If there's anyone who can prevent a bar or restaurant from going belly up, it's Jon Taffer. Widely considered the greatest authority in the food and beverage, hotel, and hospitality industries, he has turned around countless bars and restaurants. Raise the Bar distills the secrets to running a successful enterprise with Reaction Management, a strategy and philosophy Taffer developed and uses in his business. It works whether you're running a storefront operation or a web-based company, whether you're manufacturing widgets or providing a service. Raise the Bar is the definitive manual on transforming a bar or restaurant with actionable, proven strategies for immediate impact.

Our cultural darlings make music; we make them mythic. Every musical genre begets a community of listeners, performers, and critics, and quite often those categories are blurred. From the principled punk refusal of celebrity to hip-hop's celebration of its power, the music world is self-obsessed.

Stars Don't Stand Still in the Sky assembles scholars, music writers, industry workers, and musicians, who offer a range of opinions and experience of the nature of fame. The collection focuses on commerce, the crowd, performance and image, history and memory, and romance. Contributors discuss black women icons, love-songs, the legacy of the blues, the image of the tortured rock star, MTV, the politics of the Rock and Roll Hall of Fame, the joy of line-dancing, and more.

The contributors are James Bernard, Anthony DeCurtis, Katherine Dieckmann, Chuck Eddy, Paul Gilroy, Daniel Glass, Lawrence Grossberg, Jessica Hagedorn, Kathleen Hanna, James Hannaham, Dave Hickey, Jon Langford, Greil Marcus, Angela McRobbie, Paul D. Miller (a.k.a. DJ Spooky), Barbara O'Dair, Ann Powers, Toshi Reagon, Simon Reynolds, Robert Santelli, Jon Savage, Danyel Smith, Arlene Stein, Deena Weinstein, and Ellen Willis.

In 1914, Marcel Duchamp purchased a bottle rack, called it a sculpture, put his name to it and the "readymade" artwork was born. "It Is What It Is. Or Is It?" considers the legacy of the readymade in contemporary artistic practice as the form approaches its 100th anniversary and attempts to recuperate the radicality of Duchamp's foundational gesture. Taking stock of the readymade's simple materiality and its economy of means, this catalogue includes work by 18 artists working in a variety of media from sculpture to photography, painting, video and installation-based works. "It Is What It Is. Or Is It?" includes works by Ellen Altfest, Faycal Baghriche, Bill Bollinger, William Cordova, Latifa Echakhch, Daphne Fitzpatrick, Claire Fontaine, Felix Gonzalez-Torres, Rachel Hecker, Jamie Isenstein, Luis Jacob, Patrick Killoran, Jiri Kovanda, Klara Liden, Catherine Murphy and Pratchaya Phinthong.

Our time at the wheel is done. Driving will become illegal, as human drivers will be demonstrably more dangerous than cars that pilot themselves. Is this an impossible future, or a revolution just around the corner? Sam Schwartz, America's most celebrated transportation guru, describes in this book the revolution in self-driving cars. The ramifications will be dramatic, and the transition will be far from seamless. It will overturn the job market for the one in seven Americans who work in the trucking industry. It will cause us to grapple with new ethical dilemmas-if a car will hit a person or a building, endangering the lives of its passengers, who will decide what it does? It will further erode our privacy, since the vehicle can relay our location at any moment. And, like every other computer-controlled device, it can be vulnerable to hacking. Right now, every major car maker here and abroad is working on bringing autonomous vehicles to consumers. The fleets are getting ready to roll and nothing will ever be the same, and this book shows us what the future has in store.

Struggling to move on with her life after she loses her husband in World War II, Caroline Hunt brings her two daughters back to her childhood home in Salem, Massachusetts. Caroline's chance meeting with her college sweetheart leads to a complex union that weaves two families together, bringing both great joy and heartrending sorrow. At the center of this compelling drama is the simmering, uncontainable attraction felt by step-siblings Dinah and Tru. A profoundly stirring story of young people on the brink of adulthood and the stark realities of family life-including harrowing grief and the consequences of long-buried secrets-Prospice is rich with psychological detail and unforgettably delineated characters. In elegant prose and pitch-perfect period detail, Karen Kelly draws us deep inside the lives of her characters, offering poignant humor along with page-turning suspense that will captivate readers to the very last, revealing page. Prospice is Latin for "look ahead," an apt designation for this beautifully wrought debut sure to be embraced by all who love The Memory Keeper's Daughter or the novels of Julia Glass and Ann Patchett. Evocatively portraying several generations of vividly drawn women, it is the story of a family that learns, through sorrow and loss, to find happiness and the strength to look ahead.

Struggling to move on with her life after she loses her husband in World War II, Caroline Hunt brings her two daughters back to her childhood home in Salem, Massachusetts. Caroline's chance meeting with her college sweetheart leads to a complex union that weaves two families together, bringing both great joy and heartrending sorrow. At the center of this compelling drama is the simmering, uncontainable attraction felt by step-siblings Dinah and Tru. A profoundly stirring story of young people on the brink of adulthood and the stark realities of family life-including harrowing grief and the consequences of long-buried secrets-Prospice is rich with psychological detail and unforgettably delineated characters. In elegant prose and pitch-perfect period detail, Karen Kelly draws us deep inside the lives of her characters, offering poignant humor along with page-turning suspense that will captivate readers to the very last, revealing page. Prospice is Latin for "look ahead," an apt designation for this beautifully wrought debut sure to be embraced by all who love The Memory Keeper's Daughter or the novels of Julia Glass and Ann Patchett. Evocatively portraying several generations of vividly drawn women, it is the story of a family that learns, through sorrow and loss, to find happiness and the strength to look ahead.

In a dilapidated trailer on the edge of town, a young mother collapses. Her death leaves four children lost to the care of a shattered man who drowns himself in whiskey, then takes off without them. Can Mary Catherine find it in herself to forgive her father for abandoning them? Michael's unexpected death forces Elly to return home to her cold, selfish mother to face the ghosts of her past. Battling depression, can she find hope within? Stained by poverty, Joseph is a controlling entrepreneur who rises to the top, only to lose his wife and business. Will a prison sentence lock him away forever, or be the key to real change and freedom? These characters face the age-old alternative between good and evil; reaching out in love and forgiveness, or closing themselves off in hatred and pain. The directions they take intertwine their lives and leads each of them on a path to Truth.