Seitdem der einst prominente Realist Friedrich Spielhagen (1829-1911) schon zu Lebzeiten entkanonisiert wurde, konzentriert sich das Interesse auf die mit Besessenheit propagierte "objektive" Erzahltheorie oder die ersten Romane bis zu -Sturmflut- (1877), als er noch ein Vierteljahrhundert von oppositionellen und satirischen Erzahlwerken vor sich hatte. Diese Studie berucksichtigt die ganze Laufbahn, lasst aber die theoretischen Bemuhungen weitgehend beiseite, um die spateren Romane zu akzentuieren, in denen er das Wilhelminische Reich an seinen aus dem Vormarz geretteten Idealen von Freiheit und Demokratie misst, wahrend er sich auf die Sozialdemokratie und den Zolaschen Realismus zubewegt."

Essays on the Wilhelm Meister novels, Faust, Goethe's early plays, Schiller's Rauber and on Goethe's thought in relation to current debates on cosmopolitanism and postcoloniality. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. This year's volume features a cluster of exceptional essays thatshed new light on Goethe's Wilhelm Meister novels and Faust, as well as fascinating articles on the early play Das Jahrmarktsfest zu Plundersweilen and the poem "Ilmenau," Schiller's Die Rauber, and anessay that places Goethe's thought in relation to current debates about cosmopolitanism and postcoloniality. Engaging reviews of recent publications in Goethe studies round out the volume. Contributors include Eric Denton, Matt Erlin, Jaimey Fisher, Ingrid Rieger, Rainer Kawa, David Barry, Stephanie Dawson, and John Pizer. Simon J. Richter is Professor of German at the University of Pennsylvania. Book review editor Martha B. Helfer is Professor of German at Rutgers University.

Essays examining the circulation and adaptation of German culture in the United States during the long 19th century. Building on recent trends in the humanities and especially on scholarship done under the rubric of cultural transfer, this volume emphasizes the processes by which Americans took up, responded to, and transformed German cultural material for their own purposes. The fourteen essays by scholars from the US and Germany treat such topics as translation, the reading of German literature in America, the adaptation of German ideas and educational ideals, the reception and transformation of European genres of writing, and the status of the "German" and the "European" in celebrations of American culture and criticisms of American racism. The volume contributes to the ongoing re-conception of American culture as significantly informed by non-English-speaking European cultures. It also participates in the efforts of historians and literary scholars to re-theorize the construction of national cultures. Questions regarding hybridity, cultural agency, and strategies of acculturation have long been at the center of postcolonial studies, but as this volume demonstrates, these phenomena are not merely operative in encounters between colonizers and colonized: they are also fundamental to the early American reception and appropriation of German cultural materials. Contributors: Hinrich C. Seeba, Eric Ames, Claudia Liebrand, Paul Michael Lutzeler, Kirsten Belgum, Robert C. Holub, Jeffrey Grossman, Jeffrey L. Sammons, Linda Rugg, Gerhild Scholz Williams, Gerhard Weiss, Lorie Vanchena. Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor in the Humanities and Matt Erlin is Assistant Professor in the Department of Germanic Languages and Literatures, both at Washington University in St. Louis.

New, specially commissioned essays on representative works of 19th-century German realism. This volume of new essays by leading scholars treats a representative sampling of German realist prose from the period 1848 to 1900, the period of its dominance of the German literary landscape. It includes essays on familiar, canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann -- and canonical texts, but also considers writers frequently omitted from traditional literary histories, such as Luise Muhlbach, Friedrich Spielhagen, Louise von Francois, Karl May, and Eugenie Marlitt. The introduction situates German realism in the context of both German literary history and of developments in other European literatures, and surveys the most prominent critical studies of ninteenth-century realism. The essays treat the following topics: Stifter's Brigitta and the lesson of realism; Muhlbach, Ranke, and the truth of historical fiction; regional histories as national history in Freytag's DieAhnen; gender and nation in Louise von Francois's historical fiction; theory, reputation, and the career of Friedrich Spielhagen; Wilhelm Raabe and the German colonial experience; the poetics of work in Freytag, Stifter, andRaabe; Jewish identity in Berthold Auerbach's novels; Eugenie Marlitt's narratives of virtuous desire; the appeal of Karl May in the Wilhelmine Empire; Thomas Mann's portrayal of male-male desire in his early short fiction; and Fontane's Effi Briest and the end of realism. Contributors: Robert C. Holub, Brent O. Petersen, Lynne Tatlock, Thomas C. Fox, Jeffrey L. Sammons, John Pizer, Hans J. Rindisbacher, Irene S. Di Maio, Kirsten Belgum,Nina Berman, Robert Tobin, Russell A. Berman. Todd Kontje is Professor of German at the University of California, San Diego.

