In The Christ-Man Chronicles, Cooper-Giles posits a compelling argument for both clergy and politicians, and their social issues, which should manifest and morph into models of progressive change and enlightenment.This book chronicles somewhat the search for bin Laden and Al Qaeda, the "War on Terror," and the incidental attacks on Iraq in March 2003. The narrative also alludes to some reasons why there is much animosity and hatred toward America and some of its allies, especially so-called Israel, in the Muslim world. It affirms the double-standards, dubious, and often racist nature of America's government policies in both domestic and foreign affair: particularly, its arrogant imperialistic attitude in dealing with Third World countries.Nevertheless, Cooper-Giles proclaims that everyone has the conscious potent ability to become Christ-Men in their personal journey here on Earth with the discovery of one's "divine" mission and purpose, and the eventual understanding of being the person that one is meant to be: this knowledge is gained by distinguishing the difference between the illusionists and the creative value-producers around us Everyone should understand that they are made in the image of God, our Creator, as a distinct individual, who has a divine, a unique, and a separate soul-force different than anyone else on this planet...

Located in the area where North Carolina, Virginia and Tennessee meet, Pond Mountain rises to over 4,000 feet. In its valley it holds the Pond Mountain community, a small area in Ashe County, North Carolina. Most of the families that live in the valley have been there for generations, farming the land. Here 31 Pond Mountain residents reflect on their childhoods, families, neighbors, customs and traditions, and the changes that have come to their mountain communities. What emerges is a unique look at a way of life that is rapidly being lost to history.

Go behind the scenes with an insightful look at horror filmsand the directors who create them The Spectacle of Isolation in Horror Films: Dark Parades examines the work of several of the genre's most influential directors and investigates how traditional themes of isolation, alienation, death, and transformation have helped build the foundation of horror cinema. Authors Carl and Diana Royer examine the techniques used by Alfred Hitchcock that place his work squarely in the horror (rather than suspense) genre, discuss avant-garde cinema's contributions to mainstream horror, explore films that use the apartment setting as the cell of horror, and analyze how angels and aliens function as the supernatural Other. A unique resource for film students and film buffs alike, the book also examines Sam Raimi's Evil Dead trilogy and the fusion of science, technology, and quasi-religious themes in David Cronenberg's films. Instead of presenting a general overview of the horror genre or an analysis of a specific sub-genre, actor, or director, The Spectacle of Isolation in Horror Films offers an imaginative look at classic and contemporary horror cinema. The book examines Surrealist films such as Un Chien Andalou and Freaks, the connections among the concepts of voyeurism, paranoia, and alienation in films like Rear Window, Rosemary's Baby, Blue Velvet, and The Blair Witch Project; the use of otherworldly creatures in films such as The Prophecy, Dogma, and The Day The Earth Stood Still; and the films of directors George Romero, John Waters, and Darren Aronofsky, to name just a few. This unique book also includes an extensive A-to-Z filmography and a bibliography of writings on, and about, horror cinema from filmmakers, film critics, and film historians. The Spectacle of Isolation in Horror Films examines: Body Doubles and Severed Handsthe common ancestry of avant-garde art films and exploitation horror B-movies And I Brought You Nightmaresrecurring themes of psychological terror in Alfred Hitchcock's films Horror, Humor, PoetrySam Raimi's transformation of drive-in horror cinema Atheism and 'The Death of Affect'David Cronenberg's obsessions, interests, and cautionary messages in films ranging from Videodrome to Dead Ringers to eXistenZ and much more! The Spectacle of Isolation in Horror Films: Dark Parades is a unique resource of critical analysis for academics working in film and popular culture, film historians, and anyone interested in horror cinema.

