'a bedrock of the Scottish theatre industry' The Guardian 'a major part of Scotland's new playwriting landscape' The Scotsman After running for fifteen years, the founding principles of A Play, a Pie and a Pint remain steadfast - a new play at lunchtime every week that lasts no more than an hour, accompanied by a pie and a pint. As well as producing thirty-three new plays per year, Oran Mor also biannually hosts its much-adored pantomimes for grown up kids - both Summer and Winter - which have become a staple of the Glasgow theatrical calendar. This first volume collects some of the most popular and critically acclaimed plays from the phenomenal back catalogue. Includes the plays: A Respectable Widow Takes to Vulgarity (Douglas Maxwell) Toy Plastic Chicken (Uma Nada-Rajah) Chic Murray: A Funny Place for A Window (Stuart Hepburn) Ida Tamson (Denise Mina) Jocky Wilson Said (Jane Livingstone and Jonathan Cairney) Do Not Press This Button (Alan Bissett)

Recognized as a major figure in postwar American painting, Richard Diebenkorn (1922-1993) was an artist strongly identified with California but whose work is beloved throughout the United States and the rest of the world. This catalogue is the most comprehensive volume on the artist now available. Jane Livingston's extensively researched biographical essay covers Diebenkorn's entire career and concentrates on the artist's inner life and purposes as revealed in his paintings. Ruth Fine deals primarily with the figurative aspect of Diebenkorn's work (1955-67), and John Elderfield concentrates on the Ocean Park period (1967-93). All three authors provide valuable insights based on their personal relationships with the artist and his widow, Phyllis. On both page and canvas, the reader can sense Diebenkorn's complexity and highly self-conscious working methods, as well as his formidable integrity. "The Art of Richard Diebenkorn" will give readers with an interest in all phases of modernism new thoughts about the relationship between abstraction and representation. Stunningly illustrated, with 192 full-color reproductions, this book is an exhilarating testament to a distinctive American artist.

O. W. "Pappy" Kitchens (1901-1986) was born in Crystal Springs, Mississippi, and began painting at age sixty-seven. His self-taught, narrative, visual art springs directly from the oral tradition of parable and storytelling with which he grew up. A self-declared folk artist, Kitchens claimed, "I paint about folks, what folks see and what folks do." His magnum opus, The Saga of Red Eye the Rooster, was painted between 1973 and 1976 and presents a homespun Pilgrim's Progress in the form of a beast fable. Kitchens's most ambitious allegorical work, this fable consists of sixty panels, each one measuring fifteen inches square, composed of mixed materials on paper, and executed in three groups of twenty. Kitchens follows Red Eye from foundling to funeral, exploring the life of this extraordinary bird. Red Eye's quasi-human behavior inevitably maneuvers him into conflicts with antagonists of all sorts. He encounters violence, avarice, lust, greed, and most of the other seven deadly sins, dispatching them in heroic fashion until he finally succumbs to his own fatal flaw. In addition to The Saga of Red Eye the Rooster, the volume features personal photos of Kitchens as well as additional works by the artist. Written by distinguished artist and Kitchens's once son-in-law William Dunlap, with an introduction by renowned curator Jane Livingston, Pappy Kitchens and the Saga of Red Eye the Rooster brings much-needed exposure to the life and work of a key Mississippi figure.

Erotic vignettes into one couple's life and love throughout the years. What starts as a crush can become one's love of a lifetime. It is the fantasy that transcends all others-the one perfect love. Tomboy Josie Hynes has admired Nick Markovich from afar for years, but it isn't until her senior year in high school do they finally meet. At first Josie is put off by Nick's brutal honesty and his offbeat sense of humor, but it is their physical attraction she cannot deny. Nick and Josie stumble into a passionate love affair with a connection so strong, separation is unbearable. Throughout the years, Together become one-One with the good times and the bad, One with happiness and sadness, One with laughter and tears, One with sickness and health. One with the wind.

Internationally acclaimed for paintings, collages, and prints that draw inspiration from sources as diverse as twentieth-century modernism, the geometry of Cubism and Minimalism, nineteenth-century English botanical illustrations, and the floral and geometic forms of traditional Indian and Egyptian art, Dan Rizzie is an artist with a seemingly endless capacity to absorb visual information and transform it into a unique iconography of the natural world. Since the mid-1970s, he has had some ninety solo exhibitions and has been included in over one hundred group exhibitions. Rizzie's work is in the permanent collections of leading art museums, including the Museum of Modern Art, the Parrish Art Museum, and the Dallas Museum of Art. Dan Rizzie is the first monograph on this major American artist. It presents a hundred works to showcase an artistic career trajectory that has been both broad-ranging and consistent over four decades. Jane Livingston sets Rizzie's work in context with an introduction that traces his artistic influences and production from his formative years in Egypt, Jordan, Jamaica, India, and Texas to his mature work created in New York. An extensive interview between Rizzie and editor Terrie Sultan further explores his artistic journey and creative philosophy, while Mark Smith highlights Rizzie's development and importance as a printmaker. Praising Rizzie's achievements across painting, collage, and printmaking, as well as the innovative ways in which he often blends these media, Smith proclaims that Rizzie's art "is 'decorative' in the very best way, in that it possesses a timeless beauty. And it is, above all, authentically his own."