Guittone d'Arezzo (ca. 1230-1294) was the most important, prolific, and influential poet and prose writer of the thirteenth century. Unfortunately, his work has been overshadowed by his successor; the more learned and gifted Dante Alighieri. The poems and prose included in this volume are emblematic of the two phases of Guittone's career: he first achieved fame as a secular love poet but following his conversion in the 1260s he became a renowned religious poet. Guittone's artistic reputation commanded the highest respect. Even Dante's beloved Guinizzelli and Cavalcanti never enjoyed any such fame in their lifetime. Antonello Borra presents a critical introduction to Guittone's works with a selection of his poems and letters in facing-page Italian and English translation. While Dante repeatedly condemned Guittone, recent scholarship has re-evaluated his importance and placed his work in the context of his predecessors, the Proven al troubadours and the poets of the Sicilian school. This latest volume in the Lorenzo Da Ponte Italian Library contains the first significant edition of Guittone's works available in English translation.

Until The New Press first published "May It Please the Court" in 1993, few Americans knew that every case argued before the Supreme Court since 1955 had been recorded. The original book-and-tape set was a revelation to readers and reviewers, quickly becoming a bestseller and garnering praise across the nation. "May It Please the Court" includes both live recordings and transcripts of oral arguments in twenty-three of the most significant cases argued before the Supreme Court in the second half of the twentiethcentury. This edition makes the recordings available on an MP3 audio CD. Through the voices of some of the nation's most important lawyers and justices, including Thurgood Marshall, Archibald Cox, and Earl Warren, it offers a chance to hear firsthand our justice system at work, in the highest court of the land. Cases included: "Gideon v. Wainwright" (right to counsel) "Abington School District v. Schempp" (school prayer) "Miranda v. Arizona" ("the right to remain silent") "Roe v. Wade" (abortion rights) "Edwards v. Aguillard" (teaching "creationism") "Regents v. Bakke" (reverse discrimination) "Wisconsin v. Yoder" (compulsory schooling for the Amish) "Tinker v. Des Moines" (Vietnam protest in schools) "Texas v. Johnson" (flag burning) "New York Times v. United States" (Pentagon Papers) "Cox v. Louisiana" (civil rights demonstrations) "Communist Party v. Subversive Activities Control Board" (freedom of association) "Terry v. Ohio" ("stop and frisk" by police) "Gregg v. Georgia" (capital punishment) "Cooper v. Aaron" (Little Rock school desegregation) "Heart of Atlanta Motel v. United States" (public accommodations) "Palmer v. Thompson" (swimming pool integration) "Loving v. Virginia" (interracial marriage) "San Antonio v. Rodriguez" (equal funding for public schools) "Bowers v. Hardwick" (homosexual rights) "Baker v. Carr" ("one person, one vote") "United States v. Nixon" (Watergate tapes) "DeShaney v. Winnebago County" (child abuse)

A manual for both designers and users, comprehensively presenting the current state of experts' knowledge on virtual reality (VR) in computer science, mechanics, optics, acoustics, physiology, psychology, ergonomics, ethics, and related area. Designed as a reference book and design guide to help the reader develop a VR project, it presents the reader with the importance of the user s needs and various aspects of the human computer interface (HCI). It further treats technical aspects of VR, hardware and software implementations, and details on the sensory and psycho-sensory interfaces. Providing various concepts and technologies, including mathematics and modelling techniques, it allows the reader to formalize, conceptualize and construct a virtual reality project from original thought to application. This book is intended for engineers, computer scientists and computer game developers working on various VR applications. It can further serve as an educational tool in Virtual Reality courses for senior graduate and postgraduate students.