In this study of the prose fiction of Das Junge Deutschland, the internal stresses and paradoxes of specific texts are examined and special attention is devoted to the unfulfilled strivings toward realism. Following an introduction to the young German problem, with special reference to Wienbarg, there are essays on Gutzkow, Mundt, Kuhne, and, as a contrast, the major novels of Immermann. The essays attempt to enhance the understanding of the post-Romantic crisis in German literature.

This study of German fiction about America in the nineteenth century concentrates in detail on three writers: Charles Sealsfield (Carl Postl, 1793-1864), an escaped Moravian monk who came to New Orleans in 1823 and wrote the first major German novels about the United States; Friedrich Gerstacker (1816-1872), who, among his many experiences in America as a young man, lived as a backwoodsman in Arkansas and who later produced a large body of fiction, travel reportage, and emigration advice; and Karl May (1842-1912), who, though he knew nothing about America beyond what he could read in books, wrote famous adventure stories set in an imaginary West and became the best-selling writer in the German language. Sammons provides biographies of the authors and discusses how each differs in their mimetic and ideological approach. He pays particular attention to how the authors address issues of race, gender and politics in the United States. Sammons interweaves his discussion of these three writers with excurses into the emergence of the German Western and anti-Americanism in German fiction.

The book is divided into three parts: an overview of Raabc's career, his problems with the public, and the early reception history that did so much to damage his reputation; thematic analyses that seek to release him from received opinions concerning the nature and quality of his oeuvre by exhibiting his versatility and polyperspectivism; and interpretations of individual works. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Heinrich Heine has been one of the liveliest topics in German literary studies for the past fifteen years. His life was marked by an exceptionally high pitch of constant public controversy and an extraordinary quantity of legend and speculation surround his reputation. This biography, the first in English in over twenty years and the first fully documented one in over a century, makes full use of the newest material in contemporary studies as well as of older scholarship.

Originally published in 1980.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

New essays providing an overview of the major movements, genres, and authors of 19th-century German literature in social and political context. This volume provides an overview of the major movements, genres, and authors of 19th-century German literature in the period from the death of Goethe in 1832 to the publication of Freud's Interpretation of Dreams in 1899. Although the primary focus is on imaginative literature and its genres, there is also substantial discussion of related topics, including music-drama, philosophy, and the social sciences. Literature is considered in its cultural and socio-political context, and the German literary scene takes its place in a wider European perspective. Following the editors' introduction, essays consider the impact of Romanticism on subsequent literary movements, the effectsof major movements and writers of non-German-speaking Europe on the development of German literature, and the impact of politics on the changing cultural scene. The second section presents overviews of the principal movements ofthe time (Junges Deutschland, Vormarz, Biedermeier, Poetic Realism, Naturalism, Symbolism, and Impressionism), and the third section focuses on the major genres of lyric poetry, prose fiction, drama, and music-drama. The final section provides bibliographical resources in the form of a critical bibliography and a list of primary sources. Contributors to the volume are distinguished scholars of German literature, culture, and history from North America andEurope: Andrew Webber, Lilian Furst, Arne Koch, Robert Holub, Gail Finney, Ernst Grabovszki, Benjamin Bennett, Jeffrey Sammons, Thomas Pfau, Christopher Morris, John Pizer, Thomas Spencer. Clayton Koelb is Guy B. Johnson Distinguished Professor of German at the University of North Carolina-Chapel Hill, and Eric Downing is Associate Professor of German at the same institution.

New essays on the most prominent German dramatist and short-story writer of the early 19th century. For over 150 years, Heinrich von Kleist (1777-1811) has been one of the most widely read and performed German authors. His status in the literary canon is firmly established, but he has always been one of Germany's most contentiously discussed authors. Today's critical debate on his unique prose narratives and dramas is as heated as ever. Many critics regard Kleist as a lone presager of the aesthetics and philosophies of late nineteenth- and early twentieth-century modernism. Yet there can be no question that he responds in his works and letters to the philosophical, aesthetic, and political debates of his time. During the last thirty years, the scholarship on Kleist's work and life has departed from the existentialist wave of the 1950s and early 1960s and opened up new avenues for coming to terms with his unusual talent. The present volume brings together the most important and innovative of these newer scholarly approaches: the essays include critically informed, up-to-date interpretations of Kleist's most-discussed stories and dramas. Other contributions analyze Kleist's literary means and styles and their theoretical underpinnings. They include articles on Kleist's narrative and theatrical technique, poetic and aesthetic theory, philosophical and political thought, and insights from new biographical research. Contributors: Jeffrey L. Sammons,Jost Hermand, Anthony Stephens, Bianca Theisen, Hinrich C. Seeba, Bernhard Greiner, Helmut J. Schneider, Tim Mehigan, Susanne Zantop, Hilda M. Brown, and Sean Allan. Bernd Fischer is Professor of German and Head of theDepartment of German at Ohio State University.

