This book explores the historical and archaeological evidence of the relationships between a coastal community and the shipwrecks that have occurred along the southern Australian shoreline over the last 160 years. It moves beyond a focus on shipwrecks as events and shows the short and long term economic, social and symbolic significance of wrecks and strandings to the people on the shoreline. This volume draws on extensive oral histories, documentary and archaeological research to examine the tensions within the community, negotiating its way between its roles as shipwreck saviours and salvors.

At the turn of the twenty-first century, typical households were equipped with a landline telephone, a desktop computer connected to a dial-up modem, and a shared television set. Television, radio and newspapers were the dominant mass media. Today, homes are now network hubs for all manner of digital technologies, from mobile devices littering lounge rooms to Bluetooth toothbrushes in bathrooms-and tomorrow, these too will be replaced with objects once inconceivable. Tracing the origins of these digital developments, Jenny Kennedy, Michael Arnold, Martin Gibbs, Bjorn Nansen, and Rowan Wilken advance media domestication research through an ecology-based approach to the abundance and materiality of media in the home. The book locates digital domesticity through phases of adoption and dwelling, to management and housekeeping, to obsolescence and disposal. The authors synthesize household interviews, technology tours, remote data collection via mobile applications, and more to offer readers groundbreaking insight into domestic media consumption. Chapters use original case studies to empirically trace the adoption, use, and disposal of technology by individuals and families within their homes. The book unearths social and material accounts of media technologies, offering insight into family negotiations regarding technology usage in such a way that puts technology in the context of recent developments of digital infrastructure, devices, and software-all of which are now woven into the domestic fabric of the modern household.

This book provides a critical overview of the changing ways people mourn, commemorate and interact with the remains of the dead, including bodies, materials and digital artefacts. It focuses on how residues of death persist and circulate through different spaces, materials, data and mediated memories, refiguring how the disposal of the dead is understood, enacted and contested across the globe. The volume contains contributions by scholars from a number of disciplines and includes a diverse range of case studies drawn from Asia, Europe and North America. Together they reveal how rapidly changing practices, industries and experiences around death's remains involve the entwining of digital technologies with other material and ritualised forms of commemoration, as well as with shifting boundaries between the sacred and the profane, the institutional and the vernacular, the public and the private.

This book provides a critical overview of the changing ways people mourn, commemorate and interact with the remains of the dead, including bodies, materials and digital artefacts. It focuses on how residues of death persist and circulate through different spaces, materials, data and mediated memories, refiguring how the disposal of the dead is understood, enacted and contested across the globe. The volume contains contributions by scholars from a number of disciplines and includes a diverse range of case studies drawn from Asia, Europe and North America. Together they reveal how rapidly changing practices, industries and experiences around death's remains involve the entwining of digital technologies with other material and ritualised forms of commemoration, as well as with shifting boundaries between the sacred and the profane, the institutional and the vernacular, the public and the private.

Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.

This book explores the historical and archaeological evidence of the relationships between a coastal community and the shipwrecks that have occurred along the southern Australian shoreline over the last 160 years. It moves beyond a focus on shipwrecks as events and shows the short and long term economic, social and symbolic significance of wrecks and strandings to the people on the shoreline. This volume draws on extensive oral histories, documentary and archaeological research to examine the tensions within the community, negotiating its way between its roles as shipwreck saviours and salvors.

Calypso, with its richly diverse cultural heritage, was the most significant Caribbean musical form from World War I to Trinidad and Tobago Independence in 1962. Though wildly popular in mid-1950s America, Calypso--along with other music from ""the island of the hummingbird""--has been largely neglected or forgotten. This first-ever discography of the first 50 years of Trinidadian music includes all the major artists, as well as many unknowns. Chronological entries for 78 rpm recordings give bibliographical references, periodicals and websites and the recording location. Rare field recordings are catalogued for the first time, including East Indian and Muslim community performances and Shango and Voodoo rites. Appendices give 10-inch LP (78 rpm), 12-inch LP (33 1?3 rpm), extended play and 7-inch single listings. Non-commercial field recordings, radio broadcasts and initially unissued sessions also are listed. The influence of Trinidadian music on film, and the ""Calypso craze"" are discussed. Audio sources are provided. Indexes list individual artists and groups, titles and labels.

