Drawing on scholarly research and media critiques, The Third Agenda in Presidential Debates examines the most recent U.S. presidential debates from the perspective of television viewers who watched the encounters first hand. Through a national program--DebateWatch--tens of thousands of viewers had an opportunity to provide feedback to the debate sponsors, the campaigns, and the media following the 1996, 2000, and 2004 presidential debates. As a result, thousands of groups met to discuss what they liked and didn't like about a particular candidate, what they learned, and what they still needed to know about the issues presented before them. These focus groups, along with various surveys and emails, allowed viewers to lay out a concise "third agenda" for the debates: the public's, one in which comparisons could be drawn between their own interests and that of the media and the candidates themselves. This book breaks down the fundamental aspects that made DebateWatch such a powerful tool for citizens. From analyzing and interpreting the public's reaction to developing recommendations for further improvements, there have been many significant changes in debate practices since the program first burst on the scene during the 1992 presidential election. Besides clearly mapping out the important aspects the public looks for when watching a debate, the authors demonstrate how citizen participation challenges candidates and their issues. In addition, the authors offer predictions for future debates and how new generations will choose to participate. Along with 14 analytical chapters, this work contains four detailed appendices, several tables, and an index.

The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen's understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen's connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Stael, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen's engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a "portrait of a lady artist" confidently promoting her own distinctly post-enlightenment aesthetic system.

Reach new and diverse customer groups and expand your market share

The standard approach to marketing is to look for as many people as possible who fit one core customer profile. "How to Market to People Not Like You" challenges this traditional thinking about core customer bases, giving you a new approach to expand your customer base and your business.

Arguing for focusing on customer values rather than demographics, "How to Market to People Not Like You" reveals how you can grow business and profits by targeting those who are different from your core audience, rather than those who share similarities.Reach unfamiliar new market segments with your productsLearn how to engage micro-segmented customer groupsAuthor's company was named one of the top ad agencies in the US by "Ad Age"

Find out "How to Market to People Not Like You," understand the needs and values that distinguish diverse customers, and reach their hearts, minds, and wallets.

All 36 episodes from the first three seasons of the Golden Globe-winning HBO period drama set during the 1920s Prohibition era. Atlantic County Treasurer Enoch 'Nucky' Thompson (Steve Buscemi) sets up a bootlegging business, hoping to get rich. As he progresses in his venture he crosses paths with politicians and mobsters alike but his lavish lifestyle soon leads the federal government to grow suspicious of his activities. Among the show's executive producers are its creator, 'The Sopranos' writer Terence Winter, and Martin Scorsese, who also directed the pilot. Season 1 episodes comprise: 'Boardwalk Empire', 'The Ivory Tower', 'Broadway Limited', 'Anastasia', 'Nights in Ballygran', 'Family Limitation', 'Home', 'Hold Me in Paradise', 'Belle Femme', 'The Emerald City', 'Paris Green' and 'A Return to Normalcy'. Season 2 episodes comprise: '21', 'Ourselves Alone', 'A Dangerous Mind', 'What Does the Bee Do?', 'Gimcrack and Bunkum', 'The Age of Reason', 'Peg of Old', 'Two Boats and a Lifeguard', 'Battle of the Century', 'Georgia Peaches', 'Under God's Power She Flourishes' and 'To the Lost'. Season 3 episodes comprise: 'Resolution', 'Spaghetti and Coffee', 'Bone for Tuna', 'Blue Bell Boy', 'You'd Be Surprised', 'Ging Gang Goolie', 'Sunday Best', 'The Pony', 'The Milkmaid's Lot', 'A Man, a Plan...', 'Two Imposters' and 'Margate Sands'.

All six episodes from the third season of the sci-fi anthology drama created by Charlie Brooker which explores the role of technology in modern society.

In this season, a woman tries to improve her social media status, two soldiers do battle with a gang of mutants and an American signs up for a trial of an augmented reality game.

The episodes are:

• Nosedive
• Playtest
• Shut Up and Dance
• San Junipero
• Men Against Fire
• Hated in the Nation

The Coen brothers' stripped down and gritty chase thriller has a Vietnam vet desperately trying to give the slip to a relentless killer. While out hunting in the barren wilds of Texas, Llewelyn Moss (Josh Brolin) discovers the aftermath of a drugs deal gone wrong, with dead bodies, heroin and a case filled with $2million in cash. Deciding to take the money, Moss says goodbye to his wife (Kelly MacDonald) and takes off to plan his next move. It's not long before he discovers he's being followed by psychopathic ex-special forces hitman, Chigurh (Javier Bardem), who decides his victim's fate, guilty or not, on the toss of a coin. As Chigurh raises the bodycount, gaining ever nearer to Moss, he in turn is hunted by local Sheriff Ed Bell (Tommy Lee Jones), a seen-it-all-before cop, who could do without the excitement.

