Why do we love wizards? Where do these magical figures come from? Thinking Queerly traces the wizard from medieval Arthurian literature to contemporary YA adaptations. By exploring the link between Merlin and Harry Potter, or Morgan le Fay and Sabrina, readers will see how the wizard offers spaces of hope and transformation for young readers. In particular, this book examines how wizards think differently, and how this difference can resonate with both LGBTQ and neurodivergent readers, who've been told they don't fit in.

Dear Angela includes fourteen critical essays that examine the brief-lived but landmark television series, My So-Called Life (1994-1995). Though certainly not the first young woman to be the center of a television series, Angela Chase and the show about her life were doing something new on television and influenced many of the shows about young people that followed. Michele Byers and David Lavery bring together enthusiastic and engaging voices that bear on a series that continues to be hailed as a breakthrough moment in television, even though more than a decade has passed since its cancellation. Tackling a broad range of topics_from identity politics, to music, to infidelity, and death_each essay builds upon a belief that My So-Called Life is a particularly rich text worth studying for the clues it offers about a particular moment in cultural and television history. Dear Angela offers a sophisticated analysis of the show's legacy and cultural relevance that will appeal to media studies scholars and fans alike.

Game of Thrones is a worldwide phenomenon, and the world of Westeros has seen multiple adaptations, from HBO's acclaimed television series to graphic novels, console games and orchestral soundtracks. This collection of new essays investigates what makes this world so popular, and why Game of Thrones is currently being taught in university classrooms as a genre-defining series within the American fantasy tradition. These essays represent the first sustained scholarly treatment of George R.R. Martin's groundbreaking work, and includes writing by experts involved in the production of the show. The contributors investigate a number of compelling areas, including the mystery of the shape-shifting wargs, the conflict between religions, the origins of the Dothraki language and the sex lives of knights. The significance of fan cultures and their adaptations is also discussed.

The television series Buffy and Angel revolve around radical conceptions of family. Indeed, their coherence depends on the establishment of nontraditional families that admit vampires, demons, witches, werewolves, and other bizarre characters without censuring them for their peculiarities. This work argues that what makes these characters enduring and engaging is their critical family connections?for their most involved struggles occur not within the graveyard, but around the dinner table, just as the most challenging adversarial forces that they must face are not demons or vampires but the stuff of everyday life. What does ?family? encompass within these two series? How does it relate to concepts of gender, sexuality, power and the supernatural as they emerge from the shows? complex narratives? This book explores such questions. It also examines the ?chosen family? (an idea marketed specifically by successful programs such as Friends and Sex in the City within the past ten years), juxtaposing it against various images of the fractured biological family displayed in both Buffy and Angel. Through eight chapters addressing various family-related aspects within both shows, this work plots the trajectory of this unstable notion of family, even as it is transformed, remediated, and rendered unrecognizable from a ?family values? perspective by the unique and supernatural relationships that proliferate in Buffy and Angel.

"My name is John Crichton. "I'm lost." An astronaut. Shot through a wormhole. In some distant part of the universe. "I'm trying to stay alive." Aboard this ship. "This living ship." Of escaped prisoners." During its fourth and--for the present--final season, "Farscape" was the Sci-Fi Channel's highest rated original series. With its dedicated fan-base, "Farscape" seasons are still top-billing Sci Fi DVDs. This first substantial analysis of the show, written by a scholar-fan, uncovers "Farscape's" layers and those of the living spaceship Moya. Jes Battis proposes that "Farscape" is as much about bodies, sex and gender, as it is about wormholes, space ships and interstellar warfare. It is this straddling of genres that makes the show so viewable to such a broad audience, of which almost half are women. He explores "Farscape's" language and characters, including Moya, its creation of family and home, of masculinity and femininity, and the transformation of an all-American boy

Dear Angela includes fourteen critical essays that examine the brief-lived but landmark television series, My So-Called Life (1994-1995). Though certainly not the first young woman to be the center of a television series, Angela Chase and the show about her life were doing something new on television and influenced many of the shows about young people that followed. Michele Byers and David Lavery bring together enthusiastic and engaging voices that bear on a series that continues to be hailed as a breakthrough moment in television, even though more than a decade has passed since its cancellation. Tackling a broad range of topics-from identity politics, to music, to infidelity, and death-each essay builds upon a belief that My So-Called Life is a particularly rich text worth studying for the clues it offers about a particular moment in cultural and television history. Dear Angela offers a sophisticated analysis of the show's legacy and cultural relevance that will appeal to media studies scholars and fans alike.

Supernatural Youth: The Rise of the Teen Hero in Literature and Popular Culture, edited by Jes Battis, addresses the role of adolescence in fantastic media, adventure stories, cinema, and television aimed at youth. The goal of this volume is to analyze the ways in which young heroic protagonists are presented in such popular literary and visual texts. Supernatural Youth surveys a variety of sources whose young protagonists are placed in heroic positions, whether by magic, technology, prophecy, or other forces beyond their control. Series examined include Harry Potter, Buffy the Vampire Slayer, Veronica Mars, and Sabrina the Teenage Witch. Supernatural Youth, edited by Jes Battis, is essential for educators who work in the fields of English, media studies, women's studies, LGBT studies, and sociology, as well as undergraduate students who are interested in popular culture.