The book is divided into three parts: an overview of Raabc's career, his problems with the public, and the early reception history that did so much to damage his reputation; thematic analyses that seek to release him from received opinions concerning the nature and quality of his oeuvre by exhibiting his versatility and polyperspectivism; and interpretations of individual works. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"Campaign in France 1792 -Siege of Mainz," Goethe's narrative of the unsuccessful campaign and the siege, has become a classic text for the history of Franco-German relations during the revolutionary period. A product of recollection, historical hindsight, and considerable study of other published sources, it is a fascinating document of the military catastrophe exposing the decline of Prussian power since the death of Frederick II, which eventually culminated in Napoleon's devastating 1806 victory at Jena and Auerstedt.

Essays examining aspects of German book history -- in relation to writers, readers, and publishers -- from the 1780s to the 1930s. Over the long nineteenth century, German book publishing experienced an unprecedented boom, outstripping by 1910 all other Western nations. Responding to the spread of literacy, publishers found new marketing methods and recalibrated their relationships to authors. Technical innovations made books for a range of budgets possible. Yearbooks, encyclopedias, and boxed sets also multiplied. A renewed interest in connoisseurship meant that books signified tasteand affiliation. While reading could be a group activity, the splintering of the publishing industry into niche markets made it seem an ever-more private and individualistic affair, promising variously self-help, information, Bildung, moral edification, and titillation. The essays in this volume examine what Robert Darnton has termed the "communications circuit": the life-cycle of the book as a convergence of complex cultural, social, and economicphenomena. In examining facets of the lives of select books from the late 1780s to the early 1930s that Germans actually read, the essays present a complex and nuanced picture of writing, publishing, and reading in the shadow of nation building and class formation, and suggest how the analysis of texts and the study of books can inform one another. Contributors: Jennifer Askey, Ulrich Bach, Kirsten Belgum, Matthew Erlin, Jana Mikota, Mary Paddock, Theodore Rippey, Jeffrey Sammons, Lynne Tatlock, Katrin Voelkner, Karin Wurst. Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor in the Humanities at Washington University in St. Louis.

Ebner-Eschenbach, Heyse, Raabe, Storm, Meyer, and Hauptmann>

Valuable for its insights into Schiller's life and for Carlyle's peculiar relationship to Schiller and German literature in general. Carlyle's biography of Schiller is still valuable, both for its insights into Schiller's life and for Carlyle's peculiar relationship to Schiller and German literature in general. In an age that has, by and large, forgotten the great idealist poet, this earliest biography provides good reason for a reacquaintance with a noble personality and distinguished achievement.

The twenty-volume edition of The German Classics: Masterpieces of German Literature Translated into English was edited by Kuno Francke of Harvard (1855-1930), the most prestigious professor of German in America at the time. While it bears the imprint dates 1913 and 1914, it was not completed until mid-1915, just in time for the submarine sinking of the passenger liner Lusitania in May of that year. The edition was publicized with great fanfare and was well received at first, but with the outbreak of the European war in 1914 and the entry of the United States into it in 1917, American sentiment turned against all things German. The reviews became hostile; the edition was nearly pulped; its publisher went bankrupt; and Francke felt obliged to resign his Harvard professorship. Kuno Francke's Edition of The German Classics (1913-15) describes the origins of the edition; recounts the careers of the editors and some fifty professional contributors; seeks to identify approximately 115 translators; and comments on the nearly 500 illustrations, mostly German art of the nineteenth century. This book also introduces the selections from the 114 featured authors, almost a third of whom were still alive at the time of publication, and evaluates the critical commentary. The edition emerges from the study as a laboratory of the high prestige of German literature and culture in the United States before it fell into permanent decline at the time of World War I.

