Over and over again we get told stories by our parents and grandparents, and sometimes, if these stories are treated seriously and checked, that is all they turn out to be - stories, unsubstantiated and often downright contradicted by the actual evidence in records. But sometimes beneath the stories lurks the history of more than an ordinary person. Sometimes, their story is the story of thousands ....' Margaret Forster's grandmother, Margaret Ann, died in 1936, taking many secrets to her grave. Not least was how and where she had spent the first twenty-three years of her life, which remained shrouded in mystery. What had happened then that connected her with the elegant woman in black who had paid her a mysterious and upsetting visit shortly before her death? After the funeral, there was a knock on the door. Outside stood an unknown woman claiming to be her daughter, inquiring whether anything had been left to her in the will.

These stories surrounding Margaret Forster's grandmother attained the status of family myth and in HIDDEN LIVES she looks at where the truth might lie. Why was this daughter never mentioned? How had she lived so long around the corner without acknowledgement? And why? The search for answers took Margaret on a journey into her family's past. She not only examines her grandmother's life but also the lives of her mother, Lilian, and of herself, three generations of women born and brought up in Carlisle but with radically differing circumstances and opportunities.

Margaret Ann was a domestic servant before she married a butcher and settled down to have a family. Their eldest daughter, Lily, was a bright child able to go to the Higher Grade School and get a good job as a clerk but when she married she was obliged to relinquish her career and settle down to family life. When her daughter Margaret's time came, she was able to take advantage of the changing times, to go to High School, to Oxford University and to move away from Carlisle to establish her writing career and family in the south. Three different women, three very different lives.

An enthralling piece of detective work, HIDDEN LIVES is evidence of how ordinary women lead extraordinary lives. A personal document, it also acts as a rich and fascinating commentary on how women's lives have changed over the last century.

'Compelling...taut and suspenseful' Guardian Tara Fraser has a secret. Desperate to escape herself and her past, she changes her name, packs up her London home and moves to a town in the North of England where she knows no one. But one of her new neighbours, Nancy, is intrigued by her. And as hard as Tara tries to distance herself, she starts to drop her guard. Then a letter arrives. An old friend wants to meet up. Struggling to keep her old life at bay, Tara soon discovers the dangers of fighting the past.

'I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.' So begins Margaret Forster's journey through the houses she's lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.

This biography of Elizabeth Barrett Browning, written with reference to Browning correspondence only recently available, argues that the poet was a strong and determined woman largely responsible for her own incarceration in Wimpole Street. The author traces her life from her early childhood and adolescence and explores her marriage. She draws a picture of early Victorian family life and aims to show that Elizabeth was a considerable and dedicated poet, self-willed, witty and courageous. Forster has also edited the companion volume "Selected Poems" of Elizabeth Barrett Browning, and is author of several other biographies.

Gwen, a bold and spirited young English artist, defies convention and sets out to study in Paris, where she has a tumultuous affair with the inspiring, controlling sculptor Rodin. But as the relationship cools, Gwen feels lonely and adrift as she awaits the ever more infrequent visits from her lover. Attempting to restore her artistic vision and recapture her true self, Gwen pours out her soul onto a canvas, creating an intimate painting of a quiet corner of her attic room.
Lost, found, stolen, sold, and fought over, the painting enchants all who possess it. First it falls into the hands of Charlotte, a dreamy intellectual with artistic leanings-though little talent. In turn the work finds its way to the lovely, bright Stella; the destitute but willful Lucasta; self-sufficient Ailsa; and, finally, young, curious Gillian. All of whom long for a tranquil golden place such as the one depicted in the painting, a haven where they can "keep the world away."
Praise for "Keeping the World Away: "
"Evocative . . . an apparently simple yet potent work of art."
"-The New York Times Book Review"
"Highly recommended . . . One small painting, a still life of a corner of an attic room, is the thread that ties this moving novel together."
"-Library Journal "(starred review)
"It is the painting's power to evoke tranquility that Forster so effectively celebrates."
"-Richmond Times-Dispatch"
"Haunting . . . revealing . . . exquisitely drawn."
"-The Washington Post Book World"
"An intimate, subtly crafted, satisfying read."
"-Kirkus Reviews"

