Born out of two years of presentations in the Biblical Hebrew Poetry Section at SBL, this volume discusses 'voice'. This volume is born out of two years of academic presentations on laments in the Biblical Hebrew Poetry Section at the Society of Biblical Literature (2006-2007). The topics of these papers are gathered around the theme of 'voice'. The two parts to this volume: provide fresh readings of familiar texts as they are read through the lens of lamentation, and deepen our understanding of Israel and God as lamenter and lamentee. In the second section the focus on topics such as Israel's 'unbelieving faith' (i.e., strong accusations against the God on whom they have complete reliance and trust), the unrighteous lamenter, and God's acceptance and rejection of the people's lament(s), deepens our understanding of Israel's culture and practice of lamentation. The final essay notes how the expression of despair is in tension with the poetic devices that contain it. Over the last 30 years, this pioneering series has established an unrivaled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

It is generally agreed within Hebrew Bible scholarship that Zechariah 9-14 is filled with allusions to other books within the Hebrew canon. Rex Mason's doctoral dissertation in the early 1970s contributed significantly to the foundation of this consensus. However, although Mason's thesis remains a seminal work for those studying Deutero-Zechariah, it has never been published. This volume contains a publication of that work together with reflections from leading biblical scholars who have published on Zechariah 9-14. The volume is rounded off with a response by Mason to these scholars and a reflection on his own contribution. In some ways this project is a replication of the social process that gave rise to Zechariah 9-14, as the multiple authors bring out of this treasure that which is new and that which is old.

Hebrew tradition presents Haggai and Zechariah as prophetic figures arising in the wake of the Babylonian exile with an agenda of restoration for the early Persian period community in Yehud. This agenda, however, was not original to these prophets, but rather drawn from the earlier traditions of Israel. In recent years there has been a flurry of scholarly attention on the relationship between these Persian period prophets and the earlier traditions with a view to the ways in which these prophets draw on earlier tradition in innovative ways. It is time to take stock of these many contributions and provide a venue for dialogue and evaluation.

Until the late 1960s the scholarly consensus was that Chronicles-Ezra-Nehemiah was a single, unified literary work. Then arguments began to be mounted for treating Chronicles as a distinct composition, and the majority of scholars were swayed by these arguments, though others retained the older consensus view. In recent years, some scholars have begun to suggest that Ezra and Nehemiah are distinct literary entities. This new debate is the occasion for the present volume. Here scholars from around the globe (Canada, Finland, Germany, Guatemala, Israel, Korea, the Netherlands, United Kingdom, United States) showcase current scholarly explanations for the final shape of this literary complex known as Ezra-Nehemiah. Fourteen scholars present their approach to the unity or disunity of this literature employing research methodologies that range from the diachronic to the synchronic. Critical responses to this emerging research are provided by three reviewers (Joseph Blenkinsopp, Tamara Eskenazi and Hugh Williamson) whose work laid the foundation in earlier decades for much of the discussion today. The result is a rich conversation which provides an enlightening resource for the study of these biblical books in particular as well as for reflection on the impact of one's interpretive framework on the study of ancient literature in general.

The series Beihefte zur Zeitschrift fur die alttestamentliche Wissenschaft (BZAW) covers all areas of research into the Old Testament, focusing on the Hebrew Bible, its early and later forms in Ancient Judaism, as well as its branching into many neighboring cultures of the Ancient Near East and the Greco-Roman world.

A comprehensive examination of the links between wisdom literature and prophecy. The book is divided into four sections. The first addresses methodological concerns such as identifying "wisdom," identifying potential sociological spheres for wisdom and prophecy in the ancient Near East, and recognizing potential textual relationships. The second examines the role of wisdom in the prophetic corpus more broadly in a book-by-book analysis of biblical texts, first examining the role of wisdom in the prophetic corpus of the Hebrew Bible. The third section looks at elements of prophecy within the traditional wisdom books such as Job, Proverbs and Qoheleth. Finally, the book continues the conversation by providing two concluding chapters that evaluate, critique, engage, and raise new questions that Hebrew Bible scholars will need to wrestle with as the search for the relationship between wisdom and prophecy moves forward.

