A beautiful hardback edition of Calvino's incomparable, genre-defying, wondrous masterwork. You go into a bookshop and buy If on a Winter's Night a Traveller by Italo Calvino. You like it. But alas there is a printer's error in your copy. You take it back to the shop and get a replacement. But the replacement seems to be a totally different story. You try to track down the original book you were reading but end up with a different narrative again. This remarkable novel leads you through many different books including a detective adventure, a romance, a satire, an erotic story, a diary and a quest. But the real hero is you, the reader. 'Breathtakingly inventive' David Mitchell 'A writer of dizzying ambition and variety, each of his stories is a fresh adventure into the possibilities of fiction' Guardian VINTAGE QUARTERBOUND CLASSICS: Beautiful editions of great books to last a lifetime

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Twelve enchanting and fantastical stories about the evolution of the universe from the giant of Italian literature, Italo Calvino. His characters - whether human, dinosaur or mollusc - disport themselves among galaxies, experience the solidification of planets, move from aquatic to terrestrial existence, play games with hydrogen atoms - and have time for a love life. 'A landmark in fiction, the work of a master' - Ursula K Le Guin

These early short stories brim with the beauty of the Italian countryside and seaside, telling tales both sumptuous and unnerving. Calvino's war-torn Italy is vivid, intense, almost hyper-real. A trio of greedy burglars rob a pastry shop, a boy offers a girl presents of toads and insects from the garden, a wealthy family invites a rustic goatherd to lunch, only to mock him. In every story he reveals the hidden meaning beneath the surface of everyday life, and the ludicrousness of war. Some stories from Last Comes the Raven have been previously available in the collection Adam, One Afternoon. This new expanded collection includes several stories newly translated by Ann Goldstein and is an important addition to Calvino's legacy. 'In Last Comes the Raven, a collection of early stories, we find the man behind the magician' New Yorker

At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in "Six Memos for the Next Millennium," are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of "lightness," "quickness," "exactitude," "visibility," and "multiplicity," drawing examples from his vast knowledge of myth, folklore, and works both ancient and modern. Readers will be astonished by the prescience of these lectures, which have only gained in relevance as Calvino's "next millennium" has dawned.

'An indispensable writer ... Calvino, possesses the power of seeing into the deepest recesses of human minds and then bringing their dreams to life' Salman Rushdie The difference between life and literature; the good intentions of holiday reading; the avante-garde; the fate of the novel; the fantastical; the art of translation: these are just some of the ideas in The Written World and the Unwritten World. A collection of essays, articles, interviews, correspondence, notes and other occasional pieces on writing, reading and interpreting books, this work gives us new insight into Italo Calvino's expansive, curious and generous mind. Translated by Ann Goldstein

Imaginary conversations between Marco Polo and his host, the Chinese ruler Kublai Khan, conjure up cities of magical times. "Of all tasks, describing the contents of a book is the most difficult and in the case of a marvelous invention like Invisible Cities, perfectly irrelevant" (Gore Vidal). Translated by William Weaver. A Helen and Kurt Wolff Book

Who but Italo Calvino could have selected two hundred of Italy's traditional folktales and retold them so wondrously? The reader is lured into a world of clearly Italian stamp, where kings and peasants, saints and ogres - along with an array of the most extraordinary plants and animals - disport themselves against the rich background of regional customs and history. Whether the tone is humorous and earthy, playful and nonsensical, or noble and mysterious, the drama unfolds strictly according to the joyous logic of the imagination.Chosen one of the New York Times's ten best books in the year of its original publication, Italian Folktales immediately won a cherished place among lovers of the tale and vaulted Calvino into the ranks of the great folklorists like the Brothers Grimm and Hans Christian Andersen. In this collection Calvino combines a sensibility attuned to the fantastical with a singular writerly ability to capture the visions and dreams of a people.

'The most beautiful of his books throws up ideas, allusions, and breathtaking imaginative insights on almost every page. Each time he returns from his travels, Marco Polo is invited by Kublai Khan to describe the cities he has visited-Although he makes Marco Polo summon up many cities for the Khan's imagination to feed on, Calvino is describing only one city in this book. Venice, that decaying heap of incomparable splendour, still stands as substantial evidence of man's ability to create something perfect out of chaos' Paul Bailey Times Literary Supplement

'When the last fire goes out, time too will be finished' Italo Calvino was one of the most joyful and imaginative writers of the twentieth century. Here he muses on what the things we leave behind - whether waxworks or ancient graffiti, enigmatic maps or a crumbling Roman column - tell us about the greater truths of the world, space and time. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

