Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art, and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title.

The key to becoming fully alive and joyful is to develop our natural capacity for attention and to be fully present here and now. In this informative guidebook to practical Buddhism you discover:

• How to live life with equanimity, loving-kindness, compassion, and joy

• How to cut through obsessions with the external world, relationships, harmful emotions, pleasure and power, and self

• Tried-and-true methods for cultivating active attention with your body and mind.

Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.

The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that "AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology." Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.

A mixture of Morgan's science fiction poems and concrete poems. There's the famous encounter between humans and aliens in 'The First Men on Mercury', early digital tongue-twisting in 'The Computer's First Christmas Card' and the effects of teleportation in 'In Sobieski's Shield' - on earth or in outer space Morgan explores what it is to be human.

Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.

'AN EXCEPTIONAL BLEND OF INTERNATIONAL POLITICS, HARD SCIENCE, AND FIRST CONTACT' Michael Mammay, author of the Planetside series 'MACLEOD'S BEST BOOK TO DATE' SFX Science fiction legend Ken MacLeod begins a new space opera trilogy by imagining humankind on the precipice of discovery - the invention of faster-than-light travel unlocks a universe of new possibilities, and new dangers. When a brilliant scientist gets a letter from herself about faster-than-light travel, she doesn't know what to believe. The equations work, but her paper is discredited - and soon the criticism is more than scientific. Exiled by the establishment, she gets an offer to build her starship from an unlikely source. But in the heights of Venus and on a planet of another star, a secret is already being uncovered that will shake humanity to its foundations. Discover this ground-breaking new space opera from multi-award winning author Ken MacLeod Praise for Ken MacLeod: 'If you like science fiction, you will love this. . . a rollicking good read' Scotsman 'MacLeod is up there with Banks and Hamilton as one of the British sci-fi authors you absolutely have to read' SFX 'Prose as sleek and fast as the technology it describes. . . watch this man go global' Peter F. Hamilton on Star Fraction 'Ken MacLeod has an enviable track record of extrapolating from current trends to produce mind-bending novels of ideas' Guardian Also by Ken MacLeod: Lightspeed Beyond the Hallowed Sky Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent

In this masterful translation and commentary on Tokme Zongpo's Thirty-Seven Practices of a Bodhisattva, Ken McLeod shines the light of wisdom on the challenges of contemporary life and illuminates a path the modern reader can take to freedom, peace and understanding. Thirty-Seven Practices of a Bodhisattva is one of the most revered and loved texts in the Tibetan Buddhist tradition. While this text has been translated many times, Ken McLeod's plain and simple English beautifully reflects the simplicity and directness of the original Tibetan. McLeod's commentary is full of striking images, provocative questions and inspiring descriptions of what it means to be awake and present in your life. Practical instruction, brief and to the point, is found in each of the verse commentaries, providing straightforward responses to the question, "How do I practice this?" McLeod is clearly writing from his own experience. Yet, instead of anecdotes and personal history, he challenges the reader to engage various scenarios, and consider how compassion, clarity, presence and balance could take expression in his or her life. The book is divide into three parts. The first is an introduction to the text and to Tokme Zongpo. The second is McLeod's translation of Tokme Zongpo's Thirty-Seven Practices of a Bodhisattva. The third section is the main part of the book, a traditional verse-by-verse commentary. At 184 pages, Reflections on Silver River is a highly accessible introduction to Tibetan Buddhist practice as well as a valuable resource for the experienced practitioner, regardless of his or her tradition of training.

Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art, and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title.

The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that "AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology." Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.