Let these wonderful stories of holiday magic fill your heart with peace and love for the holiday season. From dragons at Christmas to dancing for Hanukkah, from fairy friends to a mermaid's gift, you'll find many stories within these pages to bring a smile to your face. With 33 wonderful short stories and 5 poems, written for children and adults alike, there is a variety of tales, written by authors from around the world, to help you find a bit of that holiday spirit to warm your heart. This is the expanded edition which contains additional illustrations.

Eating is a common part of our lives. Many of us do not realize that we can glorify God's name every time we eat. The dietary commandments on clean and unclean animals in Leviticus 11 give us such an opportunity. Some have said that Jesus, Peter, and Paul did away with these commandments. This book will help you understand how Jesus, Peter, and even Paul upheld this vital teaching from God's word. Paul instructs us in II Corinthians 6:17 to touch no unclean thing. Peter also directs us to the dietary laws in his first letter. You will discover the spiritual significance of the dietary laws. You will learn how obedience to them will draw you closer to your Savior and increase the fire of the Holy Spirit in your life Kelly McDonald Jr. is an ordained Evangelist at Hungry Hearts Ministries in Jackson, TN. Kelly writes for the international Sabbatarian magazine, The Sabbath Sentinel. He also writes and serves as the Editor for the ministry's magazine, Pursuit. Kelly graduated summa cum laude from Lambuth University, where he earned a Bachelor of Science with a double major in Political Science and Sociology with a minor in Legal Studies. As a Torah Observant/Spirit Filled minister, Kelly has spoken at several different congregations in four different states, and is available to speak at your church upon request.

Academy Award-winning fairy tale from Pixar Studios. Headstrong tomboy and skilled archer Princess Merida (voice of Kelly Macdonald) is determined to break with tradition and carve out her own path in life. In defiance of her parents, King Fergus (Billy Connolly) and Queen Elinor (Emma Thompson), Merida flies in the face of an age-old custom held sacred by the three principal lords of the land, Lord MacGuffin (Kevin McKidd), Lord MacIntosh (Craig Ferguson) and Lord Dingwall (Robbie Coltrane). Her actions lead to chaos in the kingdom, and it is now up to Merida not only to restore harmony in the land but to undo an ill-fated wish bestowed upon her by a wayward wise woman (Julie Walters). The feature won the Academy Award, a Golden Globe and a BAFTA for Best Animated Film.

Academy Award-winning fairy tale from Pixar Studios. Headstrong tomboy and skilled archer Princess Merida (voice of Kelly Macdonald) is determined to break with tradition and carve out her own path in life. In defiance of her parents, King Fergus (Billy Connolly) and Queen Elinor (Emma Thompson), Merida flies in the face of an age-old custom held sacred by the three principal lords of the land, Lord MacGuffin (Kevin McKidd), Lord MacIntosh (Craig Ferguson) and Lord Dingwall (Robbie Coltrane). Her actions lead to chaos in the kingdom, and it is now up to Merida not only to restore harmony in the land but to undo an ill-fated wish bestowed upon her by a wayward wise woman (Julie Walters). The feature won the Academy Award, a Golden Globe and a BAFTA for Best Animated Film.

The essays collected in Jane Austen and the Arts; Elegance, Propriety, and Harmony examine Austen's understanding of the arts, her aesthetic philosophy, and her role as artist. Together, they explore Austen's connections with Edmund Burke, Adam Smith, Johann Wolfgang von Goethe, Madame de Stael, Joanna Baillie, Jean Jacques Rousseau, Mary Anne Schimmelpenninck, and other writers engaged in debates on the sensuous experience and the intellectual judgment of art. Our contributors look at Austen's engagement with diverse art forms, painting, ballet, drama, poetry, and music, investigating our topic within historically grounded and theoretically nuanced essays. They represent Austen as a writer-thinker reflecting on the nature and practice of artistic creation and considering the social, moral, psychological, and theological functions of art in her fiction. We suggest that Austen knew, modified, and transformed the dominant aesthetic discourses of her era, at times ironically, to her own artistic ends. As a result, a new, and compelling image of Austen emerges, a "portrait of a lady artist" confidently promoting her own distinctly post-enlightenment aesthetic system.