Go behind the scenes with an insightful look at horror filmsand the directors who create them The Spectacle of Isolation in Horror Films: Dark Parades examines the work of several of the genre's most influential directors and investigates how traditional themes of isolation, alienation, death, and transformation have helped build the foundation of horror cinema. Authors Carl and Diana Royer examine the techniques used by Alfred Hitchcock that place his work squarely in the horror (rather than suspense) genre, discuss avant-garde cinema's contributions to mainstream horror, explore films that use the apartment setting as the cell of horror, and analyze how angels and aliens function as the supernatural Other. A unique resource for film students and film buffs alike, the book also examines Sam Raimi's Evil Dead trilogy and the fusion of science, technology, and quasi-religious themes in David Cronenberg's films. Instead of presenting a general overview of the horror genre or an analysis of a specific sub-genre, actor, or director, The Spectacle of Isolation in Horror Films offers an imaginative look at classic and contemporary horror cinema. The book examines Surrealist films such as Un Chien Andalou and Freaks, the connections among the concepts of voyeurism, paranoia, and alienation in films like Rear Window, Rosemary's Baby, Blue Velvet, and The Blair Witch Project; the use of otherworldly creatures in films such as The Prophecy, Dogma, and The Day The Earth Stood Still; and the films of directors George Romero, John Waters, and Darren Aronofsky, to name just a few. This unique book also includes an extensive A-to-Z filmography and a bibliography of writings on, and about, horror cinema from filmmakers, film critics, and film historians. The Spectacle of Isolation in Horror Films examines: Body Doubles and Severed Handsthe common ancestry of avant-garde art films and exploitation horror B-movies And I Brought You Nightmaresrecurring themes of psychological terror in Alfred Hitchcock's films Horror, Humor, PoetrySam Raimi's transformation of drive-in horror cinema Atheism and 'The Death of Affect'David Cronenberg's obsessions, interests, and cautionary messages in films ranging from Videodrome to Dead Ringers to eXistenZ and much more! The Spectacle of Isolation in Horror Films: Dark Parades is a unique resource of critical analysis for academics working in film and popular culture, film historians, and anyone interested in horror cinema.

How does rock music impact culture? According to authors B. Lee Cooper and Wayne S. Haney, it is central to the definition of society and has had a great impact on shaping American culture. In Rock Music in American Popular Culture, insightful essays and book reviews explore ways popular culture items can be used to explore American values. This fascinating book is arranged alphabetically for quick and easy reference to specific topics, but the book is equally enjoyable to read straight through.The influence of rock era music is evident throughout the text, demonstrating how various topics in the popular culture field are interconnected. Students in popular culture survey courses and American studies classes will be fascinated by these unique explorations of how family businesses, games, nursery rhymes, rock and roll legends, and other musical ventures shed light on our society and how they have shaped American values over the years.

How does rock music impact culture? According to authors B. Lee Cooper and Wayne S. Haney, it is central to the definition of society and has had a great impact on shaping American culture. In Rock Music in American Popular Culture, insightful essays and book reviews explore ways popular culture items can be used to explore American values. This fascinating book is arranged alphabetically for quick and easy reference to specific topics, but the book is equally enjoyable to read straight through.The influence of rock era music is evident throughout the text, demonstrating how various topics in the popular culture field are interconnected. Students in popular culture survey courses and American studies classes will be fascinated by these unique explorations of how family businesses, games, nursery rhymes, rock and roll legends, and other musical ventures shed light on our society and how they have shaped American values over the years.

B. Lee Cooper offers a kaleidoscopic portrait of contemporary American society as it has been captured and transmitted in the lyrics of more than 3,000 popular recordings. By tracing the permutations of American popular music from the end of the Big Band/Swing Era through the Age of Rock, the author presents a thematically structured analysis of popular music lyrics from 1950 through 1985. Cooper divides his lucid commentaries and lists of songs into fifteen sections, each dealing with a particular social, political, or personal theme. In the brief essays that precede the lengthy discographic sections, the author explores the ways in which popular music has dealt with such issues as religion, death, education, youth culture, transportation, mass media, protest, military activity, women's liberation, and drug use and abuse. An illustrative discography of 45 r.p.m. records follows each section of commentary. An extensive bibliography of books, articles, and special reports appears at the end of the volume, along with a selected discography of album-length recordings which supplements the extensive 45 r.p.m. listings.

Said to be one of the oldest rivers in the world, the New River begins at two locations in Watauga County in northwest North Carolina. From there the North and South Forks meander north through Ashe County until they meet near the Virginia border and continue through a corner of Alleghany County before turning north again into Virginia and West Virginia and on to the Ohio. Settlers came to the fertile bottom lands along the New River during the 18th and 19th centuries and many of their descendants still live there today. In this collection of oral histories, 33 people in Ashe, Alleghany, and Watauga counties--most of whom are in their 70s, 80s, and 90s--share memories of their lives and work on the New River and their hopes for its future. They tell of floods, snows, sickness, the Great Depression, education, religion, quilting, weaving and other crafts, and the fight against a large power company that planned to flood thousands of acres of land. They also recall how the river has been central to their lives in providing food, transportation, and recreation.

