Considered by many to be Dickens' finest novel, Great Expectations traces the growth of the book's narrator, Philip Pirrip (Pip), from a boy of shallow dreams to a man with depth of character. From its famous dramatic opening on the bleak Kentish marshes, the story abounds with some of Dickens' most memorable characters. Among them are the kindly blacksmith Joe Gargery, the mysterious convict Abel Magwitch, the eccentric Miss Haversham and her beautiful ward Estella, Pip's good-hearted room-mate Herbert Pocket and the pompous Pumblechook. As Pip unravels the truth behind his own 'great expectations' in his quest to become a gentleman, the mysteries of the past and the convolutions of fate through a series of thrilling adventures serve to steer him towards maturity and his most important discovery of all - the truth about himself.

The Middle East is a region of great traditional diversity, which has been characterized by immense political, social and economic changes, still developing over thirty years after the title's original publication. A group of oil-rich countries have achieved great political significance and some of the highest per capita incomes in the world. Much modern development has been spatially polarized, accentuating the concentrations of rapidly growing populations and posing severe problems for planners. Cultivation and pastoralism, the main traditional activities, have often suffered from neglect and insufficient investment, and both require re-evaluation. These are the issues addressed by this volume, first published in 1981, which contains a series of overviews and case studies written by present or former members of staff and research students of the Department of Geography in the University of Durham in honour of W.B. Fisher. Change and Development in the Middle East provides an interesting and relevant geographical and demographic analysis of this diverse and volatile region.

The Middle East is a region of great traditional diversity, which has been characterized by immense political, social and economic changes, still developing over thirty years after the title's original publication. A group of oil-rich countries have achieved great political significance and some of the highest per capita incomes in the world. Much modern development has been spatially polarized, accentuating the concentrations of rapidly growing populations and posing severe problems for planners. Cultivation and pastoralism, the main traditional activities, have often suffered from neglect and insufficient investment, and both require re-evaluation. These are the issues addressed by this volume, first published in 1981, which contains a series of overviews and case studies written by present or former members of staff and research students of the Department of Geography in the University of Durham in honour of W.B. Fisher. Change and Development in the Middle East provides an interesting and relevant geographical and demographic analysis of this diverse and volatile region.

'If you want a picture of the future, imagine a boot stamping on a human face—forever.' 1984 Nineteen Eighty-Four (1949), George Orwell's final novel, was completed in difficult conditions shortly before his early death. It is one of the most influential and widely-read novels of the post-war period, and has been a huge international bestseller over many decades. Continually in print, it has long been controversial, both in its immediate Cold War context and in later history. It is in some ways a realist novel, but in others is more akin to a work of science fiction, a dystopia or a satire. It also has strong affiliations to Gothic in its plotting, motifs and affective states. Full of horror and terror, it contains prophetic dreams and a central character who thinks of himself as a 'monster', a 'ghost' and 'already dead'. Like Frankenstein and Dracula, it is fascinated by the power of a documentary remnant addressed to an unknown reader.

First published in 1958 After the Rain was described by Angus Wilson as a 'cataclysmic novel . . . as exciting as any deluge you can hope to find; but if you think deluges are too trivial, John Bowen has a surprise for you: his novel turns out to be satire of the first order.' Beginning in the basement of Foyle's bookshop in the Charing Cross Road in London and moving to rainmaking in Texas, love in Chew Magna, a camp in the Mendips, a storm at sea, sharks, sunstroke, a giant squid and a fight to the death on a raft, After the Rain is an adventure story that will keep you gripped to the very last page. An exhilarating, brilliantly conceived, sharply intelligent and often-funny story, it is a compassionate and well-imagined fable that makes a serious comment on the human situation and established John Bowen as a novelist of depth and skill, drawing comparisons with George Orwell and William Golding.

