Afterlives of Endor offers an analysis of the way Early Modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

In Joanne Fluke's "Gingerbread Cookie Murder," Hannah Swensen finds her neighbour Ernie Kusak with his head bashed in and sprawled on the floor of his condo next to an upended box of Hannah's Gingerbread Cookies - and discovers a flurry of murder suspects that is as long as her holiday shopping list. Jaine Austen, the heroine of Laura Levine's "The Dangers of Gingerbread Cookies," finds herself enlisted to help with her parents' retirement community's play "The Gingerbread Cookie That Saved Christmas". Playboy Dr. Preston McCay is playing the role of the gingerbread cookie when he "accidentally" falls to his death during the final act. Now Jaine must figure out if one of the doctor's jealous lovers was capable of murder. In "Gingerbread Cookies and Gunshots" by Leslie Meier, when Lucy Stone discovers the body of Rick Juergens, whose five-year-old son Nemo disappeared, she senses foul play. Crumbs from a gingerbread cookie Lucy gave to Nemo are found in the back seat of Rick's car. With the hours quickly ticking till Christmas, Lucy races against the clock to find a killer before he strikes again.

In 1597 anti-theatricalist Stephen Gosson made the curious remark that theatre 'effeminized' the mind. Four years later Phillip Stubbes claimed that male actors who wore women's clothing could literally 'adulterate' male gender and fifty years after this in a tract which may have hastened the closing of the theatres, William Prynne described a man whom women's clothing had literally caused to 'degenerate' into a women. How can we account for such fears of effeminization and what did Renaissance playwrights do with such a legacy? Laura Levine examines the ways in which Shakespeare, Marlowe and Jonson addressed a generation's anxieties about gender and the stage and identifies the way the same 'magical thinking' informed documents we much more readily associate with extreme forms of cultural paranoia: documents dedicated to the extermination of witches.

Afterlives of Endor offers an analysis of the way Early Modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

Freelance writer Jaine Austen has never been able to resist the siren call of an Eskimo Pie, just like she can't resist renewing her romance with Andrew, an old crush. With her bank account hitting new lows, she's also just agreed to write jokes for Dorcas, a stand-up comic who throws her pantyhose into the audience as a punch line. Not only is Dorcas' act a bomb, she is heckled by Vic, a gorgeous fellow comic. Naturally when Vic is murdered with Dorcas' pantyhose and that same Dorcas is standing over his dead body, the police arrest...Dorcas. They figure it's an open-and-shut case, although Jaine figures no killer can be that dumb. But when Jaine sets out to find the real culprit, she is distracted by one dating disaster after another with Andrew - and she may not see the dark side of comedy until she faces the business end of a gun and a cold, deadly grin...

Laura Levine Frader's synthesis of labor history and gender history brings to the fore failures in realizing the French social model of equality for all citizens. Challenging previous scholarship, she argues that the male breadwinner ideal was stronger in France in the interwar years than scholars have typically recognized, and that it had negative consequences for women's claims to the full benefits of citizenship. She describes how ideas about masculinity, femininity, family, and work affected post-World War I reconstruction, policies designed to address France's postwar population deficit, and efforts to redefine citizenship in the 1920s and 1930s. She demonstrates that gender divisions and the male breadwinner ideal were reaffirmed through the policies and practices of labor, management, and government. The social model that France implemented in the 1920s and 1930s incorporated fundamental social inequalities.Frader's analysis moves between the everyday lives of ordinary working women and men and the actions of national policymakers, political parties, and political movements, including feminists, pro-natalists, and trade unionists. In the years following World War I, the many women and an increasing number of immigrant men in the labor force competed for employment and pay. Family policy was used not only to encourage reproduction but also to regulate wages and the size of the workforce. Policies to promote married women's and immigrants' departure from the labor force were more common when jobs were scarce, as they were during the Depression. Frader contends that gender and ethnicity exerted a powerful and unacknowledged influence on French social policy during the Depression era and for decades afterward.

In the first decade of the twentieth century, the sleepy vineyard towns of the Aude department of southern France exploded with strikes and protests. Agricultural workers joined labor unions, the Socialist party established a base among peasant vinegrowers, and the largest peasant uprising of twentieth-century France, the great vinegrowers' revolt of 1907, shook the entire south with massive demonstrations. In this study, Laura Levine Frader explains how left-wing politics and labor radicalism in the Aude emerged from the economic and social transformation of rural society between 1850 and 1914. She describes the formation of an agricultural wage-earning class, and discusses how socialism and a revolutionary syndicalist labor movement together forged working-class identity.
Frader's focus on the making of the rural proletariat takes the study of class formation out of the towns and cities and into the countryside. Frader emphasizes the complexity of social structure and political life in the Aude, describing the interaction of productive relations, the gender division of labor, community solidarities, and class alliances. Her analysis raises questions about the applicability of an urban, industrial model of class formation to rural society. This study will be of interest to French social historians, agricultural historians, and those interested in the relationship between capitalism, class formation, and labor militancy.