Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"Fantasy Film" proposes an innovative approach to the study of this most popular cinematic genre. Engaging with the diversity of tones, forms and styles that fantasy can take in the cinema, the book examines the value and significance of fantasy across a wide range of key films. The aim is to extend critical understanding beyond the narrowly confined boundaries of what is seen as "fantasy." "Fantasy Film" uses key concepts in film studies -- such as authorship, representation, history, genre, coherence and point of view -- to interrogate the fantasy genre and establish its parameters. A wide range of films are held up to close scrutiny to illustrate the discussion. Moving from Fritz Lang's dark thrillers to Vincente Minnelli's vibrant musicals, from George Melies' 1904 "Voyage B travers l'impossible" to Peter Jackson's "The Lord of the Rings" trilogy, the creative dexterity and excitement of film fantasy is evoked and explored. The book will be invaluable to students or fans of the fantasy genre.

Examines how the form and function of the Covenants were shorn of religious implications and repurposed, serving a pluralistic vision of the role of religion in politics and public life. Until now, scholarship on the Covenants has mainly focussed on their role in the conflicts of the 1640s, with discussion of the Covenants after 1660 mostly limited to the context of violent Scottish radicalism. This book moves beyond a rigid focus on Scotland to explore the legacy of the Covenants in England. It examines the discourse surrounding key events in the Restoration period and traces the influence of the Covenants in the context of radical Presbyterianism, and in mainstream debates around politics, church government, and the constitution of the British kingdoms. The Covenants continued to have relevance in two primary respects. Firstly, the Covenants were used as reference points for discussing the competing legacies of the English and Scottish Reformations and the confused issues of church and state that defined the Restoration period. Furthermore, the form of the Covenants as solemn individual subscriptions to a constitutional and religious model, and the political ideas that underpinned them, were emulated by those seeking to resist royal authority during the Exclusion Crisis of 1679-81, and during the events surrounding the Revolution of 1688. Thus, this book holds particular interest for students of constitutionalism, legal pluralism or civil religion in seventeenth-century Britain, and for those seeking to deepen their understanding of the intellectual origins of the Wars of the Three Kingdoms and the Revolution of 1688-9.

First published in 1998, this volume examines the work of Ronald Dworkin, the leading legal philosopher of our time, ten years after his seminal work, Law's Empire. Its impact and influence was so extensive that the authors felt compelled to undertake both an in-depth analysis of both the book itself and its critical reaction, including a survey of the literature on Law's Empire.

First published in 1998, this volume examines the work of Ronald Dworkin, the leading legal philosopher of our time, ten years after his seminal work, Law's Empire. Its impact and influence was so extensive that the authors felt compelled to undertake both an in-depth analysis of both the book itself and its critical reaction, including a survey of the literature on Law's Empire.

Opening the way for a reexamination of Matthew Arnold's unique contributions to ethical criticism, James Walter Caufield emphasizes the central role of philosophical pessimism in Arnold's master tropes of "culture" and "conduct." Caufield uses Arnold's ethics as a lens through which to view key literary and cultural movements of the past 150 years, demonstrating that Arnoldian conduct is grounded in a Victorian ethic of "renouncement," a form of altruism that wholly informs both Arnold's poetry and prose and sets him apart from the many nineteenth-century public moralists. Arnold's thought is situated within a cultural and philosophical context that shows the continuing relevance of "renouncement" to much contemporary ethical reflection, from the political kenosis of Giorgio Agamben and the pensiero debole of Gianni Vattimo, to the ethical criticism of Wayne C. Booth and Martha Nussbaum. In refocusing attention on Arnold's place within the broad history of critical and social thought, Caufield returns the poet and critic to his proper place as a founding father of modern cultural criticism.

