Comedy drama starring Eva Mendes and Cierra Ramirez as a mother and daughter with a troubled relationship. Single mother Grace (Mendes) spends her time working, worrying about bills and having an affair with a married doctor (Matthew Modine), meaning she has little time to focus on her 14-year-old daughter Ansiedad (Ramirez), who has to look after herself. After her English teacher (Patricia Arquette) explains the meaning behind coming-of-age stories, Ansiedad comes up with a list of experiences she wants to have that will help her mature and get ready to run away to New York. Will Grace discover her daughter's plans and intervene before she loses her for good?

The Edexcel GCSE (9-1) Music Student Book new edition includes: A basic introduction to understanding music and musical notation, enabling students of all abilities to access the course content and make progress Detailed analysis of the 8 set works, focussing on the musical elements, musical contexts and musical language that students will need to know and apply New Wider Listening features to help students understand the wider context of the set works Glossary of key words enabling students to recognise and use appropriate musical vocabulary Preparing for the Exam section to support revision for the listening and appraising paper.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

At the outbreak of the Second World War U.S.S. Quail was in the Philippines sweeping mines to provide access for American shipping to South Harbor, Corregidor. Damaged by enemy bombs and guns during the Japanese invasion of the island, Lieutenant Commander John Morrill and his fellow men decided to make the decision to scuttle their ship rather than allow it to be captured. This led them to begin one of the most daring escapes of the Second World War.

First published edition of documents and letters from a highly-significant incident within the nineteenth-century Catholic church. The row between Bishop Herbert Vaughan of Salford and the Jesuits became a cause celebre in the 1870s and was only settled eventually in Rome after the personal intervention of the pope. While the immediate issue was the provision of secondary education, at stake were key questions of authority that had troubled the English Catholic community for centuries; the solution played a major part in determining the relationship between the newly restored bishops and the Religious Orders. This volume brings together for the first time all the relevant English and foreign archival sources and enables the reader to take a balanced view of the whole issue. The documents and letters [including Vaughan's private diary] paint an intriguing and not always flattering picture of the principal combatants. Bishop Vaughan [later Cardinal Archbishop of Westminster] was a determined champion of his own and his fellow-bishops' rights as diocesan bishops. Against him stood the leaders of the Jesuit Order, jealous of their traditional privileges and heirs to centuries of service to the English Catholic community. By the 1870s that community wasbeginning to develop a commercial and professional middle class who demanded secondary education for their children. Many of them looked to the Jesuits to provide it and they claimed the right to do so, irrespective of the wishesand rights of the bishop. The source material is accompanied by an introduction placing them into their social and historical context, and explanatory notes. It forms an important addition to an understanding of the nineteenth-century English Catholic Church. Father Martin John Broadley is a priest in the Catholic diocese of Salford; he also lectures at the University of Manchester.

The modern Christmas was made by the Victorians and rooted in their belief in commerce, family and religion. Their rituals and traditions persist to the present day but the festival has also been changed by growing affluence, shifting family structures, greater expectations of happiness and material comfort, technological developments and falling religious belief. Christmas became a battleground for arguments over consumerism, holiday entitlements, social obligations, communal behaviour and the influence of church, state and media. Even in private, it encouraged reflection on social change and the march of time. Amongst those unhappy at the state of the world or their own lives, Christmas could induce much cynicism and even loathing but for a quieter majority it was a happy time, a moment of a joy in a sometimes difficult world that made the festival more than just an integral feature of the calendar: Christmas was one of British culture's emotional high points. Moreover, it was also a testimony to the enduring importance of family, shared values and a common culture in the UK. Martin Johnes shows how Christmas and its traditions have been lived, adapted and thought about in Britain since 1914. Christmas and the British is about the festival's social, cultural and economic functions, and its often forgotten status as both the most unusual and important day of the year