Like that Biblical, astronomical star of Bethlehem, The Christmas Carol Reader guides readers on their quest for information about Christmas songs. Studwell gathers a composite picture of the world's most important and famous carols and includes an ample selection of lesser-known Christmas songs. All of the carols are presented in their historical and cultural contexts which adds to readers'understanding and appreciation of the songs.As the only book that covers this elusive topic, The Christmas Carol Reader informs and entertains readers on over 200 songs of all types (sacred and secular), of all periods (Middle Ages through the 20th century), and from a number of countries and cultures. Because many of the songs in The Christmas Carol Reader fit into more than one distinct category, Studwell wisely divides the songs into two major groups--those that reflect Christmas as a Holy Day and those that celebrate Christmas as a Holiday. Here is just a sample of the breadth of coverage of songs: Sacred: From Heaven Above to Earth I Come; O Come, O Come Emmanuel; Angels From the Realms of Glory; As With Gladness Men of Old; O Holy Night (Cantique de Noel); Thou Didst Leave Thy Throne Secular: Happy Holiday; A Holly Jolly Christmas; God Rest You Merry, Gentlemen; Silver Bells; Here Comes Santa Claus; I'll Be Home for Christmas Medieval: Puer Natus in Bethlehem (A Boy Is Born in Bethlehem); Coventry Carol; I Sing of a Maiden; La marche des rois (The March of the Kings); In Dulci Jubilo 1500--1700's: Bring a Torch, Jeanette, Isabella; I Saw Three Ships; Carol of the Bagpipers 1800's: Adeste Fideles (O Come All Ye Faithful); O Little Town of Bethlehem; What Child Is This?; It Came Upon a Midnight Clear; Stille Nacht, Heiliege Nacht (Silent Night) Spirituals: Go Tell It on the Mountain; I Wonder as I Wander; Mary Had a Baby; Rise Up, Shepherd, and Follow Little Known: O Bethlehem!; The Sleep of the Infant Jesus; Song of the Nuns of Chester Countries and Cultures: O Tannenbaum; Lulajze Jezuniu (Polish Lullaby); Fum, Fum, Fum; Carol of the Bells; Patapan; El rorro (The Babe) As readers learn about the history and nature of the Christmas carol in general and the specific history of individual religious and secular carols, they will learn some history and nature of the holiday season which can bring more enjoyment into their celebrations for years to come.On long winter nights, The Christmas Carol Reader can be read continuously as a series of fact-based commentaries on Christmas music. For shorter periods in between holiday activities, readers can peruse one of the topical sections or select, with the aid of the title index, an individual essay of interest. As a library reference, this book can provide facts for research on Christmas songs or just provide an entertaining education for curious library patrons.

Encounter the trailblazers whose recordings expanded the boundaries of technology and brought "popular" music into America's living rooms!Popular American Recording Pioneers: 1895--1925 (winner of the 2001 Association for Recorded Sound Collections Award of Excellence in Historical Recorded Sound Research) covers the lives and careers of over one hundred musical artists who were especially important to the recording industry in its early years. Here are the men and women who brought into American homes the hits of the day--Tin Pan Alley numbers, Broadway show tunes, ragtime, parlor ballads, early jazz, and dance music of all kinds.Popular American Recording Pioneers: 1895--1925 compiles rare information that was scattered in hundreds of record catalogs, hobbyist magazines, newspaper clippings, phonograph trade journals, and other sources. Look no further! This volume is the ultimate resource on the subject!You will increase your knowledge in these areas: the recording industry's formative years artists'personalities and musical styles popular music history history of recording technologyPopular American Recording Pioneers: 1895--1925 provides a unique "who's who" approach to popular music history. It is the definitive work on the music that was popular during America's coming of age. No music historian should be without this volume.