In John Bowen's The Birdcage Peter Ash and Norah Palmer have been living together for nine years. Having never seen the point in getting married they are the epitome of a modern successful career-oriented couple; Peter is the compere for a series of 'art' films and Norah is the Script Editor for the Drama Department of a commercial television company. Why then when holidaying in Venice does Peter decide to break up their long-lasting relationship? What happens to their order and sense of self when he succeeds? By turns wildly funny and frightening The Birdcage is a novel about the end of a love affair, the repercussions and the emotional fallout. A host of brilliantly created characters people the book, including Bunty Bates the policewoman, and Edward Laverick, a playwright who finds himself the object of a hunt. Bowen creates a world that his readers can relate to and analyses the social and psychological end of a relationship. At times comical and tragic The Birdcage remains an original and exciting novel 44 years after its first publication in 1964.

First published in 1959 The Centre of the Green is John Bowen's third novel. The story centres around the Baker family: the father Justin is a retired Colonel; the mother, Teresa, is over-possessive and refuses to admit that her sons have grown-up; the sons Julian and Charles - one is a married advertising copywriter with a penchant for extra-marital affairs while the other is withdrawn and suicidal, desperately looking for human contact in the vast anonymity of London. It is Julian's involvement with a seventeen-year-old girl that sparks the chain of events that eventually encompasses the whole family. The scene shifts between Devonshire, London and Majorca as each member of the family searches for a resolution to the impasse into which they have drifted and struggle to regain the family ties that they once had. A subtle, intelligent and compassionate novel The Centre of the Green was commended by the Observer for its 'admirable vitality', while the Spectator described it as 'a series of expertly managed shocks'.

Set in the world of a large advertising company Storyboard focuses on the decision by the agency's clients, Hoppness, Silch & Co. ('the soap people') to destroy one of their competitor's products. Into this scheme are thrust copyeditor Sophia Last and her boss Hugh Grover, as well as over-conscientious Account Executive Keith Bates, his wife Sylvia and their son Stephen. Also caught up in these events is Ralph Cavell, a young research graduate turned journalist. Storyboard is not primarily a novel about advertising. It is an exploration of how people can be corrupted, and ultimately destroyed, by their desire for money and power and how even those people who start out with good intentions can be misled from their original purpose. It is also a critique of powerful corporations that are controlled and organised by the greed of those who operate them. An absorbing and adult novel, Storyboard cemented John Bowen's reputation as a mature and intelligent novelist when it was first published in 1960.

Triple bill of supernatural dramas adapted by the BBC. In 'The Signalman' (1976), based on the story by Charles Dickens, Denholm Elliott stars as a troubled railway signalman who has witnessed some unsettling sights and sounds along his stretch of track. A curious traveller (Bernard Lloyd) tries to make sense of these strange goings-on. In 'Stigma' (1977) Katherine Delgado (Kate Binchy) and her family move into a new home but have difficulty removing a menhir from their garden. When they disrupt the ancient site, a spectre is unleashed which leaves Katherine experiencing terrifying situations and an increasing sense of panic. In 'The Ice House' (1978) Paul (John Stride) goes to stay at a spa resort to help him get over the breakdown of his marriage. While there he meets the resort's bizarre owners, siblings Clovis (Geoffrey Burridge) and Jessica (Elizabeth Romilly), who lead him to their garden ice house and encourage him to take in the scent of their flowers. When his nights are disturbed by unexplained activity he decides to take matters into his own hands to find out the truth about the mysterious ice house.

Marketing forHospitality and Tourism, 8e is the definitive source for hospitality marketing courses.Taking an integrative approach, this highly visual, four-color book discusseshospitality marketing from a team perspective, examining each hospitalitydepartment and its role in the marketing mechanism. These best-selling authorsare known as leading marketing educators and their book, a global phenomenon,is the most frequent adoption for the course. Developed with extensive studentand professor reviews, this edition includes new coverage of social media,discussion of current industry trends, and hands-on application assignments.

Leading anthropologists and political scientists are brought together in this volume to debate the problem of comparison, taking up a variety of topics from nationalist violence and labor strikes to ritual forms and religious practices. The contributors criticize conventional forms of comparative method, and introduce new comparative strategies, ranging from abstract model building to ethnographically based methods. They represent a wide variety of theoretical positions, from rational choice theory to interpretivism, and the issues are clarified in the cut and thrust of debate.

