This monograph provides a detailed and systematic introduction to the application of deep learning technology in the intelligent monitoring of crop diseases and pests. Taking 24 types of crop pests, wheat aphids, and wheat diseases with complex backgrounds as examples, a large-scale crop pest and disease dataset was constructed to provide necessary data support for the deep learning module. Various schemes for identifying and detecting large-scale crop diseases and pests based on deep convolutional neural network technology have also been proposed. This book can be used as a reference for teachers and students majoring in agriculture, computer science, artificial intelligence, intelligent science and technology, and other related fields in higher education institutions. It can also be used as a reference book for researchers in fields such as image processing technology, intelligent manufacturing, and high-tech applications.

Pasteurization, penicillin, Koch's postulates, and gene coding. These discoveries and inventions are vital yet commonplace in modern life, but were radical when first introduced to the public and academia. In this book, the life and times of leading pioneers in microbiology are discussed in vivid detail, focusing on the background of each discovery and the process in which they were developed - sometimes by accident or sheer providence.

Pasteurization, penicillin, Koch's postulates, and gene coding. These discoveries and inventions are vital yet commonplace in modern life, but were radical when first introduced to the public and academia. In this book, the life and times of leading pioneers in microbiology are discussed in vivid detail, focusing on the background of each discovery and the process in which they were developed - sometimes by accident or sheer providence.

This book constitutes the refereed proceedings of the 7th China Conference on Knowledge Graph and Semantic Computing: Knowledge Graph Empowers the Digital Economy, CCKS 2022, in Qinhuangdao, China, August 24-27, 2022. The 15 full papers and 2 short papers included in this book were carefully reviewed and selected from 100 submissions. They were organized in topical sections as follows: knowledge representation and reasoning; knowledge acquisition and knowledge base construction; linked data, knowledge integration, and knowledge graph storage managements; natural language understanding and semantic computing; knowledge graph applications; and knowledge graph open resources.

This book constitutes the refereed proceedings of the 5th China Conference on Knowledge Graph and Semantic Computing, CCKS 2020, held in Nanchang, China, in November 2020. The 26 revised full papers presented were carefully reviewed and selected from 173 submissions. The papers are organized in topical sections on knowledge extraction: lexical and entity; knowledge extraction: relation; knowledge extraction: event; knowledge applications: question answering, dialogue, decision support, and recommendation.

Although Chinese Marxism--primarily represented by Maoism--is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Marxist traditions, Liu reveals the extent to which Chinese Marxists incorporate ideas about aesthetics and culture in their theories and practices. In doing so, he constructs a wholly new understanding of Chinese Marxism.
Far from being secondary considerations in Chinese Marxism, aesthetics and culture are in fact principal concerns. In this respect, such Marxists are similar to their Western counterparts, although Europeans have had little understanding of the Chinese experience. Liu traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin, and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a postrevolutionary society and have affected a wide field of issues involving the problems of modernity.
Forcefully argued and theoretically sophisticated, this book will appeal to students and scholars of contemporary Marxism, cultural studies, aesthetics, and modern Chinese culture, politics, and ideology.

This collection of essays addresses the perception that our understanding of modern China will be enhanced by opening the literature of China to more rigorous theoretical and comparative study. In doing so, the book confronts the problematic and complex subject of China's literary, theoretical, and cultural responses to the experience of the modern.
With chapters by writers, scholars, and critics from mainland China, Hong Kong, and the United States, this volume explores the complexity of representing modernity within the Chinese context. Addressing the problem of finding a proper language for articulating fundamental issues in the historical experience of twentieth-century China, the authors critically re-examine notions of realism, the self/subject, and modernity and draw on perspectives from feminist criticism, ideological analysis, and postmodern theory. Among the many topics explored are subjectivity in Chinese cultural theory, Chinese gender relations, the viability of a Lacanian approach to Chinese identity, the politics of subversion in Chinese reportage, and the ambivalent status of the icon of paternity since Mao.
At the same time this book offers a probing look into the transformation that Chinese culture as well as the study of that culture is currently undergoing, it also reconfirms private discourse as an ideal site for an investigation into a real and imaginary, private and collective encounter with history.

"Contributors." Liu Kang, Xiaobing Tang, Liu Zaifu, Stephen Chan, Lydia H. Liu, Wendy Larson, Theodore Huters, David Wang, Tonglin Lu, Yingjin Zhang, Yuejin Wang, Li Tuo, Leo Ou-fan Lee