Opening the way for a reexamination of Matthew Arnold's unique contributions to ethical criticism, James Walter Caufield emphasizes the central role of philosophical pessimism in Arnold's master tropes of "culture" and "conduct." Caufield uses Arnold's ethics as a lens through which to view key literary and cultural movements of the past 150 years, demonstrating that Arnoldian conduct is grounded in a Victorian ethic of "renouncement," a form of altruism that wholly informs both Arnold's poetry and prose and sets him apart from the many nineteenth-century public moralists. Arnold's thought is situated within a cultural and philosophical context that shows the continuing relevance of "renouncement" to much contemporary ethical reflection, from the political kenosis of Giorgio Agamben and the pensiero debole of Gianni Vattimo, to the ethical criticism of Wayne C. Booth and Martha Nussbaum. In refocusing attention on Arnold's place within the broad history of critical and social thought, Caufield returns the poet and critic to his proper place as a founding father of modern cultural criticism.

Religion and the Public Sphere: New Conversations explores the changing contribution of religion to public life today. Bringing together a diverse group of preeminent scholars on religion, each chapter explores an aspect of religion in the public realm, from law, liberalism, the environment and security to the public participation of religious minorities and immigration. This book engages with religion in new ways, going beyond religious literacy or debates around radicalisation, to look at how religion can contribute to public discourse. Religion, this book will show, can help inform the most important debates of our time.

Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler, and The Master Builder.

Chaplaincy is a rapidly growing ministry, but one that has been the centre of little theological discussion. Focusing on understanding what chaplaincy is and how it is exercised in different contexts, this book intends to support the work of chaplains by providing a theological examination of their ministry. The chapters in this book discuss how the work of chaplains outside the structures of the Church and yet frequently carried out by ministers authorized by the Church relates to some of the key questions of how the Church understands itself in relation to the world (i.e. institutions and structures that are not part of the church), whether or not the chaplains should engage in converting non-Christians to Christianity, and how chaplaincy is carried out both from within Christianity and in a multi-faith environment. This book explores the role of chaplains and the benefits of chaplaincy as a form of ministry as well as an examination of the personal characteristics and disposition best suited to serving as a chaplain. Chaplaincy and Christian Theology considers the nature of chaplaincy in public spaces and the implications of Christian theology within this ministry. Essential reading for chaplains, students of theology, and anyone involved in Christian ministry and Christian theology.

Religion and the Public Sphere: New Conversations explores the changing contribution of religion to public life today. Bringing together a diverse group of preeminent scholars on religion, each chapter explores an aspect of religion in the public realm, from law, liberalism, the environment and security to the public participation of religious minorities and immigration. This book engages with religion in new ways, going beyond religious literacy or debates around radicalisation, to look at how religion can contribute to public discourse. Religion, this book will show, can help inform the most important debates of our time.

In the first dedicated title on this landmark political comedy, James Walters provides an in-depth study of the programme's achievements, by examining its power and influence within society and evaluating its legacy as a work of television art.

Film is made of moments. In its earliest form, the cinema was a moment: mere seconds recorded and projected into the darkness. Even as film has developed into today's complex and intricate medium, it is the brief, temporary and transitory that combines to create the whole. Our memories of films are composed of the moments we deem to be crucial: touchstones for our understanding and appreciation. Moments matter. The 38 specially commissioned essays in Film Moments examine a wide selection of key scenes across a broad spectrum of national cinemas, historical periods and genres, featuring films by renowned auteurs including Alfred Hitchcock, Jean Renoir and Vincente Minnelli and important contemporary directors such as Pedro Costa, Zhang Ke Jia and Quentin Tarantino, addressing films including City Lights, Gone with the Wind, The Wizard of Oz, The Night of the Hunter, Wild Strawberries, 8 1?2, Bonnie and Clyde, Star Wars, Conte d'ete, United 93 and Lord of the Rings: Return of the King. Film Moments provides both an enlightening introduction for students to the diversity of approaches and concerns in the study of film, and a dynamic and vibrant account of key film sequences for anyone interested in enhancing their understanding of cinema.