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Sieges were a popular subject in medieval romances. Tales of the
Crusades featured champions of Christianity capturing towns in the
Holy Land or mounting heroic defences. The fall of a great city
such as Troy, Thebes, or Jerusalem provided opportunities for the
recreation of ancient chivalry and for reflections on historical
change. Images of the siege in romances also point to other forms,
such as drama and love allegory, where it represents the trial of
the soul or the pursuit of the beloved. This book is the first
full-length study of an important theme in medieval literature.
Close reading of selected Middle English shows how writers used
descriptions of sieges to explore such subjects as military
strategy, heroism, chivalry, and attitudes to the past. This study
also draws on a wide range of writings in several languages, to set
the romances in a broad context. When they are seen against a
background of military manuals, patristic commentary, pageantry,
and love poetry, the sieges of romance take on deeper resonances of
meaning and reflect the vitality of the theme in medieval culture
as a whole.
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