Disney's Princess Ariel would give anything to be 'where the people are', but little does she know there's an ever-growing fan base of humans dying to be down in the ocean where she is. Movies like the Little Mermaid and Pirates of the Caribbean have sparked the interest of newer generations of mermaid fans, but our enchantment with these mythical creatures of the sea goes back for centuries. Fan Phenomena: Mermaids takes a deep dive into these fascinations and the cultural creations that mermaids inspire among fans of all ages. Mermaids, and merfolk more generally, are everywhere you look. Merfolk devotees march in themed parades and practice mermaiding - swimming with a mermaid tail. There's mermaid fiction and mermaid virtual reality; mermaid art and #mermaid trends. You may not know it, but transgenerational merfolk fan communities stretch around the world - from sea to shining sea. And their popularity is only growing. In Fan Phenomena: Mermaids, Matthieu Guitton assembles a star studded cast of scholars and popular culture insiders to decode the mermaid phenomenon. The book explores how merfolk have evolved in popular culture and what it is that grants them their privileged status among fantasy creatures. Illustrated throughout with fan photographs and stills from a plethora of films and TV shows, this new addition to the Fan Phenomena series promises to both fascinate and delight readers - earthbound and ocean-dwelling alike.

Attribution - tracing those responsible for a cyber attack - is of primary importance when classifying it as a criminal act, an act of war, or an act of terrorism. Three assumptions dominate current thinking: attribution is a technical problem; it is unsolvable; and it is unique. Approaching attribution as a problem forces us to consider it either as solved or unsolved. Yet attribution is far more nuanced, and is best approached as a process in constant flux, driven by judicial and political pressures. In the criminal context, courts must assess the guilt of criminals, mainly based on technical evidence. In the national security context, decision-makers must analyse unreliable and mainly non-technical information in order to identify an enemy of the state. Attribution in both contexts is political: in criminal cases, laws reflect society's prevailing norms and power; in national security cases, attribution reflects a state's will to maintain, increase or assert its power. However, both processes differ on many levels. The constraints, which reflect common aspects of many other political issues, constitute the structure of the book: the need for judgement calls, the role of private companies, the standards of evidence, the role of time, and the plausible deniability of attacks.

The first in-depth investigation of Gauguin's portraits, revealing how the artist expanded the possibilities of the genre in new and exciting ways Paul Gauguin (1848-1903) broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this phenomenon more evident than in his portraits, a genre he remained engaged with throughout all phases of his career. Bringing together more than 60 of Gauguin's portraits in a wide variety of media that includes painting, works on paper, and sculpture, this handsomely illustrated volume is the first focused investigation of the multifaceted ways the artist approached the subject. Essays by a group of international experts consider how the artist's conception of portraiture evolved as he moved between Brittany and Polynesia. They also examine how Gauguin infused his work with symbolic meaning by taking on different roles like the Christ figure and the savage in his self-portraits and by placing his models in suggestive settings with alluring attributes. This welcome addition to the scholarship on one of the 19th century's most innovative and controversial artists reveals fascinating insights into the crucial role that portraiture played in Gauguin's overall artistic practice.

The Dominion of the World (1900) represents a transition from classic Vernian anticipation to the pulp serials of the 1920s and 1930s. It is also the only science fiction work that sought to dramatize the "Transatlantic Peril," positing a fundamental difference of culture and attitude between the United States and Europe. Despite some of its outlandishness, hindsight has lent the world imagined by Gustave Guitton and Gustave Le Rouge (The Vampires of Mars) a certain prophetic quality. In Volume 1, a secret cabal of American billionaires, led by William Boltyn, would like nothing more than to crush Europe, or at least subject it to harsh economic domination, and eventually become masters of the world. To that end, they scheme to use a deadly array of highly advanced weapons invented by Engineer Hattison and an army of psychics under the command of the sinister Harry Madge. Their grand plan, however, is opposed by the heroic endeavors of a handful of Frenchmen...

