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Fans and Fan Cultures - Tourism, Consumerism and Social Media (Paperback, 1st ed. 2017): Henrik Linden, Sara Linden Fans and Fan Cultures - Tourism, Consumerism and Social Media (Paperback, 1st ed. 2017)
Henrik Linden, Sara Linden
R3,721 Discovery Miles 37 210 Ships in 10 - 15 working days

Exploring the ambiguous relationship between fandom and consumer culture, this book provides a critical overview of fans, fan cultures and fan experiences in relation to the broader experience and transformation economy. Fans and Fan Cultures discusses key theoretical concepts concerning celebrity, fandoms, subculture, consumerism and marketing through a range of examples in film, travel and tourism, football and music. With an emphasis on social media, and how various online platforms are utilised by brands, artists and fans, the authors explore how this type of communication often contributes to trivialising authentic expressions of cultural and social values and identities.

Industrial Relations in Africa (Paperback, 1979 ed.): Ukandi G. Damachi, Hans D Seibel, Jeroen Scheerder, Henrik Linden Industrial Relations in Africa (Paperback, 1979 ed.)
Ukandi G. Damachi, Hans D Seibel, Jeroen Scheerder, Henrik Linden
R1,182 Discovery Miles 11 820 Ships in 10 - 15 working days
Fans and Fan Cultures - Tourism, Consumerism and Social Media (Hardcover, 1st ed. 2017): Henrik Linden, Sara Linden Fans and Fan Cultures - Tourism, Consumerism and Social Media (Hardcover, 1st ed. 2017)
Henrik Linden, Sara Linden
R4,516 Discovery Miles 45 160 Ships in 10 - 15 working days

Exploring the ambiguous relationship between fandom and consumer culture, this book provides a critical overview of fans, fan cultures and fan experiences in relation to the broader experience and transformation economy. Fans and Fan Cultures discusses key theoretical concepts concerning celebrity, fandoms, subculture, consumerism and marketing through a range of examples in film, travel and tourism, football and music. With an emphasis on social media, and how various online platforms are utilised by brands, artists and fans, the authors explore how this type of communication often contributes to trivialising authentic expressions of cultural and social values and identities.

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