In the second book of this exciting three-part series a single roll of the dice reverses the fortunes of the Pandavas.The peaceful years following the division of the kingdom of Bharata are soon to end because of Duryodhana s jealousy. With his uncle Sakuni he now plots to secure the entire kingdom for the Kauravas, but will his cunning strategy work? Can the Pandavas ever win against the cunning Sakuni?Yudhishtira, the oldest of the Pandava brothers and the architect of their misfortune, is prepared to gamble away his territory, his wealth, his brothers, himself even his wife. What can the Pandavas do now?"Real Reads" are accessible texts designed to support the literacy development of primary and lower secondary age children while introducing them to the riches of our international literary heritage. Each book is a retelling of a work of great literature from one of the world s greatest cultures, fitted into a 64-page book, making classic stories, dramas and histories available to intelligent young readers as a bridge to the full texts, to language students wanting access to other cultures, and to adult readers who are unlikely ever to read the original versions."

The rivalry between the Pandavas and the Kauravas, royal cousins fighting for the throne at Hastinapura, will end in a mighty battle, but what is it that makes such a conflict inevitable?Is it the eldest Kaurava brother s envy of his cousins exceptional military skills? Is it the eldest Pandava s belief that he is the rightful heir to the throne? Or are elements beyond their control deciding the path each will take?In the first of this exciting three-part story, meet the fascinating characters who play such important roles in escalating the tension between the two families."Real Reads" are accessible texts designed to support the literacy development of primary and lower secondary age children while introducing them to the riches of our international literary heritage. Each book is a retelling of a work of great literature from one of the world s greatest cultures, fitted into a 64-page book, making classic stories, dramas and histories available to intelligent young readers as a bridge to the full texts, to language students wanting access to other cultures, and to adult readers who are unlikely ever to read the original versions."

The deadly rivalry between the royal cousins, the Pandavas and the Kauravas, can only end one way - in the mightiest of battles imaginable. The gods watch in dismay as the opponents draw up their forces. Will the mighty warriors Bhishma and Drona survive to see the end? And what of Karna? Where will his loyalties lie - with his true friend Duryodhana, or with his brothers, the Pandavas? Lord Krishna sees what is about to happen, and is so concerned that he comes to earth to counsel the mortals, especially the distraught Arjuna. In the last book of this exciting three-part series, the final battle fought on the field at Kurukshetra decides who will triumph and who will fall.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Drona Parva, the seventh, is the major book of the Kurukshetra war with Drona as commander. The narration is on most of the great warriors who served on respectively to the Kauravas and the Pandavas in the battle. Drona or Dronacharya is portrayed as the royal guru to the Kauravas and the Pandavas. He was skilled in advanced military arts. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Santi Parva, the twelfth, featuring the crowning of Yudhisthira as king of Hastinapura and the instructions of Bhishma for the newly anointed king on society, economics and politics. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Adi Parva, the first, discusses how the Mahabharata came to be narrated by Sauti to the assembled rishis at Naimisharanya after having been recited at the Sarpasatra of Janamejaya by Vaishampayana at Tak a il . It tells the history of the Bharata race traces history of the Bhrigu race. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Sabha Parva, the second, discusses how Maya Danava erects the palace and court at Indraprastha, how life at the court and the eventual exile of the Pandavas. It also gives details of how and why the Krishna, Arujna and Bheem kill Jarasandha, and how Krishna kills Shishupala. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Anusasana Parva, the thirteenth, which starts on the battlefield, where Bhishma is lying on a bed of arrows shot by Arjuna. It follows final instructions from Bhishma to Yudhisthir called Anushashana. Bhishma tells Yudhisthir of nine duties belonging to all 4 orders of society. These duties include; justice, maintenance of dependents, avoidance of quarrel, purity, suppression of anger, forgiveness, begetting children by one's own wife, avoidance of quarrel, and simplicity. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Asramavasika Parva, the fifteenth, in which Hastinapur is ruled by Pandavas with Dhritarashtra as their head. It details the deaths of Dhritarashtra, Gandhari and Kunti in a forest fire, Vidura preceding them and Sanjaya goes to live in the higher Himalayas. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Karna Parva, the eighth, in which the battle continues with Karna as commander. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Mausala Parva, the sixteenth, in which Krishna and Balarama die, the Yadavas are destroyed, the Yadava women mourne their dead husbands and Dwaraka, the city of Krishna, is submerged in the sea. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Anusasana Parva, the fourteenth, also known as the Book of the Horse Sacrifice consists of the narration about the royal ceremony of the Ashvamedha conducted by Yudhisthir. Yudhisthir was filled with joy when he heard from Arjuna about his great deeds upon his return to Kingdom of Hastinapur after his world conquest. All the defeated kings and those who accepted the sovereignty of Yudhisthir over their kingdom presented themselves in the Horse Sacrifice in Hastinapur. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Svargarohana Parva, the eighteenth, narrating the story of renunciation of throne of kingdom of Hastinapur by Yudhisthir and his journey with his wife and brothers throughout the country before final journey to heaven. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Bhishma Parva, the sixth, featuring first part of the great battle of the Kurukshetra War with Bhishma as commander for the Kauravas. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Mahaprasthanika Parva, the seventeenth, narrating the story of the journey of Yudhisthira and his brothers across the country and finally their ascent of the Himalayas where all Pandava except Yudhisthira falls. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Shalya Parva, the ninth, and the last part of the battle with Shalya as commander. It also tells of the pilgrimage of Balarama to the fords of the river Saraswati and the mace fight between Bhima and Duryodhana which ends the war. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Vana Parva, the third, which discusses the twelve-year exile of the Pandavas in the forest. It is one of the longest of the eighteen books in the Mahabharata, and contains in it both the story of Arjuna and the Kirata, and that of Nala and Damayanti. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The "Mahabharata" tells the narrative of the Kurukshetra War and the fates of the Kaurava and the Pandava princes who are part of it. Along with the "Ramayana" it is one of two Sanskrit epics of ancient India. The authorship of the work is generally attributed to Vyasa, who is also a major character in the epic. Intermixed within the descriptions of conflict between the warring factions of this epic are numerous philosophical digressions and discussions of Hinduism. One of the more famous of these digressions is the "Bhagavad-Gita," a battlefield conversation between Pandava prince Arjuna and his guide Lord Krishna on a variety of theological and philosophical issues. Also included within the "Mahabharata" are the story of "Damayanti" and "Rishyasringa," often considered as works in their own right. This sweeping epic, the longest every written in Sanskrit, is widely considered as one of the most important works to ever be authored in any language. This four volume edition collects together the complete epic in a translation by Kisari Mohan Ganguli. Here we have the second volume which includes books four through seven.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Udyoga Parva, the fifth, features the preparathis for war and efforts to bring about peace between the Kurus and the Pandavas. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.