Dryden defined himself as a writer in relation to other writers, and in doing so was something of a pioneer professional man of letters. This book looks at Dryden's literary relationships with Ben Jonson and with French authors (notably Corneille); at issues raised by the work thought to be his greatest by Romantic and contemporary readers, Fables Ancient and Modern; and at Samuel Johnson's Life of Dryden. This book has implications for questions of literary reception, influence and intertextuality, as well as for the reputation and context of Dryden himself.

Few things are as important as the food we eat. Conversations in Food Studies demonstrates the value of interdisciplinary research through the cross-pollination of disciplinary, epistemological, and methodological perspectives. Widely diverse essays, ranging from the meaning of milk, to the bring-your-own-wine movement, to urban household waste, are theproduct of collaborating teams of interdisciplinary authors. Readers are invited to engage and reflect on the theories and practices underlying some of the most important issues facing the emerging field of foodstudies today. Conversations in Food Studies brings to the table thirteen original contributions organized around the themes of representation, governance, disciplinary boundaries, and, finally, learning through food. This collection offers an important and groundbreaking approach to food studies as it examines and reworks the boundaries that have traditionally structured the academy and that underlie much of food studies literature.

Dryden's writings are studded with names, conspicuously those of his literary predecessors and contemporaries. He defined himself as a writer in relation to other writers, and in doing so was something of a pioneer professional man of letters: poet, playwright, critic, prose stylist, England's foremost verse translator, the first literary historian to provide a conception of periods, and what would now be termed a comparatist. This 1993 book looks at Dryden's literary relationships with Ben Jonson and with French authors (notably Corneille), at issues raised by the work thought to be his greatest by Romantic and contemporary readers, Fables Ancient and Modern; and at Samuel Johnson's definition of Dryden, whose biography in Johnson's Lives was the author's favourite. The book has implications for questions of literary reception, influence and intertextuality, as well as for the reputation and context of Dryden himself.

Eight new essays on topics from Shakespeare and Dryden to Donne, Bronzino, Sidney, Hutchinson, and Milton. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. In the 2005 volume, two essays focus on Shakespeare: one on "choric juxtaposition" in his twinned characters and one on the rhetoric of The Tempest; another essay on drama considers Dryden's critical response to Epicoene. There are two essays on John Donne, one on the choir space in his conduct of worship in St. Paul'sand the other on the revisions to his Elegies. Other essays consider the influence of Castiglione on the paintings of Bronzino, the metaphor of the horse and horsemanship in Sidney's poetics, and the role of conversation inHutchinson and Milton. Contributors: George Walton Williams, Sara Van Den Berg, Jennifer Brady, John N. Wall, Ernest W. Sullivan II, Heather L. Holian, Anne Lake Prescott, and Boyd Berry M. Thomas Hester isProfessor of English, and Christopher Cobb is Assistant Professor of English, both at North Carolina State University.

Few things are as important as the food we eat. Conversations in Food Studies demonstrates the value of interdisciplinary research through the cross-pollination of disciplinary, epistemological, and methodological perspectives. Widely diverse essays, ranging from the meaning of milk, to the bring-your-own-wine movement, to urban household waste, are the product of collaborating teams of interdisciplinary authors. readers are invited to engage and reflect on the theories and practices underlying some of the most important issues facing the emerging field of food studies today. Conversations in Food Studies brings to the table thirteen original contributions organized around the themes of representation, governance, disciplinary boundaries, and, finally, learning through food. This collection offers an important and groundbreaking approach to food studies as it examines and reworks the boundaries that have traditionally structured the academy and that underlie much of food studies literature.

This expansive collection enriches the field of food studies with a feminist intersectional perspective, addressing the impacts that race, ethnicity, class, and nationality have on nutritional customs, habits, and perspectives. Throughout the text, international scholars explore three areas in feminist food studies: the socio-cultural, the corporeal, and the material. The textbook's chapters intersect as they examine how food is linked to hegemony, identity, and tradition, while contributors offer diverse perspectives that stem from biology, museum studies, economics, popular culture, and history. This text's engaging writing style and timely subject-matter encourage student discussions and forward-looking analyses on the advancement of food studies. With a unique multidisciplinary and global perspective, this vital resource is well-suited to undergraduate students of food studies, nutrition, gender studies, sociology, and anthropology. Features includes pedagogical features such as discussion questions and a glossary ensures a feminist intersectional approach to food studies to enhance, enliven, and advance food studies in innovative, creative, and radical ways

Pedro AlmOdovar may have helped put queer Iberian cinema on the map, but there are also multitudes of other LGBTQ filmmakers from Catalonia, Portugal, Castile, Galicia, and the Basque Country who have made the Peninsula one of the world's most vital sources for queer film. Together, they have produced a cinema whose expressions of queer desire have challenged the region's conservative religious and family values, while intervening in vital debates about politics, history, and nation. Iberian Queer Cinema is a unique collection that offers in-depth analyses of fifteen different films, each by a different director, produced in the region over the past fifty years, from Narciso IbANez Serrador's La residencia (The House That Screamed, 1970) to JoAo Pedro Rodrigues' O ornitOlogo (The Ornithologist, 2016). Together, they show how queer Iberian cinema has responded to historical traumas ranging from the AIDS crisis to the repressive and homophobic Franco regime. Yet they also explore how these films gesture towards a more fluid understanding of sexuality, gender, and national identity. This book will thus give readers a new appreciation for both the cultural diversity of Iberia and the richness of its moving and thought-provoking queer cinema.