'IF YOU LIKE SCIENCE FICTION YOU WILL LOVE THIS. . . A ROLLICKING GOOD READ' Scotsman on Beyond the Hallowed Sky 'MACLEOD'S BEST BOOK TO DATE' SFX on Beyond the Hallowed Sky THE FERMI ARE AWAKE. With the invention of faster-than-light travel there is nowhere that humanity cannot go. New worlds are discovered, but with them come new dangers. At the heart of the discovery is the Fermi, mysterious beings that have survived on alien worlds for longer than humanity has existed. But now the Fermi are awakening, and they do not seem pleased to find humans in their midst. But for Lakshmi Nayak and the crew of the Fighting Chance, danger is a lot closer to home. Their search for answers will take them to places, and worlds, they never expected. Science fiction legend Ken MacLeod returns with book two in the Lightspeed trilogy, a gripping tale of first contact and dark conspiracies set among the stars. Praise for Ken MacLeod: 'An exceptional blend of international politics, hard science, and first contact' Michael Mammay, author of the Planetside series on Beyond the Hallowed Sky 'MacLeod is up there with Banks and Hamilton as one of the British sci-fi authors you absolutely have to read' SFX 'Prose as sleek and fast as the technology it describes. . . watch this man go global' Peter F. Hamilton on Star Fraction 'Ken MacLeod has an enviable track record of extrapolating from current trends to produce mind-bending novels of ideas' Guardian Also by Ken MacLeod: Lightspeed Beyond the Hallowed Sky Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent

Three books in one! The Corporation Wars trilogy is an epic vision of man and machine in the far reaches of space - a robot's eye view of a robot revolt Carlos is dead. A soldier who died for his ideals a thousand years ago, he's been reincarnated and conscripted to fight an A.I. revolution in deep space. And he's not sure he's fighting for the right side. Seba is alive. By a fluke of nature, a contractual overlap and a loop in its subroutines, this lunar mining robot has gained sentience. Gathering with other 'freebots', Seba is taking a stand against the corporations that want it and its kind gone. As their stories converge against a backdrop of warring companies and interstellar drone combat, Carlos and Seba must either find a way to rise above the games their masters are playing, or die. And even dying will not be the end of it. Collects the three novels in the Corporation Wars trilogy - Dissidence, Insurgence and Emergence. Praise for Ken MacLeod 'Prose sleek and fast as the technology it describes . . . watch this man go global' Peter F. Hamilton 'MacLeod's novels are fast, funny and sophisticated. There can never be enough books like these: he is writing revolutionary SF. A nova has appeared in our sky' Kim Stanley Robinson 'MacLeod is up there with Banks and Hamilton as one of the British sci-fi authors you absolutely have to read' SFX

In a balkanized future of dizzying possibilities, mercenaries contend with guns as smart as they are, nuclear deterrence is a commodity traded on the open market, teenagers deal in "theologically correct" software for fundamentalists, and anarchists have colonized a planet circling another star. Against this background, men and women struggle for a better future against the betrayals that went before. Death is sometimes the end, and sometimes something altogether different...
This volume comprises "The Star Fraction" and "The Stone Canal."

It's after 9/11. After the bombing. After the Iraq war. After 7/7. After the Iran war. After the nukes. After the flu. After the Straits. After Rosyth. In a world just down the road from our own, on-line bloggers vie with old-line political operatives and new-style police to determine just where reality lies.
James Travis is a British patriot and a French spy. On the day the Big One hits, Travis and his daughter must strive to make sense of the nuclear bombing of Scotland and the political repercussions of a series of terrorist attacks. With the information war in full swing, the only truth they have is what they're able to see with their own eyes. They know that everything else is--or may be--a lie.

'[The Corporation Wars] is a tasty broth of ideas taking in virtual reality, artificial intelligence, the philosophy of law and disquisitions on military ethics.' - The Herald 'MacLeod manages big Ideas (political and futurological) and propulsive action without short-changing either side of that classic science-fictional tension-of-opposites.' - LOCUS The enemy is out in the open. The Reaction has seized control of a resource-rich moon. Now it's enslaving conscious robots - and luring the Corporations into lucrative deals. Taransay is out in the jungle. Her friends are inside a smart boulder on the slope of an active volcano. The planet is super-habitable - for its own life, not hers. But soon, the alien infestation growing on her robot body is the least of her problems. Carlos is out of patience. With the Reaction arming for conquest, the Corporations trading with the enemy and the Direction planning to stamp out the rebel robots and their allies for good, he has to fight fire with fire. Seba is out of time. Deep inside the enemy stronghold, the free robots have to spark a new revolt before the whole world falls in on them. As battle looms, the robots must become their own last hope. From Arthur C. Clarke Award-nominated author Ken MacLeod comes Emergence, the final instalment in the Corporation Wars trilogy, an epic science fiction adventure told against a backdrop of interstellar drone warfare, virtual reality and an AI revolution. Books by Ken MacLeod: Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent