The first of the nine volume Cambridge History of Christianity series, Origins to Constantine provides a comprehensive overview of the essential events, persons, places and issues involved in the emergence of the Christian religion in the Mediterranean world in the first three centuries. Over thirty essays written by scholarly experts trace this dynamic history from the time of Jesus through to the rise of Imperial Christianity in the fourth century. It provides thoughtful and well-documented analyses of the diverse forms of Christian community, identity and practice that arose within decades of Jesus's death, and which through missionary efforts were soon implanted throughout the Roman Empire. Origins to Constantine examines the distinctive characteristics of Christian groups in each geographical region up to the end of the third century, while also exploring the development of the institutional forms, intellectual practices and theological formulations that would mark Christian history in subsequent centuries.

In a series of exchanges with the Corinthians in the mid-50s AD, Paul continually sought to define the meaning of his message, his body and his letters, at times insisting upon a literal understanding, at others urging the reader to move beyond the words to a deeper sense within. Proposing a fresh approach to early Christian exegesis, Margaret M. Mitchell shows how in the Corinthian letters Paul was fashioning the very principles that later authors would use to interpret all scripture. Originally delivered as The Speaker's Lectures in Biblical Studies at Oxford University, this volume recreates the dynamism of the Pauline letters in their immediate historical context and beyond it in their later use by patristic exegetes. An engagingly written, insightful demonstration of the hermeneutical impact of Paul's Corinthian correspondence on early Christian exegetes, it also illustrates a new way to think about the history of reception of biblical texts.

In a series of exchanges with the Corinthians in the mid-50s AD, Paul continually sought to define the meaning of his message, his body and his letters, at times insisting upon a literal understanding, at others urging the reader to move beyond the words to a deeper sense within. Proposing a fresh approach to early Christian exegesis, Margaret M. Mitchell shows how in the Corinthian letters Paul was fashioning the very principles that later authors would use to interpret all scripture. Originally delivered as The Speaker's Lectures in Biblical Studies at Oxford University, this volume recreates the dynamism of the Pauline letters in their immediate historical context and beyond it in their later use by patristic exegetes. An engagingly written, insightful demonstration of the hermeneutical impact of Paul's Corinthian correspondence on early Christian exegetes, it also illustrates a new way to think about the history of reception of biblical texts.

The story of Saul and the woman at Endor in 1 Samuel 28 (LXX 1 Kingdoms 28) lay at the center of energetic disputes among early Christian authors about the nature and fate of the soul, the source of prophetic gifts, and biblical truth. In addition to providing the original texts and fresh translations of works by Origen, Eustathius of Antioch (not previously translated into English), and six other authors, Greer and Mitchell offer an insightful introduction to and detailed analysis of the rhetorical cast and theological stakes involved in early church debates on this notoriously difficult passage.

Arguing that all Pauline interpretation depends significantly on the ways in which readers formulate their own images of the apostle, Margaret M. Mitchell posits that John Chrysostom, the most prolific interpreter of the Pauline epistles in the early church, exemplifies this phenomenon. Mitchell brings together Chrysostom's copious portraits of Paul--of his body, his soul, and his life circumstances--and for the first time analyzes them as complex rhetorical compositions built on well-known conventions of Greco-Roman rhetoric. Two appendices offer a fresh translation of Chrysostom's seven homilies "de laudibus sancti Pauli" and a catalogue of color plates of artistic representations that graphically represent the author/exegete dynamic this study explores.

This work casts new light on the genre, function, and composition of Paul's first letter to the Corinthians. Margaret Mitchell thoroughly documents her argument that First Corinthians was a single letter, not a combination of fragments, whose aim was to persuade the Corinthian Christian community to become unified.