Performing Difference is a compilation of seventeen essays from some of the leading scholars in history, criticism, film, and theater studies. Each author examines the portrayal of groups and individuals that have been traditionally marginalized or excluded from dominant historical narratives. As a meeting point of several fields of study, this book is organized around three meta-themes: race, gender, and genocide. Included are analyses of films and theatrical productions from the United States, as well as essays on cinema from Southern and Central America, Europe, and the Middle East. Topically, the contributing authors write about the depiction of race, ethnicities, gender and sexual orientation, and genocides. This volume assesses how the performing arts have aided in the social construction of the "other" in differing contexts. Its fundamental premise is that performance is powerful, and its unifying thesis is that the arts remain a major forum for advancing a more nuanced and humane vision of social outcasts, not only in the realm of national imaginations, but in social relations as well.

Created for general and scholarly audiences alike, this volume offers ten of the best recent plays by and about gay men, all of which have been successfully produced and critically acclaimed in the United States and England. The playwrights, who reflect multicultural origins ranging from Anglo to African American and Latino, have crafted powerful and insightful depictions of the roles gay men play in gender politics.Each play is explosive, politically and socially relevant, and enlightening, whether it be Martin Sherman's much-praised "A Madhouse in Goa" or the avante-garde Pomo Afro Homos' "Dark Fruit." The first to offer such a diversity of voices, this collection also crosses generational borders. Included are two of the first and most important modern gay playwrights--Martin Sherman and Peter Gill--as well as exciting younger dramatists who have emerged in the "gay nineties."Illustrating the sexual politics and events that have swirled through mainstream society since the Stonewall rebellion in the 1960s--AIDS, homophobia, transgendering, discrimination, violence--these plays offer essential and direct articulation of the human lives involved. Each of these plays in its own unique way deeply investigates the pain, sorrow, joy, and beauty of being gay in a predominantly heterosexual world.

Created for general and scholarly audiences alike, this volume offers ten of the best recent plays by and about gay men, all of which have been successfully produced and critically acclaimed in the United States and England. The playwrights, who reflect multicultural origins ranging from Anglo to African American and Latino, have crafted powerful a

This is a collection of seven contemporary American plays (six of them by gay playwrights) that depict the lives of gay men in the years before gay liberation and in our own time. All of these plays have been successfully produced by major American theaters and all have received critical acclaim. The first three works in the collection-Robert O' Hara's Antebellum, Joseph and David Zellnik's Yank , and Jon Marans's The Temperamentals-demonstrate gay playwrights' impulse to share the history of oppression and liberation gay men have faced. The remaining four plays-Guillermo Reyes's Deporting the Divas, Stephen Karam's Sons of the Prophet, Neal Bell's Spatter Pattern and Jose Rivera's Pablo and Andrew at the Altar of Words-offer depictions of the ways in which gay men have and have not assimilated in the twenty-first century.