond after Scholem's emigration to Palestine. Their impassioned exchange draws the reader into the very heart of their complex relationship during the anguished years from 1932 until Benjamin's death in 1940.
The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892-1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin's writings for the frank, merciless way he struggles with his motives and conscience. Perhaps the primary reason for his trip was his affection for Asja Lacis, a Latvian Bolshevik whom he had first met in Capri in 1924 and who would remain an important intellectual and erotic influence on him throughout the twenties and thirties. Asja Lacis resided in Moscow, eking out a living as a journalist, and Benjamin's diary is, on one level, the account of his masochistic love affair with this elusive-and rather unsympathetic-object of desire. On another level, it is the story of a failed romance with the Russian Revolution; for Benjamin had journeyed to Russia not only to inform himself firsthand about Soviet society, but also to arrive at an eventual decision about joining the Communist Party. Benjamin's diary paints the dilemma of a writer seduced by the promises of the Revolution yet unwilling to blinker himself to its human and institutional failings. Moscow Diary is more than a record of ideological ambivalence; its literary value is considerable. Benjamin is one of the great twentieth-century physiognomists of the city, and his portrait of hibernal Moscow stands beside his brilliant evocations of Berlin, Naples, Marseilles, and Paris. Students of this particularly interesting period will find Benjamin's eyewitness account of Moscow extraordinarily illuminating.
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