It is now about 100 years since the chloroplast has been recognized as the site of photosynthesis in plant cells. The last 20 years have seen a striking increase in interest in the structure and function of the chloroplast. Hastened on by powerful new tools such as the electron microscope and the newer methods of isolation and analysis of chloroplasts, there is presently considerable experimental work on the properties of this organelle. In such a rapidly moving field and one which is reviewed systematically is various Annual Reviews, it is not possible to present a detailed critique of the prolific literature in a book of reasonable size. Rather the decision was made to sacrifice complete coverage of the field and to indicate general areas of investigation. In organization, problems here dealt with, are those concerned with the electron microscopy of chloroplast structure, development and conformation, genetic control of chloroplast development, characterization of some of the major components of the chloroplast and the biochemical properties of the chloroplast including the for mation of adenosine triphosphate and reduced pyridine nucleotide and the assim ilation of carbon dioxide into carbohydrate with subsequent conversion to second ary products. A historical outline on the general subject "Photosynthesis and the Chloroplast" has been included to place into proper perspective the rapid developments in the several areas covered in the book. I am particularly indebted to Dr. Roy E."

This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the ""acoustic era"" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.

A Discography bringing together recordings that could be considered part of the African-American musical experience and that played some part in the emergence of blues and jazz music. African musical forms have been considered of primarily importance yet there has been little attempt to bring together the recorded evidence from West Africa that might provide the necessary background for the development of African-American musical forms. In addition, once in the United States the recordings of former slaves giving their views and singing their songs have been included to add to this account. Amazingly, it was not until the 1930s that it was thought important enough to record their voices for posterity. Furthermore, there are field recordings from the Caribbean basin, and especially, those related to the religious rituals of Voodoo with its undoubted connection to Africa and its transmission to the United States. All of these features give a more complete view of the African American musical experience.

Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.

At the turn of the twenty-first century, typical households were equipped with a landline telephone, a desktop computer connected to a dial-up modem, and a shared television set. Television, radio and newspapers were the dominant mass media. Today, homes are now network hubs for all manner of digital technologies, from mobile devices littering lounge rooms to Bluetooth toothbrushes in bathrooms-and tomorrow, these too will be replaced with objects once inconceivable. Tracing the origins of these digital developments, Jenny Kennedy, Michael Arnold, Martin Gibbs, Bjorn Nansen, and Rowan Wilken advance media domestication research through an ecology-based approach to the abundance and materiality of media in the home. The book locates digital domesticity through phases of adoption and dwelling, to management and housekeeping, to obsolescence and disposal. The authors synthesize household interviews, technology tours, remote data collection via mobile applications, and more to offer readers groundbreaking insight into domestic media consumption. Chapters use original case studies to empirically trace the adoption, use, and disposal of technology by individuals and families within their homes. The book unearths social and material accounts of media technologies, offering insight into family negotiations regarding technology usage in such a way that puts technology in the context of recent developments of digital infrastructure, devices, and software-all of which are now woven into the domestic fabric of the modern household.

A famous philosopher. A giant meat cleaver. A sordid tale of love, revenge, hatred, and interstellar shenanigans, all stirred in a giant copper pot and boiled with leeks. This is the never-before-told bizarro history of the illustrious Francois-Marie Arouet, known to the world as Voltaire. This is pain This is suffering This is wild, sticky-sweat-between-the-sheets action Inter-dimensional space and time travel, space-brides, desiccated planets, great literature, and Slobodan Milosevic, too. We invite you to the party. Please bring your own soap and Quaaludes.

The simple-minded and the insane. Mercenaries, demons, drunks, and unstable men. The dead and living. A world full of simpletons and simple technology, but cursed with unbelievable magic and powerful warlocks. Thus is the world of The Spaces Between. Zhy, the town drunk, finds himself on a journey with a brazen mercenary and an uppity mage. They are followed by an idiot man-child, listening to voices in his head. As they creep closer to their stated goal, each man realizes he's only a pawn in a scheme: A scheme concocted by one of the travelers. A drunkard's journey will begin with laughter and end in misery.

Every winter between 1836 to 1879 small wooden boats left the bays of southwest Western Australia to hunt for migrating Humpback and Right whales.

This book explores the historical and archaeological evidence of the relationships between a coastal community and the shipwrecks that have occurred along the southern Australian shoreline over the last 160 years. It moves beyond a focus on shipwrecks as events and shows the short and long term economic, social and symbolic significance of wrecks and strandings to the people on the shoreline. This volume draws on extensive oral histories, documentary and archaeological research to examine the tensions within the community, negotiating its way between its roles as shipwreck saviours and salvors.