This book, by film critic Hal C F Astell of the Apocalypse Later review site, explores the quirky and surprising reasons why 26 classic American bad movies were made.

It aims to be highly representative of different budgets, timeframes and genres.

Films included range from big budget Hollywood productions like "Strange Interlude," "The Outlaw" and "The Conqueror" to no budget indie flicks like "Manos: The Hands of Fate," "The Beast of Yucca Flats" and "The Monster of Camp Sunshine."

They span the years from from 1932 ("Strange Interlude") to 1980 ("Fist of Fear, Touch of Death"), with each decade fairly represented.

They also span diverse genres: not just horror and science fiction films, but also martial arts, melodrama, biker, adventure, exploitation, war, espionage, western, comedy, biopic, historical drama and message movies.

A complete list of chapters with their theme is: A is for Ambition: "Eegah" (1962)
B is for Bruce: "Fist of Fear, Touch of Death" (1980)
C is for Con: "The Creeping Terror" (1964)
D is for Debt: "The Corpse Grinders" (1971)
E is for Ego: "Manos: The Hands of Fate" (1966)
F is for Frustration: "The Beast of Yucca Flats" (1961)
G is for Gimmickry: "Strange Interlude" (1932)
H is for Hubris: "Plan 9 from Outer Space" (1959)
I is for Insanity: "Pink Angels" (1971)
J is for Justice: "Child Bride" (1938)
K is for Knockers: "Double Agent 73" (1974)
L is for Location: "Creature from the Haunted Sea" (1961)
M is for Mimicry: "Life Returns" (1935)
N is for Necessity: "Monster a Go-Go" (1965)
O is for Opportunity: "Polk County Pot Plane" (1977)
P is for Patchwork: "Devil Monster" (1946)
Q is for Quickie: "Cuban Rebel Girls" (1959)
R is for Religion: "Blood Freak" (1972)
S is for Sex: "The Outlaw" (1943)
T is for Timeslot: "They Saved Hitler's Brain" (1976)
U is for Unknown: "The Monster of Camp Sunshine" (1964)
V is for Violence: "Blood Feast" (1963)
W is for Whimsy: "Rat Pfink a Boo Boo" (1966)
X is for eXploitation: "Chained for Life" (1951)
Y is for Yes: "The Conqueror" (1956)
Z is for Zeal: "Reefer Madness" (1936)

In a single scene in a single film, Tura Satana forever changed the world of American cinema. Faced with an all-American boy and his all-American girlfriend, her wild go go dancer races him, cheats him and fights him, leaving him dead in the dirt. Suddenly it was possible for a woman to be tough and female at the same time and nobody has yet mastered that like Tura Satana did as Varla in "Faster, Pussycat Kill Kill "

In this book, the first full filmography of Tura Satana, film critic Hal C F Astell of Apocalypse Later explores her brief but important screen career through a comprehensive look at each of her feature films and TV show episodes.

The book features a foreword by Peaches Christ, legendary midnight movie maven in San Francisco who appeared in Tura's film, "Astro Zombies: M3 - Cloned"; and an afterword by Cody Jarrett, who directed Tura in "Sugar Boxx" and who is working on a documentary sourced from her unpublished memoir, "The Kick-Ass Life of Tura Satana."

A full list of chapters includes: "Irma la Douce" (1963)
"Who's Been Sleeping in My Bed?" (1963)
"Burke's Law: Who Killed the Paper Dragon?" (1964)
"The Man from UNCLE: The Finny Foot Affair" (1964)
"Faster, Pussycat Kill Kill " (1965)
"Our Man Flint" (1966)
"The Girl from UNCLE: The Moulin Ruse Affair" (1967)
"The Astro-Zombies" (1968)
"The Doll Squad" (1973)
"Mark of the Astro-Zombies" (2002)
"Sugar Boxx" (2009)
"The Haunted World of El Superbeasto" (2009)
"Astro-Zombies: M3 - Cloned" (2010)