'Mr Slope flattered himself that he could out-manoeuvre the lady...he did not doubt of ultimate triumph.' Barchester Towers (1857) was the book that made Trollope's reputation and it remains his most popular and enjoyable novel. The arrival of a new bishop in Barchester, accompanied by his formidable wife and ambitious chaplain, Obadiah Slope, sets the town in turmoil as Archdeacon Grantly declares 'War, war, internecine war!' on Bishop Proudie and his supporters. Who will come out on top in the battle between the archdeacon, the bishop, Mr Slope, and Mrs Proudie? The livelihood of Mr Harding, the saintly hero of The Warden, is once more under threat but clerical warfare finds itself tangled up in the wayward (and sometimes perverse) desires of the many courtships, seductions, and romances of the book. Who will marry Eleanor Bold? Can any man resist the charms of the exotically beautiful 'La Signora Madeline Vesey Neroni'? Will the oily Mr Slope finally get his comeuppance? Trollope's matchless handling of plot and character displays a skill whose distinctive literary qualities are celebrated in this new edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Leading anthropologists and political scientists are brought together in this volume to debate the problem of comparison, taking up a variety of topics from nationalist violence and labour strikes to ritual forms and religious practices. The contributors criticise conventional forms of comparative method, and introduce new comparative strategies, ranging from abstract model building to ethnographically based methods. They represent a wide variety of theoretical positions, from rational choice theory to interpretivism, and the issues are clarified in the cut and thrust of debate. This will be an excellent case book for courses on comparison across the social sciences.

Low-Cost Airline Carriers in Emerging Countries traces the development of low-cost carriers (LCCs) in Asia, Latin America, the Middle East and Africa, examining airlines that have become significant players in their home markets but little known at a global scale. The book maps the geography of the LCC phenomenon, explaining the starkly varying success of budget airlines, and assessing their current social, economic and environmental impacts. The book concludes with insights into the future potential of the LCC phenomenon along with its global ramifications. Beginning with Southwest Airlines in the 1970s, low-cost carriers (LCCs) have democratized air travel around the world, fostering huge increases in airline traffic and transforming the airline industry. At the same time however, the ascent of these budget airlines has exacerbated aviation-related problems such as aircraft noise, airport congestion, greenhouse gas emissions and more. LCCs have been extensively studied in the US and Europe but not in emerging regions of the globe. Yet the impact of such airlines is greatest in low- and middle-income economies where only a small fraction of the population has ever flown, and where competition from alternative modes (road, rail) is weak.

Lawrence Gordon Clark directs this triple bill of BBC adaptations of the ghost stories by M.R. James. In 'Lost Hearts' (1973) young orphan Stephen (Simon Gipps-Kent) goes to stay at the generous Mr. Abney (Joseph O'Connor)'s estate where he is haunted by two children who previously lived in the house. It turns out the children have come to warn Stephen that Abney is not all that he seems. In 'The Ash Tree' (1975) Sir Richard Fell (Edward Petherbridge) inherits his uncle's manor and grounds. He moves in and decides to cut down an ash tree that could prove harmful to the property but before he gets the chance he begins to hear strange sounds and sees supernatural figures coming from the tree... In 'The Treasure of Abbot Thomas' (1974) cynical Reverend Somerton (Michael Bryant) is completely close-minded when it comes to paranormal activity. His steadfast beliefs falter, however, when his and Lord Peter Dattering (Paul Lavers)'s search for the treasure of alchemist Abbot Thomas (John Herrington) unleashes a terrifying spectre.

John's Bowen's adapation of THE BACHAE by Euripides.7 women, 6 men

‘The mob began to join and whirl, and with loud yells, and shouts … bestirred themselves to feed the fire, and keep it at its height’

Set against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and anti-Catholic mobs rampage through the streets. And, as London erupts into riot, Barnaby Rudge himself struggles to escape the curse of his own past. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.

This edition is based on the first one-volume publication of Barnaby Rudge, reproducing all the original illustrations. Appendices include a map of London at the time of the Gordon Riots and the preface to the 1868 edition.