Spectacular gardens are viewed from the perspective of a snail in Virginia Woolf's 'Kew Gardens' and from that of a sheltered teenage girl in Katherine Mansfield's 'The Garden Party'. The family of Doris Lessing's 'Flavours of Exile' haul succulent vegetables and fruits from the rich African soil, and Colette in 'Bygone Spring' luxuriates in extravagantly blooming flowers. Children discover their own peculiar paradises in Sandra Cisneros's 'The Monkey Garden' and Italo Calvino's 'The Enchanted Garden', while adult gardeners find things that move and haunt them in William Maxwell's 'The French Scarecrow' and Jamaica Kincaid's 'The Garden I Have in Mind'. Gardens of the mind round out the anthology: the beautiful but fatal garden of Nathaniel Hawthorne's 'Rappaccini's Daughter', the crystal buds of J. G. Ballard's 'The Garden of Time', ravenous orchids in John Collier's 'Green Thoughts', and Aoko Matsuda's 'Planting', in which a young woman plants each day whatever she has been given - roses and violets, buttons and broken cups, love and fear and sorrow. An entrancing book for everyone who loves gardens and the beauty of nature.

Italo Calvino's enchanting stories about the evolution of the universe, with characters that are fashioned from mathematical formulae and cellular structures, The Complete Cosmicomics is translated by Martin McLaughlin, Tim Parks and William Weaver in Penguin Modern Classics. 'Naturally, we were all there, - dld Qfwfq said, - where else could we have been? Nobody knew then that there could be space. Or time either: what use did we have for time, packed in there like sardines?' The Cosmicomics tell the story of the history of the universe, from the big bang, through millennia and across galaxies. It is witnessed through the eyes of 'cosmic know-it-all' Qfwfq, an exuberant, chameleon-like figure, who takes the shape of a dinosaur, a mollusc, a steamer captain and a moon milk gatherer, among others. This is the first complete edition in English of Italo Calvino's funny, whimsical and delightful stories, which blend scientific fact, flights of fancy, parody and wordplay to show the strangeness and the wonders of the world. Italo Calvino (1923-1985), one of Italy's finest postwar writers, has delighted readers around the world with his deceptively simple, fable-like stories. Calvino was born in Cuba and raised in San Remo, Italy; he fought for the Italian Resistance from 1943-45. Among his other works published in Penguin Modern Classics are Italian Folktales, Hermit in Paris, Into the War, The Path to the Spiders' Nests, Numbers in the Dark, Six Memos for the Next Millennium and Why Read the Classics? If you liked The Complete Cosmicomics, you might enjoy Jorge Luis Borges' Fictions, also available in Penguin Modern Classics. 'The complete and definitive collection ... a masterpiece' Gilbert Adair, Evening Standard 'Dazzling ... a book of revelation' Tim Adams, Observer 'If you have never read Cosmicomics, you have before you the most joyful reading experience of your life' Salman Rushdie 'A landmark in fiction, the work of a master' Ursula K Le Guin, Guardian

'I can think of no finer writer to have beside me while Italy explodes, Britain burns, while the world ends' Salman Rushdie From the age of twelve, the Baron Cosimo Piovasco di Rondo makes his home among ash, elm, magnolia, plum and almond, living up in the trees. He walks through paths made from the twisted branches of olive, makes his bed in a holly oak, bathes in a fountain constructed from poplar bark. An aerial library holds the books with which he educates himself in philosophy and mathematics. Suspended among the leaves, the Baron adventures with bandits and pirates, conducts a passionate love affair, and watches the Age of Enlightenment pass by beneath him. 'The most magically ingenious of the contemporary Italian novelists' The Times

Calvino's masterpiece opens with a scene that's reassuringly commonplace: apparently. Indeed, it's taking place now. A reader goes into a bookshop to buy a book: not any book, but the latest Calvino, the book you are holding in your hands. Or is it? Are you the reader? Is this the book? Beware. All assumptions are dangerous on this most bewitching switch-back ride to the heart of storytelling.

Piano Stories presents fifteen wonderful works by the great Uruguayan author Felisberto Hernandez, "a writer like no other," as Italo Calvino declares in his introduction: "like no European or Latin American. He is an 'irregular,' who eludes all classifications and labellings - yet he is unmistakable on any page to which one might randomly open one of his books." Piano Stories contains classic tales such as "The Daisy Dolls," "The Usher," and "The Flooded House."

An unskilled worker in a drab northern Italian industrial city of the 1950s and 1960s, Marcovaldo has a practiced eye for spotting natural beauty and an unquenchable longing to come a little closer to the unspoiled world of his imagining. Much to the puzzlement of his wife, his children, his boss, and his neighbors, he chases his dreams, gives rein to his fantasies, tries-with more ingenuousness than skill-to lessen his burden and that of those around him. The results are never the anticipated ones.

A series of short, fantastic narratives inspired by fifteenth-century tarot cards and their archetypical images. Full-color and black-and-white reproductions of tarot cards. Translated by William Weaver.A Helen and Kurt Wolff Book