"Europe and Love in Cinema" explores the relationship between love and Europeanness in a wide range of films from the 1920s to the present. A critical look at the manner in which love--in its broadest sense--is portrayed in cinema from across Europe and the United States, this volume exposes constructed notions of "Europeanness" that both set Europe apart and define some parts of it as more "European" than others. Through the international distribution process, these films in turn engage with ideas of Europe from both outside and within, while some, treated extensively in this volume, even offer alternative models of love. A bracing collection of essays from top film scholars, "Europe and Love in Cinema" demonstrates the centrality of desire to film narrative and explores multiple models of love within Europe's frontiers.

Culture and Gender in Nineteenth-Century Spain is a wide-ranging study of women's writing and representations of gender in Spanish literature and culture of the period. Leading scholars from the UK and USA discuss issues including women's writing and the representation of women in canonical texts from the 1830s to the 1860s, the construction of masculinity, race and region, and popular fiction, journalism, and the visual arts. Quotations are given in Spanish and in English translation.

Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.

A Companion to Spanish Cinema is a bold collection of newly commissioned essays written by top international scholars that thoroughly interrogates Spanish cinema from a variety of thematic, theoretical and historic perspectives. * Presents an insightful and provocative collection of newly commissioned essays and original research by top international scholars from a variety of theoretical, disciplinary and geographical perspectives * Offers a systematic historical, thematic, and theoretical approach to Spanish cinema, unique in the field * Combines a thorough and insightful study of a wide spectrum of topics and issues with in-depth textual analysis of specific films * Explores Spanish cinema s cultural, artistic, industrial, theoretical and commercial contexts pre- and post-1975 and the notion of a national cinema * Canonical directors and stars are examined alongside understudied directors, screenwriters, editors, and secondary actors * Presents original research on image and sound; genre; non-fiction film; institutions, audiences and industry; and relations to other media, as well as a theoretically-driven section designed to stimulate innovative research

Tracks the emergence and vicissitudes of attitudes to wrongdoing in Spain from the 19th century through the decades before the Civil War. The international contributors to this volume explore the rich diversity of cultures and representations of wrongdoing in Spain through the 19th century and the decades up to the Civil War. Their line of enquiry is predicated on the belief that cultural constructions of wrongdoing are far from simple reflections of historical or social realities, and that they reveal not a line of historical development, but rather variation and movement. Voices and discourses arise in response to the social phenomena associated with wrongdoing. They set out to persuade, to shock, to entice, and in so doing provide complex windows on to social aspiration and desire. The book's three sections (Realities, Representations, and Reactions) offer distinct points of focus, and move between areas where control is paramount and on the agenda from above and those where the subtleties of emotional response take pride of place. Alison Sinclair was Professor of Modern Spanish Literature and Intellectual History at the University of Cambridge until retirement in 2014. Samuel Llano is a Lecturer in Spanish Cultural Studies at the Universityof Manchester.

Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.

This interdisciplinary volume focuses on the ways in which cultural practices serve the purposes of identity formation. It introduces readers to a range of theoretical debates as well as informing them about specific areas of twentieth-century Spanish culture: ethnography, music, TV, advertising, popular literature, medical discourse, film, posters, museums, and urban development.

This interdisciplinary volume focuses on the ways in which cultural practices serve the purposes of identity formation. It introduces readers to a range of theoretical debates as well as informing them about specific areas of twentieth-century Spanish culture: ethnography, music, TV, advertising, popular literature, medical discourse, film, posters, museums, and urban development.

Since the Civil War, Spanish novelists have produced a noteworthy body of fiction. In this book, Jo Labanyi provides detailed textual analysis of six of the most important novels to have been written during this period: Martin-Santos' Tiempo de silencio, Benet's Volveras a Region, Marse's Si te dicen que cai, Cela's San Camilo, 1936, Juan Goytisolo's Reivindicacion del conde don Julian, and Torrente Ballester's La saga/fuga de J.B. The focus on myth as a response to history is intended as a corrective to archetypal myth criticism, and stresses the variety of ways in which Spanish novelists have resorted to myth, and the need to relate their use of it to the historical context of Francoist ideology. The book also raises important general issues about the ways in which fiction, as a form of mythification, relates to the real world.

Spanish literature has given the world the figures of Don Quixote and Don Juan, and is responsible for the 'invention' of the novel in the 16th century. The medieval period produced literature in Castilian, Catalan, Galician, Latin, Arabic, and Hebrew, and today there is a flourishing literature in Catalan, Galician, and Basque as well as in Castilian-the language that has became known as 'Spanish'. A multilayered history of exile has produced a transnational literary production, while writers in Spain have engaged with European cultural trends. This Very Short Introduction explores this rich literary history, which resonates with contemporary debates on transnationalism and cultural diversity. The book introduces a general readership to the ways in which Spanish literature has been read, in and outside Spain, explaining misconceptions, outlining the insights of recent scholarship and suggesting new readings. It highlights the precocious modernity of much early modern Spanish literature, and shows how the gap between modern ideas and social reality stimulated creative literary responses in subsequent periods; as well as how contemporary writers have adjusted to Spain's recent accelerated modernization. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Rather than being properties of the individual self, emotions are socially produced and deployed in specific cultural contexts, as this collection documents with unusual richness. All the essays show emotions to be a form of thought and knowledge, and a major component of social life - including in the nineteenth century, which attempted to relegate them to a feminine intimate sphere. The collection ranges across topics such as eighteenth-century sensibility, nineteenth-century concerns with the transmission of emotions, early twentieth-century cinematic affect, and the contemporary mobilization of political emotions including those regarding nonstate national identities. The complexities and effects of emotions are explored in a variety of forms - political rhetoric, literature, personal letters, medical writing, cinema, graphic art, soap opera, journalism, popular music, digital media - with attention paid to broader European and transatlantic implications.

Rather than being properties of the individual self, emotions are socially produced and deployed in specific cultural contexts, as this collection documents with unusual richness. All the essays show emotions to be a form of thought and knowledge, and a major component of social life - including in the nineteenth century, which attempted to relegate them to a feminine intimate sphere. The collection ranges across topics such as eighteenth-century sensibility, nineteenth-century concerns with the transmission of emotions, early twentieth-century cinematic affect, and the contemporary mobilization of political emotions including those regarding nonstate national identities. The complexities and effects of emotions are explored in a variety of forms - political rhetoric, literature, personal letters, medical writing, cinema, graphic art, soap opera, journalism, popular music, digital media - with attention paid to broader European and transatlantic implications.