"Fascinating . . . The reader is treated to a revealing account of the passionate romance between Elizabeth Barrett and Robert Browning through the eyes of an intimate observer."
-Booklist
Young and timid but full of sturdy good sense and awakening sophistication, Lily Wilson arrives in London in 1844, becoming a lady's maid to the fragile, housebound Elizabeth Barrett. Lily is quickly drawn to her mistress's gaiety and sharp intelligence, the power of her poetry, and her deep emotional need. It is a strange intimacy that will last sixteen years.
It is Lily who smuggles Miss Barrett out of the gloomy Wimpole Street house, witnesses her secret wedding to Robert Browning in an empty church, and flees with them to threadbare lodgings and the heat, light, and colors of Italy. As housekeeper, nursemaid, companion, and confidante, Lily is with Elizabeth in every crisis-birth, bereavement, travel, literary triumph. As her devotion turns almost to obsession, Lily forgets her own fleeting loneliness. But when Lily's own affairs take a dramatic turn, she comes to expect the loyalty from Elizabeth that she herself has always given.

Sir Gerald du Maurier was the most celebrated actor-manager of his day, knighted for his services to the theatre in 1922. Published within six months of her father's death, this frank biography was considered shocking by many of his admirers - but it was a huge success, winning Daphne du Maurier critical acclaim and launching her career. In Gerald: A Portrait, Daphne du Maurier captures the spirit and charm of the charismatic actor who played the original Captain Hook, amusingly recalling his eccentricities and his sense of humour, and sensitively portraying the darker side of his nature and his bouts of depression.

London 1844, and a shy young woman has arrived to take up a new position in the grandeur of No. 50, Wimpole Street. Subtly and compellingly, Lady's Maid gives voice to Elizabeth Wilson's untold story, her complex relationship with her mistress, Elizabeth Barrett, and her dramatic role in the most famous elopement in history.

A biography of the novelist Daphne du Maurier which looks behind the relaxed and charming facade to expose the workings of a complex and emotional character. The book won the Macallan/Writers' Guild 1993 Non-fiction Award.

Lost, found, stolen, strayed, sold, fought over... This engrossing, beautifully crafted novel follows the fictional adventures, over a hundred years, of an early 20th-century painting and the women whose lives it touches. It opens with bold, passionate Gwen, struggling to be an artist, leaving for Paris where she becomes Rodin's lover and paints a small, intimate picture of a quiet corner of her attic room. Then there's Charlotte, a dreamy intellectual Edwardian girl, and Stella, Lucasta, Ailsa and finally young Gillian, who share an unspoken desire to have for themselves a tranquil golden place like that in the painting. Quintessential Forster, this is a novel about women's lives, about what it means and what it costs to be both a woman and an artist, and an unusual, compelling look at a beautiful painting and its imagined afterlife.

Margaret Forster presents the 'edited' diary of a woman, born in 1901, whose life spans the twentieth century. On the eve of the Great War, Millicent King begins to keep her journal and vividly records the dramas of everyday life in a family touched by war, tragedy, and money troubles. From bohemian London to Rome in the 1920s her story moves on to social work and the build-up to another war, in which she drives ambulances through the bombed streets of London. Here is twentieth-century woman in close-up coping with the tragedies and upheavals of women's lives from WWI to Greenham Common and beyond. A triumph of resolution and evocation, this is a beautifully observed story of an ordinary woman's life - a narrative where every word rings true.

Georgy is young, gregarious and fun - she is also large, self-confessedly ugly and desperate for love. Georgy bears her fate bravely as she alternates between playing the fool and humbling herself before Meredith, her pretty, callous flatmate, although when James, middle-aged socialite and self-imposed 'Uncle', asks Georgy to become his mistress, she is tempted to accept. Then Meredith announces that she is pregnant and Jos, the expectant father, decides he is in love with Georgy...

Once tough, witty and self-reliant, Grandma is now increasingly unable to look after herself. She has always put her menfolk first, always been the carer, but now her family must care for her. They are filled with love and good intention. But as Grandma gradually loses herself and the strain within the family soon begins to show, is love enough?

Born in Carlisle in 1887, brought up in a children's home and by reluctant relatives, Evie, with her wild hair and unassuming ways, seems a quiet, undemanding child. Shona, born almost seventy years later, is headstrong and striking. She grows up in comfort and security in Scotland, the only child of doting parents. But there are, as she discovers, unanswered questions about her past. The two girls have only one thing in common: both were abandoned as babies by their mothers. Different times, different circumstances, but these two girls grow up sharing the same obsession. Each sets out to stalk and then haunt her natural mother. Both mothers dread disclosure; both daughters seek emotional compensation and, ultimately, revenge.