Chronicles the most important scholarly criticism of the 19th-century German writer Wilhelm Raabe, from his day to the present. Wilhem Raabe (1831-1910), the most gifted German novelist between Goethe and Fontane, was a kind of German Victorian writer, a counterpart to Dickens and Thackeray, by whom he was profoundly influenced. The reassessment and upgrading of his literary achievement has been one of the liveliest topics of German literary scholarship - much influenced by British and American contributions - of the last thirty years. This process has involved a rescue from a cult of idolatry that grew up around his death and evolved into a Nazi allegiance that for a time sank his reputation.

Reissue in translation of Schiller's enigmatic novel fragment, his most popular work when it first appeared. Schiller's enigmatic novel fragment, his most popular work when it was first published, appears in print again with a new critical introduction by Professor Jeffrey L. Sammons. One of Schiller's most fascinating prose works, whosehistoric and philosophical implications have still to be plumbed by literary critics, The Ghost-Seer, with its exotic Venetian setting, remains an interesting, highly readable work. It is in a certain sense the German equivalent of Dickens's Mystery of Edwin Drood. It also illustrates excellently what has been termed the shadow side of the European Enlightenment, a fascination with the occult that is clearly at odds with a naive understanding of the Enlightenment as the Age of Voltaire. Sammons's introduction sheds new light on the work in connection with Schiller's life and poetic development, and of the fame of the work in Germany and in the English-speaking countries. A must for every research library and for Schiller collections.

Includes Adalbert Stifer's Preface to Many-Colored Stones, Granite and Limestone; Annette von Droste-Hulshoff's The Jews Beech; Jeremias Gotthelf's The Black Spider; Franz Grillparzer's The Poor Musician; and Eduard Morike's Mozart on the Way to Prague.>

Although many of Heine's poems are deceptively simple on the surface, the multiple allusions, word plays, and shifts and breaks in diction and tone make them almost untranslatable. Arndt not only renders the meaning of the originals, but preserves the poems' rhyme schemes as well as their moods and multiple cultural resonance.

This book offers a new understanding of the nineteenth-century German author Thodor Storm, taking seriously, for the first time, the heritage of the Danish muse in his life and major works. Bernd offers a Dano-German portrait of Storm, tracing the youth of the author in the bicultural borderland of Schleswig, where Storm lived under a succession of Danish monarchs until he was 36 years old, and learned to refer to the German states as Ausland (foreign territory). Highlighting the German nationalism that has prevented previous biographers, beginning with Storm's own daughter, from drawing attention to the importance of Danish culture and literature in forming the author, Bernd then details Storm's education and reading in the Danish language and literature, showing how he added a distinct Danish tone to his German poetry and also refashioned the German novella in the manner of Danish practitioners, and thus became a unique representative of a Danish literature situated in the German-speaking world. These achievements, inflected by transnational influence, should now help us to recognize Storm as a figure of exceptional importance in European letters.

Much as Nietzsche has gained in popularity during the last century, his poetry still has not received the scholarly attention it deserves. On closer scrutiny, his aposiopetic style, along with the labyrinthine and self-referential nature of his writings, subtly hint toward the recurring and parallel presence of poetry in his writings. This fact cannot be ignored, and his poetry should therefore be included in any reading of Nietzsche. This study investigates Nietzsche's poetic output while simultaneously regarding him as a poet-philosopher. This reading allows juxtaposing all Nietzschean key concepts while avoiding the temptation to simplify Nietzsche by centering his thought on any particular one. The author ends by highlighting a hitherto neglected term that allows a simultaneous reading of Nietzschean keywords while also including the essential notions of movement, flux, and play.

Despite its popularity during the nineteenth century, regional literature has often been overlooked with regard to its role in the development of German national consciousness. By exploring various illustrations of geographic-historical landscapes in texts written before the 1848 revolutions and after the 1871 unification, this book investigates the vital polyphony generated by unique regional voices throughout the age of nationalism. Close readings of texts by Berthold Auerbach, Theodor Storm, Wilhelm Raabe, Fritz Reuter, Theodor Fontane, Gottfried Keller, and Marie von Ebner-Eschenbach examine recognizable and unfamiliar regions. Although this study concentrates on provincial writings, literary regionalism's fictionality and simultaneous referentiality raise broader questions for the programmatic aesthetics of Poetic Realism and for inquiries into identity formation.

Heinrich Heine has been one of the liveliest topics in German literary studies for the past fifteen years. His life was marked by an exceptionally high pitch of constant public controversy and an extraordinary quantity of legend and speculation surround his reputation. This biography, the first in English in over twenty years and the first fully documented one in over a century, makes full use of the newest material in contemporary studies as well as of older scholarship. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.