Return to me, says the LORD of hosts, and I will return to you ...' (Zech. 1:3 ESV). Repentance concerns the repair of a relationship with God disrupted by human sin. All the major phases of church history have seen diversity and controversy over the doctrine. The first of Luther's famous ninety-five theses nailed to the church door in Wittenburg in 1517 stated that 'the entire life of believers should be one of repentance'. In recent times, two divisive debates within evangelicalism - over 'lordship salvation' and 'hypergrace' - have had repentance at their core. The theme of repentance is evident in almost every Old and New Testament corpus. However, it has received little sustained attention over the past half-century of scholarship, which has been largely restricted to word studies or focused on a particular text or genre. Studies of the overall theology of the Bible have typically given the theme only passing mention. In response, Mark Boda offers a comprehensive overview of the theological witness of Scripture to the theme of repentance. The key to understanding is not simply to be found in word studies, but also in the broader meaning of texts as these communicate through a variety of words, images and stories. The importance of repentance in redemptive history is emphasized. It is fundamentally a return to intimate fellowship with the triune God, our Creator and Redeemer. This relational return arises from the human heart and impacts attitudes, words and actions.

The writings of the prophets make up over a quarter of the Old Testament. But perhaps no other portion of the Old Testament is more misunderstood by readers today. For some, prophecy conjures up knotted enigmas, opaque oracles and terrifying visions of the future. For others it raises expectations of a plotted-out future to be reconstructed from disparate texts. And yet the prophets have imprinted the language of faith and imagination with some of its most sublime visions of the future - nations streaming to Zion, a lion lying with a lamb, and endlessly fruiting trees on the banks of a flowing river. We might view the prophets as stage directors for Israel's unfolding drama of redemption. Drawing inspiration from past acts in that drama and invoking fresh words from its divine author, these prophets speak a language of sinewed poetry, their words and images arresting the ear and detonating in the mind. For when Yahweh roars from Zion and thunders from Jerusalem, the pastures of the shepherds dry up, the crest of Carmel withers, and the prophetic word buffets those selling the needy for a pair of sandals. The Dictionary of the Old Testament: Prophets is the only reference book of its kind. Not only does it focus exclusively on the prophetic books; it also plumbs their imagery of mountains and wilderness, flora and fauna, temple and Zion. It maps and guides us through topics such as covenant and law, exile and deliverance, forgiveness and repentance, and the Day of the Lord. Here the nature of prophecy is searched out in its social, historical, literary and psychological dimensions as well as its synchronic spread of textual links and associations. And the formation of the prophetic books into their canonical collection, including the Book of the Twelve, is explored and weighed for its significance. Then too, contemporary approaches such as canonical criticism, conversation analysis, editorial/redaction criticism, feminist interpretation, literary approaches and rhetorical criticism are summed up and assayed. Even the afterlife of these great texts is explored in articles on the history of interpretation as well as on their impact in the New Testament.

This volume explores the theological heartbeat of the Old Testament by examining three big ideas that communicate the Old Testament's redemptive theology. Highly respected scholar Mark Boda shows how three creedal expressions--the narrative, character, and relational creeds--recur throughout the Old Testament and express its core redemptive theology, in turn revealing how the redemptive pulse of God expands to all of creation. He also traces these redemptive and creational pulses into the New Testament and shows their relevance for today's Christian community.

Designed for the pastor and Bible teacher, the Zondervan Exegetical Commentary on the Old Testament features today's top Old Testament scholars and brings together commentary features rarely gathered together in one volume. With careful discourse analysis and interpretation of the Hebrew text, the authors trace the flow of argument in each Old Testament book, showing that how a biblical author says something is just as important as what they say. Commentary on each passage follows a clear structure to help readers grasp the flow and meaning of the text: The Main Idea of the Passage: A one- or two-sentence summary of the key ideas the biblical author seeks to communicate. Literary Context: A brief discussion of the relationship of the specific text to the book as a whole and to its place within the broader argument. Translation and Exegetical Outline: Commentators provide their own translations of each text, formatted to highlight its discourse structure and accompanied by a coherent outline that reflects the flow and argument of the text. Structure and Literary Form: An overview of the literary structure and rhetorical style adopted by the biblical author, highlighting how these features contribute to the communication of the main idea of the passage. Explanation of the Text: A detailed commentary on the passage, paying particular attention to how the biblical authors select and arrange their materials and how they work with words, phrases, and syntax to communicate their messages. Canonical and Practical Significance: The commentary on each unit will conclude by building bridges between the world of the biblical author and other biblical authors and with reflections on the contribution made by this unit to the development of broader issues in biblical theology--particularly on how later Old Testament and New Testament authors have adapted and reused the motifs in question. The discussion also includes brief reflections on the significance of the message of the passage for readers today. The Zondervan Exegetical Commentary on the Old Testament series is the go-to resource for pastors and Bible teachers looking for deep but accessible study that equips them to connect the needs of Christians today with the biblical text.