Encounter the trailblazers whose recordings expanded the boundaries of technology and brought "popular" music into America's living rooms!Popular American Recording Pioneers: 1895--1925 (winner of the 2001 Association for Recorded Sound Collections Award of Excellence in Historical Recorded Sound Research) covers the lives and careers of over one hundred musical artists who were especially important to the recording industry in its early years. Here are the men and women who brought into American homes the hits of the day--Tin Pan Alley numbers, Broadway show tunes, ragtime, parlor ballads, early jazz, and dance music of all kinds.Popular American Recording Pioneers: 1895--1925 compiles rare information that was scattered in hundreds of record catalogs, hobbyist magazines, newspaper clippings, phonograph trade journals, and other sources. Look no further! This volume is the ultimate resource on the subject!You will increase your knowledge in these areas: the recording industry's formative years artists'personalities and musical styles popular music history history of recording technologyPopular American Recording Pioneers: 1895--1925 provides a unique "who's who" approach to popular music history. It is the definitive work on the music that was popular during America's coming of age. No music historian should be without this volume.

Rock Music in American Popular Culture III: More Rock 'n'Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock 'n'roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--"Only the Good Die Young" by Billy Joel and "Night Moves" by Bob Seger and The Silver Bullet Band holiday songs--"Rockin'Around the Christmas Tree" by Brenda Lee and "The Christmas Song" by Nat King Cole death--"Leader of the Pack" by The Shangri-Las and "The Unknown Soldier" by The Doors foolish behavior--"When a Man Loves a Woman" by Percy Sledge and "What Kind of Fool" by Barbra Streisand and Barry Gibb jobs and the workplace--"Don't Stand So Close to Me" by The Police and "Dirty Laundry" by Don Henley military involvements--"Boogie Woogie Bugle Boy" by the Andrews Sisters and "War" by Edwin Starr novelty recordings--"The Purple People Eater" by Sheb Wooley and "Eat It" by Weird Al Yankovic letters and postal images--"P. S. I Love You" by The Beatles and "Return to Sender" by Elvis PreselyIn addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.

From "Who Put the Bomp (in the Bomp, Bomp, Bomp)?" to a list of all song titles containing the word "werewolf," Rock Music in American Popular Culture II: More Rock 'n'Roll Resources continues where 1995's Volume I left off. Using references and illustrations drawn from contemporary lyrics and supported by historical and sociological research on popular cultural subjects, this collection of insightful essays and reviews assesses the involvement of musical imagery in personal issues, in social and political matters, and in key socialization activities. From marriage and sex to public schools and youth culture, readers discover how popular culture can be used to explore American values. As Authors B. Lee Cooper and Wayne S. Haney prove that integrated popular culture is the product of commercial interaction with public interest and values rather than a random phenomena, they entertainingly and knowledgeably cover such topics as: answer songs--interchanges involving social events and lyrical commentaries as explored in response recordings horror films--translations and transformations of literary images and motion picture figures into popular song characters and tales public schools--images of formal educational practices and informal learning processes in popular song lyrics sex--suggestive tales and censorship challenges within the popular music realm war--examinations of persistent military and home front themes featured in wartime recordingsRock Music in American Popular Culture II: More Rock 'n'Roll Resources is nontechnical, written in a clear and concise fashion, and explores each topic thoroughly, with ample discographic and bibliographic resources provided for additional research. Arranged alphabetically for quick and easy reference to specific topics, the book is equally enjoyable to read straight through. Rock music fans, teachers, popular culture professors, music instructors, public librarians, sound recording archivists, sociologists, social critics, and journalists can all learn something, as the book shows them the cross-pollination of music and social life in the United States.

