This book invites the reader to think about collaborative research differently. Using the concepts of 'letting go' (the recognition that research is always in a state of becoming) and 'poetics' (using an approach that might interrupt and remake the conventions of research), it envisions collaborative research as a space where relationships are forged with the use of arts-based and multimodal ways of seeing, inquiring and representing ideas. The book's chapters are interwoven with 'Interludes' which provide alternative forms to think with and another vantage point from which to regard phenomena, pose a question and seek insights or openings for further inquiry, rather than answers. Altogether, the book celebrates collaboration in complex, exploratory, literary and artistic ways within university and community research.

This book invites the reader to think about collaborative research differently. Using the concepts of ‘letting go’ (the recognition that research is always in a state of becoming) and 'poetics’ (using an approach that might interrupt and remake the conventions of research), it envisions collaborative research as a space where relationships are forged with the use of arts-based and multimodal ways of seeing, inquiring and representing ideas. The book's chapters are interwoven with ‘Interludes’ which provide alternative forms to think with and another vantage point from which to regard phenomena, pose a question and seek insights or openings for further inquiry, rather than answers. Altogether, the book celebrates collaboration in complex, exploratory, literary and artistic ways within university and community research.

Movie publicist Tom Miller, writing under the name Tom Canford, tells of his experience working on films such as Francis Coppola's "The Cotton Club" and Elaine May's "Mikey and Nicky." He provides intriguing insight into the process of movie-making from a privileged position deep inside the productions and also sharp portraits of directors, actors both major and minor, and behind-the-scenes people involved in bringing their films to you. In addition to those mentioned in the subtitle of the work, many other artists and film personnel make their appearance: Robert Mitchum, Paul Newman, Diane Lane, Robert DeNiro, Gregory Hines, Bruce Dern, Lonette McKee, Barrie Osborne, Milena Canonero, Nicolas Cage, Robert Evans, Bobby Zarem, Julian Beck, Gwen Verdon, Herb Ritts, a very young Sophia Coppola. Editor Jonathan May in his introduction and afterword provides further information about the author.

Jake loves his friends and his community. Eric kills. Eric secretly watches Jake and those he loves. No one near to Jake is safe, and the tension and the body count rise. Set in rural Alabama, "A Howling in the Night" is a psychological thriller with nods to classics of horror, the bastard child of Eudora Welty and Stephen King.