Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Cambridge Songs are preserved - many of them uniquely - in a famous eleventh-century manuscript held in Cambridge University Library. Composed in Germany, mostly in Latin but with some vernacular sections, these lyrics are most notable for the variety they display in both genre and form. As one of the earliest examples of medieval secular song-writing they are a key part of the canon of European literature. This 1915 edition was the first to reproduce the complete text with facing-page transcriptions. Karl Breul, originally from Berlin, became the first university lecturer in German in 1884, and remained the most eminent Germanist at Cambridge until his death in 1932. His edition continues to be of value to medievalists today both as a source for the study of these remarkable poems and as a record of Breul's achievement in scholarship and palaeography.

First published in 1909, as the fourth edition of an 1898 original, this book presents a discussion of the educational process in relation to modern languages. The text is divided into two main sections: the first relates to the teaching of modern languages in secondary schools; the second relates to the training of modern language teachers. A bibliography is included and notes are incorporated throughout. This book will be of value to anyone with an interest in the development of modern language teaching and the history of education.

Originally published in 1896 as part of the Pitt Press Series, this book contains the German text for the last drama in Schiller's Wallenstein trilogy, Wallenstein's Tod. The play is introduced in great depth by celebrated German scholar Karl Breul, who also wrote the detailed notes on the play that feature at the end of the volume. This book will be of value to anyone with an interest in Schiller or in German drama more generally.

This 1924 second edition of Gustav Freytag's Aus Dem Staat Friedrichs des Grossen was edited by Karl Breul of Cambridge University. The original edition, published in 1877, was compiled by Wilhelm Wagner. Breul, whilst preserving the majority of Wagner's work, has edited and updated the text's notes, as well as appending a number of poems on Frederick the Great to Freytag's text. Gustav Freytag was a scholar of German antiquity, early German literature and the origins of German drama. He was also a journalist, biographer and historian with a fervent political mind. His Aus Dem Staat Friedrichs des Grossen is a 'Picture of the German Past', a text where an individual's thoughts and motivations are imagined and presented within a historical framework. Freytag's text thus acts as an invaluable introduction to the life and characteristics of Frederick the Great and will appeal to students of German history and literature alike.

The Reinaert Fragments are a collection of seven pages of a Middle Dutch poem attributed to the fifteenth-century Flemish writer Hinrek van Alckmer, and printed in Antwerp in about 1487. This book, originally published in 1927, contains photographic reproductions of the pages, alongside clear transcriptions of the text and three beautiful woodcut illustrations. Karl Breul's detailed introduction sketches the history and development of the story of Reynard the Fox, from its origins in oral tradition and the medieval beast epic to Goethe's famous 'Reinecke Fuchs', indicating the place of the Reinaert poem amongst the various verse and prose versions. The book also includes a corrected version of the van Alckmer fragments, and examines their relationship with the Reinaert II and Reinke texts. The book will be useful to those studying Middle Dutch and Middle Low German literature or printing history, and others interested in the Reynard story.

Originally published in 1913, this book contains the German text of Schiller's tragedy Die Braut von Messina, which caused controversy at its debut for its incorporation of a variety of tropes from ancient theatre. Breul includes a long introduction on the history and reception of the play, its relationship with classical drama and a synopsis, as well as parallel passages from Aeschylus, Schiller and Goethe, and relevant extracts from Schiller's correspondence in the notes following the text. This book will be of value to anyone with an interest in the reception of classical theatre or Schiller.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.