Organized by heretical movements and texts from the Gnostic Gospels to The Book of Mormon, this book uses the work of James Joyce - particularly Ulysses and Finnegan's Wake - as a prism to explore how the history of Christian heresy remains part of how we read, write, and think about books today. Erickson argues that the study of classical, medieval, and modern debates over heresy and orthodoxy provide new ways of understanding modernist literature and literary theory. Using Joyce's works as a springboard to explore different perspectives and intersections of 20th century literature and the modern literary and religious imagination, this book gives us new insights into how our modern and "secular" reading practices unintentionally reflect how we understand our religious histories.

Heresy studies is a new interdisciplinary, supra-religious, and humanist field of study that focuses on borderlands of dogma, probes the intersections between orthodoxy and heterodoxy, and explores the realms of dissent in religion, art, and literature. Free from confessional agendas and tolerant of both religious and non-religious perspectives, heresy studies fulfill an important gap in scholarly inquiry and artistic production. Divided into four parts, the volume explores intersections between heresy and modern literature, it discusses intricacies of medieval heresies, it analyzes issues of heresy in contemporary theology, and it demonstrates how heresy operates as an artistic stimulant. Rather than treating matters of heresy, blasphemy, unbelief, dissent, and non-conformism as subjects to be shunned or naively championed, the essays in this collection chart a middle course, energized by the dynamics of heterodoxy, dissent, and provocation, yet shining a critical light on both the challenges and the revelations of disruptive kinds of thinking and acting.

This book is a fascinating exploration into where discussion and deliberation of religious and spiritual concerns takes place as participation in traditional religion declines It explores how the complex and fantastical worlds of speculative television have become the place where theological questions and issues are now negotiated, understood, and formed It examines how shows such as Buffy the Vampire Slayer and Westworld invite their viewers and fans to engage with and imagine concepts traditionally reserved for religious spaces The book is informed by recent trends in both fan studies and religious studies, and with an emphasis on practice as well as belief It will resonate with scholars and upper-level students in the areas of religion, television studies, popular culture, fan studies, media studies, and philosophy

The United States is the world's primary creator and exporter of popular mass culture and arguably one of the most religious countries in modern history. As a result, the coexistence of American religion with popular culture has created a fertile yet caustic environment for new religious belief structures, new texts, and new worldviews that are uniquely American. This work considers ways in which American television, advertising, music, and video games have played a significant role in creating, representing, and influencing contradictory religious identities. The authors examine three distinct segments of popular culture that ""rescript the sacred,"" including popular religious texts (e.g. the Christian fantasy novels of Frank Peretti), secular works that nonetheless reflect and influence popular religions (e.g. Buffy the Vampire Slayer), and works that contain a central element of religious content but no clear didactic intent (e.g. The Da Vinci Code).

Organized by heretical movements and texts from the Gnostic Gospels to The Book of Mormon, this book uses the work of James Joyce – particularly Ulysses and Finnegan’s Wake – as a prism to explore how the history of Christian heresy remains part of how we read, write, and think about books today. Erickson argues that the study of classical, medieval, and modern debates over heresy and orthodoxy provide new ways of understanding modernist literature and literary theory. Using Joyce’s works as a springboard to explore different perspectives and intersections of 20th century literature and the modern literary and religious imagination, this book gives us new insights into how our modern and “secular” reading practices unintentionally reflect how we understand our religious histories.