Like that Biblical, astronomical star of Bethlehem, The Christmas Carol Reader guides readers on their quest for information about Christmas songs. Studwell gathers a composite picture of the world's most important and famous carols and includes an ample selection of lesser-known Christmas songs. All of the carols are presented in their historical and cultural contexts which adds to readers'understanding and appreciation of the songs.As the only book that covers this elusive topic, The Christmas Carol Reader informs and entertains readers on over 200 songs of all types (sacred and secular), of all periods (Middle Ages through the 20th century), and from a number of countries and cultures. Because many of the songs in The Christmas Carol Reader fit into more than one distinct category, Studwell wisely divides the songs into two major groups--those that reflect Christmas as a Holy Day and those that celebrate Christmas as a Holiday. Here is just a sample of the breadth of coverage of songs: Sacred: From Heaven Above to Earth I Come; O Come, O Come Emmanuel; Angels From the Realms of Glory; As With Gladness Men of Old; O Holy Night (Cantique de Noel); Thou Didst Leave Thy Throne Secular: Happy Holiday; A Holly Jolly Christmas; God Rest You Merry, Gentlemen; Silver Bells; Here Comes Santa Claus; I'll Be Home for Christmas Medieval: Puer Natus in Bethlehem (A Boy Is Born in Bethlehem); Coventry Carol; I Sing of a Maiden; La marche des rois (The March of the Kings); In Dulci Jubilo 1500--1700's: Bring a Torch, Jeanette, Isabella; I Saw Three Ships; Carol of the Bagpipers 1800's: Adeste Fideles (O Come All Ye Faithful); O Little Town of Bethlehem; What Child Is This?; It Came Upon a Midnight Clear; Stille Nacht, Heiliege Nacht (Silent Night) Spirituals: Go Tell It on the Mountain; I Wonder as I Wander; Mary Had a Baby; Rise Up, Shepherd, and Follow Little Known: O Bethlehem!; The Sleep of the Infant Jesus; Song of the Nuns of Chester Countries and Cultures: O Tannenbaum; Lulajze Jezuniu (Polish Lullaby); Fum, Fum, Fum; Carol of the Bells; Patapan; El rorro (The Babe) As readers learn about the history and nature of the Christmas carol in general and the specific history of individual religious and secular carols, they will learn some history and nature of the holiday season which can bring more enjoyment into their celebrations for years to come.On long winter nights, The Christmas Carol Reader can be read continuously as a series of fact-based commentaries on Christmas music. For shorter periods in between holiday activities, readers can peruse one of the topical sections or select, with the aid of the title index, an individual essay of interest. As a library reference, this book can provide facts for research on Christmas songs or just provide an entertaining education for curious library patrons.

A simple introduction to Chinese writing, pronunciation and intonation using short stories. Appropriate for beginner Chinese students of all ages. Reading basic Chinese becomes simplified in this highly attractive and unique manual designed for readers of all ages. Chinese writing, pronunciation, and vocabulary are described here in an entertaining and interesting manner to help beginners learn Chinese quickly. The author starts with simple characters and then combines these to make sentences and stories. This step-by-step process allows the reader to develop a basic knowledge of the complex Mandarin Chinese language with maximum comprehension. A section dealing with pronunciation and intonation and a vocabulary list of the characters used in the book are included as an aid for the reader. Beautiful, imaginative Chinese characters, hand painted by a professional calligrapher and amusing illustrations by the author supplement the text and make learning to read Chinese fun along with fancy.

Observing European debates about EuroDisney, McDonald's, Hollywood films and television programs, and other vehicles of alleged 'Americanization, ' one might imagine that Europe was in serious risk of losing its distinct cultural identity in the melting pot of American pop culture. The loaded charge of 'kitsch' is a central aspect of the debate, with Disney stories, for example, branded as simplified travesties of authentic European folk tales. But the relationship between European and American popular cultures is vastly more complex. Reciprocal and interactive, it is a relationship in which the European-American partnership (for example, in cinematic ventures) has become quite common. And again, artifacts which have a certain meaning and reception in America may have a completely different meaning and reception in Europe; in effect behaving as different artifacts altogether. And finally, as this book shows, American cultural influences have penetrated not only the popular realms of European television, fashions, fast food, and rock music, but also such domains as youth organizations, literature, UFO culture, and religious faith