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Dominion of the World (1900) represents a transition from classic Vernian anticipation to the pulp serials of the 1920s and 1930s. It is also the only science fiction work that sought to dramatize the "Transatlantic Peril," positing a fundamental difference of culture and attitude between the United States and Europe. Despite some of its outlandishness, hindsight has lent the world imagined by Gustave Guitton and Gustave Le Rouge (The Vampires of Mars) a certain prophetic quality. In the fourth and final volume of the series, Harry Madge's brigade of psychic spies sent to infiltrate Europe on behalf of the secret cabal of American billionaires, led by William Boltyn, is sowing chaos and despair, but the invention of a new "psychic accumulator" by Arsene Golbert enables good will to triumph, banishing hatred, ambition, cupidity and egotism, and opening the doors to a new utopian society...

The Dominion of the World (1900) represents a transition from classic Vernian anticipation to the pulp serials of the 1920s and 1930s. It is also the only science fiction work that sought to dramatize the "Transatlantic Peril," positing a fundamental difference of culture and attitude between the United States and Europe. Despite some of its outlandishness, hindsight has lent the world imagined by Gustave Guitton and Gustave Le Rouge (The Vampires of Mars) a certain prophetic quality. In the second volume of the series, as France seemed headed for war with England over colonial disputes in Africa, the secret cabal of American billionaires, led by William Boltyn, schemes to stop French scientist Arsene Golbert from completing his plans for a subatlantic railway. Meanwhile, in his secret citadel of science hidden in the Rocky Mountains, mad engineer Hattison has created an invincible army of "iron men," robots that will ensure the billionaires' victory...

The Dominion of the World (1900) represents a transition from classic Vernian anticipation to the pulp serials of the 1920s and 1930s. It is also the only science fiction work that sought to dramatize the "Transatlantic Peril," positing a fundamental difference of culture and attitude between the United States and Europe. Despite some of its outlandishness, hindsight has lent the world imagined by Gustave Guitton and Gustave Le Rouge (The Vampires of Mars) a certain prophetic quality. In the third volume of the series, after the destruction of engineer Hattison's secret citadel, the secret cabal of American billionaires, led by William Boltyn, hires the sinister Harry Madge, who plans to attack Europe with the aid of a brigade of hypnotists and psychic spies. Only French scientist Olivier Coronal, the inventor of the terrestrial torpedo, stands in the way of the final success of the Billionaires' Conspiracy...

This book is full of surprises: packaging to drink, to eat, to listen, to play, to relax and to see.
Packaging Identity is, without doubt, an invaluable reference work for the world of packaging design. Don't miss out

Tous les navigateurs savent que les instruments peuvent tomber en panne. Les choses peuvent se mouiller, se casser ou passer par-dessus bord. Que vous soyez en securite sur votre bateau ou derivant sur un radeau de sauvetage, David Burch vous montre comment trouver votre route quels que soient les instruments de navigation a votre disposition. En s'appuyant souvent sur des objets courants tels qu'un petit baton, un morceau de doublure ou meme une paire de lunettes de soleil, allant des techniques des anciens Polynesiens aux trainees de condensation des avions de ligne, David Burch vous explique comment utiliser tous les moyens disponibles pour calculer vitesse, direction, latitude et longitude ainsi que pratiquer tous les aspects du pilotage et de la navigation a l'estime."

The book is edited by Cornelia Homburg and Christopher Riopelle and is being published to coincide with the exhibition of the same title to be held at the National Gallery of Canada in Ottawa (May 24 - September 8, 2019), and at the National Gallery in London (October 7, 2019 - January 26, 2020). The exhibition will display some sixty works by Gauguin - paintings, works on paper, and three-dimensional objects made of various materials - from public and private collections throughout the world. It is the aim of Gauguin. Portraits to fill this gap in the scholarly examination of one of the leading figures in Post-Impressionism. There is much to discover about the attributes he endowed his models with and the evocative settings he chose for them, highly charged as these props were with symbolic meanings. This book, which is intended as a standard text in this specific field, includes essays written by an array of experts in Gauguin's work, all established scholars and young researchers. University and museum specialists combine their talents to explore in-depth the many aspects of the artist's portraits, often in the light of the remarks he made about his models. The authors focus in particular on the importance and different meanings portraits had for Gauguin in his oeuvre. Text in French.