Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

All-action sci-fi adaptation of the popular first-person shooter computer game, starring The Rock and Karl Urban.

On the planet Mars, a team of scientists have set up an experimental research facility that suddenly ceases communication with no warning. A Rapid Response Tactical Squad, led by Sarge and Grimm, are dispatched to investigate, and make the shocking discovery that the scientists have opened a dimensional gateway to Hell itself.

Against all the odds, the squad have to fight their way through the base to shut off the portal, and then kill every horrific escaped demon creature before the hordes of Hell can reach Earth.

Bill Pohlad directs this biopic about the musician, songwriter and founding member of The Beach Boys. In the 1960s, emerging talent Brian Wilson (Paul Dano) struggles to comprehend the sudden fame that his hit records have brought him and his band, and, after a panic attack, he turns away from touring and sets his mind to focus on creating the greatest album ever made. Later on in his life, Wilson (John Cusack)'s struggles turn to ones of health and sanity as his therapist Dr. Eugene Landy (Paul Giamatti) sees it necessary to have his patient permanently medicated. When Wilson, a shadow of his former self, meets car saleswoman Melinda (Elizabeth Banks) she finds herself determined to rid the innocent man of his brainwashing doctor and recapture the talent that he once possessed.

Bradley Cooper stars in this drama directed by John Wells as chef Adam Jones. The film follows Adam as he attempts to rebuild his life and career after a period of erratic, drug-fuelled, behaviour led to him losing his restaurant. Adam moves to London from New Orleans where his former maitre d' Tony (Daniel Brühl) reluctantly employs him as head chef at his fine-dining establishment. But to Adam this is only a stepping stone to his real dream - to open a restaurant of his own and achieve a three Michelin star rating.

[Beaumarchais'] fame rests on Le Barbier de Seville (1775) and Le Mariage de Figaro (1784), the only French plays which his stage-struck century bequeathed to the international repertoire. But his achievement has been adulterated, for 'Beaumarchais' has long been the brand name of a product variously reprocessed by Mozart, Rossini, and the score or so librettists and musicians who have perpetuated his plots, his characters, and his name. The most intriguing question of all has centered on his role as catalyst of the Revolution. Was his impertinent barber the Sweeney Todd of the Ancien Regime, the true begetter of the guillotine? . . . Beaumarchais' plays have often seemed to need the same kind of shoring up as his reputation, as though they couldn't stand on their own without a scaffolding of good tunes. Yet, as John Wells' lively and splendidly speakable translations of the Barber , the Marriage , and A Mother's Guilt demonstrate, they need assistance from no one. [Beaumarchais] thought of the three plays as a trilogy. Taken together, they reflect, as John Leigh's commentaries make clear, the Ancien Regime's unstoppable slide into revolution. --David Coward in The London Review of Books

The American Comic Book Chronicles is an ambitious new series of FULL-COLOR HARDCOVERS, where TwoMorrows' top authors document every decade of comic book history from the 1940s to today! John Wells leads off with the first of two volumes on the 1960s, covering all the pivotal moments and behind-the-scenes details of comics in the JFK and Beatles era! You'll get a year-by-year account of theA most significant publications, notable creators, and impactful trends, including: DC Comics' rebirth of Green Lantern, Hawkman, and others, and the launch of Justice League of America and multiple earths! Stan Lee and Jack Kirby's transformation of superhero comics with the debut of Marvel' Fantastic Four, Spider-Man, Hulk, X-Men, Avengers, and other iconic characters! Plus Batman gets a "new look", the Blue Beetle is revamped at Charlton Comics, and Creepy #1 brings horror back to comic book form, just as Harvey's "kid" comics are booming! These are just a few of the events chronicled in this exhaustive, full-color hardcover. Taken together, the series forms a cohesive, linear overview of the entire landscape of comics history, sure to be an invaluable resource for ANY comic book enthusiast!

Learn to Drive in 10 Easy Stages is one of the most well-established guides to preparing for and undergoing a driving test. This new edition contains everything that prospective students need to know - with both the theory and practical tests covered in this one volume. In full colour throughout, and with a wealth of new and updated illustrations, the guide is designed to be as user-friendly as possible and will ensure that readers are well prepared for their driving tests. The book includes a unique 10-step programme to help in preparing for the practical test as well as over 600 practice questions to help prepare for the theory test.

[Beaumarchais'] fame rests on Le Barbier de Seville (1775) and Le Mariage de Figaro (1784), the only French plays which his stage-struck century bequeathed to the international repertoire. But his achievement has been adulterated, for 'Beaumarchais' has long been the brand name of a product variously reprocessed by Mozart, Rossini, and the score or so librettists and musicians who have perpetuated his plots, his characters, and his name. The most intriguing question of all has centered on his role as catalyst of the Revolution. Was his impertinent barber the Sweeney Todd of the Ancien Regime, the true begetter of the guillotine? . . . Beaumarchais' plays have often seemed to need the same kind of shoring up as his reputation, as though they couldn't stand on their own without a scaffolding of good tunes. Yet, as John Wells' lively and splendidly speakable translations of the Barber , the Marriage , and A Mother's Guilt demonstrate, they need assistance from no one. [Beaumarchais] thought of the three plays as a trilogy. Taken together, they reflect, as John Leigh's commentaries make clear, the Ancien Regime's unstoppable slide into revolution. --David Coward in The London Review of Books

After leaving school at 15 in 1950, John Wells began an apprenticeship with one of the country's leading pipe organ builders. On completion of National Service he resumed his career as an organ builder, which took him around the United Kingdom and on several occasions across the Atlantic, allowing him the priceless opportunity to meet and be reconciled with the mother who had left home when he was just six years old. Ultimately John joined the Civil Service, helping to maintain, repair and replace the many organs and pianos in military establishments, prisons, British schools and government offices at home and abroad. In the decade since retirement he has become a specialist in American 'duck stamps' and conservation stamps, a subject in which he has become an acknowledged expert. His first book was an authoritative specialist publication, The History and Local Post of Rattlesnake Island, Lake Erie. This, his life story, is his second.