Family man Joe, thirty two year old, loses the only job he's known since school at a paper mill that supports him, his wife and two kids. Spiralling into debt as continuous job opportunities slip through his hands, he turns to the only thing he knows: boxing. Conned into a brutal, raw fight after a chance meeting with old training pal Tim, he scurries to the Tillydrone boxing gym...and the first pull downwards on an unknown path. Tricked into the ring by his best friend's lies, he loves the rush of victory that he gets, and wants more. And proves he was made for the underground fight game in his first unlicensed bout outside Dundee. Memories of his estranged father haunt him from his troubled child hood, growing up in Tilly. Davie Rhoads a man dragged up in the ruthless streets of seventies Glasgow, a notorious street-fighter, outcast by his unforgiving father, and ran out the city by The Godfather, a vicious, inhuman gangster. Joe keeps struggling to earn an honest living and failing, his family taking second place, while at the same time, his addiction for notoriety, like his father, overwhelms him. Joe's demons simmer close to the surface. His father battering his mother; her taking her own life; Joe's endless torment. So, he vows not only to find his father...but to kill him. Making criminal contacts in the unlicensed boxing world, Joe befriends gangster Mr Dean. He embroils Joe in his dealings, while Mr Deans demands Joe becomes his enforcer. Outcast by his family, Joe takes residence in his father's old local, The Fountain Bar. Making friends with the landlady and convict Micky turn Joe into a drug and alcohol addict. And gradually, he's turning into his evil old man. Riddled with substance-abuse and inner demons, Joe unleashes on his new girlfriend, becoming increasingly insecure and paranoid. Monster Reaper has a fearsome reputation, the toughest bare-knuckle-fighter in the country, a killer with no sympathy for opponents, haunted by his own past. All he understands is savagery. And Joe knows that the path to his father lies in defeating Reaper, the resultant notoriety leading him deep enough into the murky world where his father lives. Now, money and his family take no interest, Joe's urgent need to de-throne The Reaper consuming him. The entire underworld community gathers to watch a fight that will never be forgotten. But, will the legendary, blood-soaked scrap end with the answers Joe needs??

In "The Christ-Man Chronicles, "Cooper-Giles" "posits a compelling argument for both clergy and politicians, and their social issues, which should manifest and morph into models of progressive change and enlightenment. This book chronicles somewhat the search for bin Laden and Al Qaeda, the "War on Terror," and the incidental attacks on Iraq in March 2003. The narrative also alludes to some reasons why there is much animosity and hatred toward America and some of its allies, especially so-called Israel, in the Muslim world. It affirms the double-standards, dubious, and often racist nature of America's government policies in both domestic and foreign affair: particularly, its arrogant imperialistic attitude in dealing with Third World countries. Nevertheless, Cooper-Giles proclaims that everyone has the conscious potent ability to become Christ-Men in their personal journey here on Earth with the discovery of one's "divine" mission and purpose, and the eventual understanding of being the person that one is meant to be: this knowledge is gained by distinguishing the difference between the "illusionists "and the "creative value-producers "around us Everyone should understand that they are made in the image of God, our Creator, as a distinct individual, who has a divine, a unique, and a separate soul-force different than anyone else on this planet...

FAITH AND COURAGE OF LOU BERTHA FLANAGAN

RAISED IN THE RED CLAY HILLS OF NORTHEAST MISSISSIPPI

A WOMAN PROPHET OF GOD, CALLED TO MINISTER, FROM A YOUNG CHILD.
PROPHECY THAT WHISKEY WON'T HELP YOU, REPENT
PROPHECY YOU'RE UNDER GOD'S CHASTISEMENT HE'S NOT HERE FOR LONG IF YOU DON'T TAKE THAT BOY TO A DOCTOR, HE'LL BE DEAD IN THE MORNING PROPHECY GET RIGHT WITH GOD; YOU'LL DIE IN AN AUTOMOBILE ACCIDENT

HEART SPECIALIST, DOCTORS, SAYS TO HER, "YOU HAVE AN ASD," HOW BIG "THE SIZE OF A HALF OF A DOLLAR, AND WE CAN'T FIX IT," WAS SHE SHOCKED NOT THE LEAST BY FAITH IN JESUS, SHE SAYS, "THERE'S NOTHING MY GOD CAN'T TAKE CARE OF," HER FAMILY WANTS TO KNOW, HOW LONG CAN SHE LIVE WITH THIS A DAY, A WEEK, OR A YEAR, BECAUSE EVERYDAY SHE HAS BEEN LIVING, IS A MIRACLE

NO, WE DON'T WANT HER HEART SHOCKED SHE COULD DIE
THE BATTLE RAGES ON, SHE HAS ASSURANCE IN GOD, AND PUTS HER COMPLETE TRUST IN HIM. WHILE, SOME OF HER FAMILY'S URGES HER, TOO OFTEN, TO SEEK MEDICAL ATTENTION, BUT BY THE POWER OF THE ALMIGHTY, SHE HELD ONTO HER FAITH AND TO HER GOD -------- JESUS CHRIST....................... A-men.