ECPA Book Award finalist With the Dictionary of the Old Testament: Prophets, IVP's Black Dictionary series completes its coverage of the Old Testament canonical books. A true compendium of recent scholarship, the volume includes 115 articles covering all aspects of Isaiah, Jeremiah, Ezekiel, the twelve "minor prophets" and Daniel. Each book's historical, cultural, religious and literary background is thoroughly covered, alongside articles on interpretation history and critical method. Pastors, scholars and students will find this a deep resource for their Old Testament studies. Reference volumes in the IVP Bible Dictionary Series provide in-depth treatment of biblical and theological topics in an accessible, encyclopedia format, including cross-sectional themes, methods of interpretation, significant historical or cultural background, and each Old and New Testament book as a whole.

This volume is born out of two years of academic presentations on laments in the Biblical Hebrew Poetry Section at the Society of Biblical Literature (2006-2007). The topics of these papers are gathered around the theme of "voice." The two parts to this volume: 1) provide fresh readings of familiar texts as they are read through the lens of lamentation, and 2) deepen our understanding of Israel and God as lamenter and lamentee. In the second section the focus on topics such as Israel's "unbelieving faith" (i.e., strong accusations against the God on whom they have complete reliance and trust), the unrighteous lamenter, and God's acceptance and rejection of the people's lament(s), deepens our understanding of Israel's culture and practice of lamentation. The final essay notes how the expression of despair is in tension with the poetic devices that contain it.

"Return to me, says the LORD of hosts, and I will return to you," (Zech 1:3 ESV). Repentance concerns the repair of a relationship with God disrupted by human sin. All the major phases of church history have seen diversity and controversy over the doctrine. The first of Luther's famous ninety-five theses nailed to the church door in Wittenburg in 1517 stated that 'the entire life of believers should be one of repentance'. In recent times, two divisive debates within evangelicalism over 'lordship salvation" and "hypergrace" have had repentance at their core. The theme of repentance is evident in almost every Old and New Testament corpus. However, it has received little sustained attention over the past half-century of scholarship, which has been largely restricted to word studies or focused on a particular text or genre. Studies of the overall theology of the Bible have typically given the theme only passing mention. In response, Mark Boda offers a comprehensive overview of the theological witness of Scripture to the theme of repentance in this New Studies in Biblical Theology volume. The key to understanding is not simply to be found in word studies, but also in the broader meaning of texts as these communicate through a variety of words, images and stories. The importance of repentance in redemptive history is emphasized. It is fundamentally a return to intimate fellowship with the triune God, our Creator and redeemer. This relational return arises from the human heart and impacts attitudes, words and actions. Addressing key issues in biblical theology, the works comprising New Studies in Biblical Theology are creative attempts to help Christians better understand their Bibles. The NSBT series is edited by D. A. Carson, aiming to simultaneously instruct and to edify, to interact with current scholarship and to point the way ahead.

This volume showcases recent exploration of the portrait of Daughter Zion as she appears in biblical Hebrew poetry. Using Carleen Mandolfo's Daughter Zion Talks Back to the Prophets (Society of Biblical Literature, 2007) as a point of departure, the contributors to this volume explore the image of Daughter Zion in its many dimensions in various texts in the Hebrew Bible. Approaches used range from poetic, rhetorical, and linguistic to sociological and ideological. To bring the conversation full circle, Carleen Mandolfo engages in a dialogic response with her interlocutors. The contributors are Mark J. Boda, Mary L. Conway, Stephen L. Cook, Carol J. Dempsey, LeAnn Snow Flesher, Michael H. Floyd, Barbara Green, John F. Hobbins, Mignon R. Jacobs, Brittany Kim, Cheryl A. Kirk-Duggan, Christl M. Maier, Carleen Mandolfo, Jill Middlemas, Kim Lan Nguyen, and Lena-Sofia Tiemeyer.